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11Gestures Historical and Incomplete, Critical yet FriendlyEuropean Journal of Pragmatism and American Philosophy 8 (1). 2016.“Thought requires achievement for its own development, and without this development it is nothing. Thought must live and grow in incessant new and higher translations, or it proves itself not to be genuine thought.” – C. S. Peirce (CP 5.595) Introduction: Captivating Pictures and Liberating Gestures At the center of one of the most famous anecdotes involving a famous philosopher, we encounter what is commonly called in English a gesture, in fact, a Neapolitan gesture, though one made by a Tur...
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6The Task of the Interpreter (review)American Catholic Philosophical Quarterly 81 (4): 694-699. 2007.
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30Cultivating the Arts of Inquiry, Interpretation, and Criticism: A Peircean Approach to our Educational PracticesStudies in Philosophy and Education 24 (3): 337-366. 2005.Peirce was a thinker who claimed that his mind had been thoroughly formed by his rigorous training in the natural sciences. But he was also the author who proclaimed that nothing is truer than true poetry. In making the case for Peirce’s relevance to issues of education, then, it is necessary to do justice to the multifaceted character of his philosophical genius, in particular, to the experimentalist cast of his mind and his profound appreciation for the aesthetic, the imaginative, and (more na…Read more
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30Rockmore, Tom, and Beth J. Singer, "Antifoundationalism Old and New" (review)International Philosophical Quarterly 33 (n/a): 251-254. 1993.
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39Charles Peirce’s Pragmatic Pluralism (review)International Studies in Philosophy 30 (4): 140-141. 1998.
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9Literary Forms, Heuristic Functions, and Philosophical FixationsOverheard in Seville 31 (31): 5-19. 2013.
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16Reason, Conflict, and Violence: John William Miller's Conception of PhilosophyTransactions of the Charles S. Peirce Society 25 (2). 1989.
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41Bebop as historical actuality, urban aesthetic, and critical utterancePhilosophy and Geography 6 (2). 2003.This paper focuses upon "bebop" as a distinctively urban movement for the purpose of contributing to the articulation of a distinctively urban aesthetics. The author examines both how the music was taken up in such cities as New York, Los Angeles, Kansas City, St. Louis, and Chicago, and in turn how an urban sensibility was expressed in this particular movement.
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29Jazz as Metaphor, Philosophy as JazzIn Cornelis De Waal & Krzysztof Piotr Skowroński (eds.), The normative thought of Charles S. Peirce, Fordham University Press. pp. 1. 2012.
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45A lantern for the feet of inquirers: The heuristic function of the Peircean categoriesSemiotica 2001 (136). 2001.
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19The Critical Appropriation of Our Intellectual Tradition: Toward a Dialogue between Polanyi and LonerganTradition and Discovery 17 (1 & 2): 29-43. 1990.
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21"Tell Your Friend Giuliano . . .": Jamesian Enthusiasms and Peircean ReservationsTransactions of the Charles S. Peirce Society 30 (4). 1994.
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Stephen Tyman, "Descrying the Ideal: The Philosophy of John William Miller" (review)Transactions of the Charles S. Peirce Society 30 (4): 1033. 1994.
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39The Task of the Interpreter (review)American Catholic Philosophical Quarterly 81 (4): 694-699. 2007.
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