Danièle Moyal-Sharrock

Shakespeare displays the dance of human passions, one might say. … But he displays it to us in a dance, not naturalistically.In the Tractatus, Wittgenstein says that ethics cannot be put into words. This does not mean he thought ethics could not be made manifest; and indeed I will suggest that Wittgenstein took the best manifestation of ethics to be in aesthetics, and more specifically literature. Literature uses words in such a way as to allow ethics to show itself. It does this, I suggest, through perspicuous presentations, though of a different kind than those of philosophy. Wittgenstein takes us some way toward fleshing out the literary nature of perspicuous presentations, but not far enough. To do this, I will...

Leavis would not have approved of the third epithet in our title. He saw himself as an “anti-philosopher”—philosophers being thinkers who reduce thought to “isms.” Leavis was clear that he was neither a theorist nor a philosopher, but as a literary critic he could not avoid thinking about the kind of existence works of literature have, and how they can be forms of thought. In “Leavisian Thinking,” Ian Robinson shows how this led him to develop the idea of the “third realm,” which is often misinterpreted but can be useful to both the philosophy of language as well as literary criticism.Chris Joyce’s essay, “Rethinking Leavis,” seeks to establish the case for reading Leavis as a thinker and as one of the most...