Vincent Colapietro

Peirce was a thinker who claimed that his mind had been thoroughly formed by his rigorous training in the natural sciences. But he was also the author who proclaimed that nothing is truer than true poetry. In making the case for Peirce’s relevance to issues of education, then, it is necessary to do justice to the multifaceted character of his philosophical genius, in particular, to the experimentalist cast of his mind and his profound appreciation for the aesthetic, the imaginative, and (more narrowly) the metaphorical in their myriad guises. My aim in this paper is to go some distance, however small, toward doing such justice to Peirce.

: The essay explores how C. S. Peirce, especially in his mature thought, addressed the question of meaning. It underscores how he not only took meaning to be at bottom a function of our habits but also how he conceived these habits themselves to be functions of the histories in which they originate and operate. Hence, what I propose here is this: One of the most fruitful ways to interpret Peirce's own contribution to this question is to see his efforts as carrying forward the impetus intensified by Hegel and Darwin's emphasis on temporality and historicity.In Part One of this paper, I suggest how Peirce approaches the question of meaning primarily in reference to what I call the drama of self-correction. Moreover, his approach is explicitly related to his pragmatism, semeiotic, and phenomenological doctrine of categories. Finally, the historical development of his own reflections on this question is taken to provide a basis for an historicist interpretation of his mature position. In Part Two, I propose that the metaphor of a route provides a corrective to the excessively formal and indeed formalistic interpretations of Peirce's theory of signs still dominating the discussion of this theory. Routes are understood here not as antecedently fixed paths, but as historically emergent and alterable trajectories defined by the movements of travelers. In conjunction with this emphasis I explore several distinct senses in which both beliefs and signs are what agents go on. Such reflections are articulated for the purpose of facilitating a deeper understand of not only what Peirce meant by meaning but also what we might mean by this elusive term.Key-words: Meaning. Sign. Interpretant. History. Pragmatism. Evolutionism. Intuition. Self-correction.Resumo: O ensaio explora como C. S. Peirce, particularmente em seu pensamento maduro, abordou a questão do significado. Ressalta como ele não apenas tomou significado como, basicamente, uma função de nossos hábitos, mas também como ele concebeu esses próprios hábitos como funções das histórias nas quais se originam e operam. Assim, o que proponho aqui é o seguinte: Uma das formas mais fecundas de interpretar a própria contribuição de Peirce a essa questão é ver seus esforços como levando adiante o ímpeto intensificado pela ênfase dada por Hegel e Darwin à temporalidade e à historicidade.Na Primeira Parte deste trabalho, sugiro como Peirce aborda a questão do significado principalmente em referência ao que eu chamo de drama da autocorreção. Ademais, sua abordagem está explicitamente relacionada ao seu pragmatismo, a sua semiótica e sua doutrina fenomenológica das categorias. Finalmente, o desenvolvimento histórico das suas reflexões sobre essa questão é considerado como base para uma interpretação historicista de sua posição madura. Na Segunda Parte, proponho que a metáfora de um caminho proporciona uma correção às interpretações excessivamente formais, e, até mesmo, formalísticas, da teoria dos signos de Peirce que ainda dominam a discussão dessa teoria. Os caminhos devem ser entendidos aqui não como rotas pré-fixadas, e sim como trajetórias historicamente emergentes e alteráveis, definidas pelos movimentos dos viajantes. Juntamente com a ênfase, exploro alguns sentidos distintos, nos quais tanto as crenças como os signos são aquilo em que os agentes se fundamentam. Essas reflexões são articuladas com a finalidade de facilitar um entendimento mais profundo não só do que Peirce quis dizer com significado, mas também o que nós queremos dizer com esse termo indefinido.Palavras-chave: Significado. Signo. Interpretante. História. Pragmatismo. Evolucionismo. Intuição. Autocorreção.

Too often C. S. Peirce’s theory of signs is used simply as a classificatory scheme rather than primarily as a heuristic framework (that is, a framework designed and modified primarily for the purpose of goading and guiding inquiry in any field in which signifying processes or practices are present). Such deployment of his semeiotic betrays the letter no less than the spirit of Peirce’s writings on signs. In this essay, the author accordingly presents Peirce’s sign theory as a heuristic framework, attending to some of the most important ways that it might serve to facilitate a semeiotic investigation of our legal practices. He pays close attention to the ways the topics of history, formalism, reductionism, and generality become, from a Peircean perspective, salient features of legal studies.

This essay examines in detail the triangulated conversation Naoko Saito constructs, in The Gleam of Light, among the voices of R. W. Emerson, John Dewey and Stanley Cavell. The pivot around which everything turns is the Emersonian ideal of moral perfectionism and, in particular, the implications of this ideal for the philosophy of education. As explicated by Cavell, this ideal concerns ‘the dimension of moral thought directed less to restraining the bad than to releasing the good’. For the conscientious person, it is, at once, unavoidable and unattainable. In constructing a conversation among these and other authors, Saito establishes herself as an arresting voice by her thoughtful contributions to many contemporary controversies bearing upon our educational practices, not least of all ones about curricular reform as well as personal transformation.