Paolo Diego Bubbio

René Girard’s mimetic theory has significantly influenced the fields of comparative literature and cultural studies, as well as sociological anthropology and philosophy. Nevertheless, I argue that a somewhat different line of interpretation, an interdisciplinary one, has not been sufficiently investigated. This involves an interpretation which focuses on the vicissitudes of the mimetic and “victimage” circle not (or not only) in sociological terms, but by analysing their articulation on the level of knowledge. The sociological and epistemological perspectives do not exclude each other, but can be integrated. The main aim of this paper is to clarify this articulation, and to show that integration between these two perspectives is possible only by bringing into play a real ‘literary aesthetics’. The notion of literary aesthetics needs to be considered in both the common and the etymological sense, as a theory of feeling and of experiencing. In doing so, I firstly cover in brief the main stages of Girard’s thought in the light of this perspective, to then focus on the relationship between literary aesthetics and knowledge. Finally I argue that this picture, if seriously considered, could lead to a mystical outcome, and will discuss the possible alternatives to that outcome.

In this paper, I contend that both Hegel’s and Heidegger’s philosophies can be regarded as attempts to overcome Cartesian subjectivism and to by-pass traditional oppositions between subjectivist and objectivist accounts of the ‘I.’ I explore Hegel’s notion of the ‘I,’ stressing how Hegel takes up Kant’s ‘I-think,’ freeing Kant’s philosophy from its subjectivism. Then, I submit that Heidegger, in the twentieth century, was similarly concerned with the overcoming of subjectivism, and that an analysis of his notion of mineness and its development in the context of Heidegger’s thought can support this argument. Finally, I suggest that Hegel’s and Heidegger’s analyses can be used to elaborate an alternative and more flexible model of the ‘I,’ which avoids individualism, allows thinking of the formation of the self as a collective enterprise, and thus provides the conceptual resources to transform our identity without losing it.

This paper has two related goals. Firstly, after briefly clarifying the theoretical core of Solger's thought, it will analyse his metaphysics from Hegel's point of view, emphasizing that sacrifice is, for Solger, the fundamental structure of the relationship between the finite and the Infinite. Secondly, it will investigate the main reasons behind Hegel's criticism of Solger, showing that they have different conceptions of privation and negation and concluding that Solger and Hegel have different aims. Hegel's aim consists in recomposing the unity of finite and infinite, whereas Solger's thought is structured on the rupture between these two.

The present paper suggests to consider Kierkegaard’s use of Abraham’s story in Fear and Trembling in regulative terms, that is, to consider it as a model – not for our moral behaviour but rather for our religious behaviour. To do so, I first rely on recent literature to argue that Kierkegaard should be regarded as a distinctively post-Kantian philosopher: namely, a philosopher who goes beyond Kant in a way that is nevertheless true to the spirit of Kant’s original critical philosophy. Then, I present a post-Kantian reading of Fear and Trembling, focusing on the problematic implications that result from comparing this text with Hegel’s theory of recognition. Finally, I submit that sacrifice in Fear and Trembling is a regulative notion in a Kantian sense. This interpretation addresses some of the most problematic aspects of the text. I conclude that the regulativity of sacrifice may be regarded as an important and perhaps an essential component of Kierkegaard’s overall philosophical strategy.

René Girard's mimetic theory has been object of much interest in the last few years, both in the 'Continental' and in the 'English-speaking' philosophical areas. Nevertheless, Girard's thought is not always accepted in the academic circles. The main cause for this is that his theory is considered too 'philosophical' in the Human Sciences Departments, and it seems too close to cultural anthropology and literary criticism to be appreciated by philosophers. This is the reason why it could be fruitful to focus the attention on the philosophical aspects of René Girard's thought. I clarify what is meant exactly by 'philosophy' within the mimetic theory of René Girard and I define the borders of the problem of the 'death of philosophy,' as it appears from Girard's work. Then, I focus on philosophical hermeneutics and its relationship with the mimetic theory. Finally, I try to answer a central question: is it still possible to speak of 'philosophy' within the Girardian universe?

After a period of neglect, the idealist and romantic philosophies that emerged in the wake of Kant's revolutionary writings have once more become important foci of philosophical interest, especially in relation to the question of the role of religion in human life. By developing and reinterpreting basic Kantian ideas, an array of thinkers including Schelling, Hegel, Friedrich Schlegel, Hölderlin and Novalis transformed the conceptual framework within which the nature of religion could be considered. Furthermore, in doing so they significantly shaped the philosophical perspectives from within which later thinkers such as Feuerbach, Kierkegaard, Wagner and Nietzsche could re-pose the question of religion. This volume explores the spaces opened during this extended period of post-Kantian thinking for a reconsideration of the place of religion within the project of human self-fashioning.