Paolo Diego Bubbio

The aim of the paper is to clarify the theoretical core of Solger's thought, the foundation for his aesthetics. I first analyze Solger's dialectic of double negation. Secondly I focus on Solger's gnoseology, which is orientated toward grasping the equilibrium between the Infinite (God) and the finite (world) consisting in this double negation. Lastly I investigate the notion of sacrifice, connecting it with Solger's ironic dialectic and showing its relevance to a complete understanding of his thought.

In this paper, I investigate the relations between the notion of the I and the conception of World history in Hegel’s philosophy. First, I address Hegel’s account of the I by reconstructing its phenomenological and logical development from consciousness to self-consciousness through recognition with the other and arguing that the project of the Philosophy of Right is normative, as it provides an account of the logical process of affirmation of the I as the normative source of the realm of objective spirit. I then argue for an account of World history as the self-conscious development and liberation of the I in time and objectivity, and I consider Hegel’s philosophy of history in light of the Philosophy of Right as the historical emergence of the I through the forms of objective spirit in history. Finally, I focus on two of the allegedly most problematic issues related to Hegel’s conception of World history: the nature and very possibility of an ‘intersubjective consciousness’ and the notion of ‘World spirit’. I conclude by outlining how the conception of World history, if reconstructed in light of Hegel’s conception of the I, can have previously unnoticed political implications.

The main goal of this paper is to argue the relevance of Hegel’s notion of the Trinity with respect to two aspects of Hegel’s idealism: the overcoming of subjectivism and his conception of the ‘I’. I contend that these two aspects are interconnected and that the Trinity is important to Hegel’s strategy for addressing these questions. I first address the problem of subjectivism by considering Hegel’s thought against the background of modern philosophy. I argue that the recognitive structure of Hegel’s idealism led him to give the Trinity a decisive role in his philosophical account. Next, I discuss the Trinity by analysing the three divine persons. This analysis paves the way for the conclusion, where I argue that the Trinity represents a model for re-thinking the ‘I’ in a way that overcomes a ‘naïve realist’ and a ‘subjective’ account of the self. I suggest that Hegel’s absolute idealism can be conceived as an approach to the ‘I’ that considers the role of acts of mutual recognition for the genesis of self-conscious thought, and that the Trinity is the Darstellung of the relational and recognitive structure of the ‘I’

The present paper suggests to consider Kierkegaard’s use of Abraham’s story in Fear and Trembling in regulative terms, that is, to consider it as a model – not for our moral behaviour but rather for our religious behaviour. To do so, I first rely on recent literature to argue that Kierkegaard should be regarded as a distinctively post-Kantian philosopher: namely, a philosopher who goes beyond Kant in a way that is nevertheless true to the spirit of Kant’s original critical philosophy. Then, I present a post-Kantian reading of Fear and Trembling, focusing on the problematic implications that result from comparing this text with Hegel’s theory of recognition. Finally, I submit that sacrifice in Fear and Trembling is a regulative notion in a Kantian sense. This interpretation addresses some of the most problematic aspects of the text. I conclude that the regulativity of sacrifice may be regarded as an important and perhaps an essential component of Kierkegaard’s overall philosophical strategy.

It may seem strange to connect the ontological argument for God‟s existence with René Girard‟s thought. My first aim is to clarify this connection.In order to do so, we must first suggest three distinct hermeneutical approaches to Girard. Ifwe take an internal, literal approach, we find that Girard writes nothing about theontological proof. Nevertheless, he does cite Anselm. If we take an internal, nonliteral approach to Girard, we can try to deduce what he might have thought about the ontological proof on the basis of his mimetic theory, thereby extending his thought while remaining within his theory. If we take a critical approach, we can interpret Girard from an external perspective and critically analyze analogies between the ontological proof and his mimetic theory on the assumption that there is no a priori reason why there cannot be a relationship between an argument and a thinker, even without that thinker‟s awareness and in spite of his intentions

The Relationship of Philosophy to Religion Today is a collection of texts authored by philosophers with an interest in contemporary philosophy of religion, its merits and its limitations. The collection has been stimulated by such questions as: "What ought philosophy of religion be?" and "How ought philosophy relate to religion today?" In pursuing such questions, the editors have asked the contributors to offer their insights and reflections on issues that they see as important to contemporary philosophy of religion, with the goal of producing a collection of texts offering the reader a variety of perspectives without privileging any particular philosophical, religious or irreligious orientation. The book covers such themes as the relationship between religion and modernity, faith in keeping with reason, contemplation, the merits and limitations of the atheism, and the relationship between philosophy, religion and politics.

The aim of the paper is to clarify the theoretical core of Solger's thought, the foundation for his aesthetics. I first analyze Solger's dialectic of double negation. Secondly I focus on Solger's gnoseology, which is orientated toward grasping the equilibrium between the Infinite (God) and the finite (world) consisting in this double negation. Lastly I investigate the notion of sacrifice, connecting it with Solger's ironic dialectic and showing its relevance to a complete understanding of his thought.

This paper addresses the role of the notion of sacrifice in Kant’s theoretical philosophy, practical philosophy, and in his account of religion. First, I argue that kenotic sacrifice, or sacrifice as ‘withdrawal’, plays a hidden and yet important role in the development of Kant’s transcendental philosophy. Second, I focus on Kant’s practical philosophy, arguing that the notion of sacrifice that is both implied and explicitly analyzed by Kant is mainly suppressive sacrifice. However, Kant’s account is fundamentally ambiguous, as sometimes the kenotic meaning of sacrifice seems to resurface, especially in the context of Kant’s discussion of the happiness of others as an end in itself. Because religious notions are regarded by Kant as necessary transitional forms (Darstellungen) to be used to make moral ideas applicable to the world, I then scrutinize Kant’s view of sacrifice as an improper symbol, and I analyze Kant’s arguments for such a dismissal and discuss the subject matter in recent literature. Finally, I examine the role of sacrifice in Kant’s account of Christ as the prototype of pure moral disposition. I conclude by arguing that Kant indeed grasped the importance of including kenotic dynamics in practical philosophy but was somehow unable or unwilling to integrate it into the formal grounding of his ethics. This tension, however, effectively provides an entry point for features that can be found in the post-Kantians

This paper covers the theme of the death of God considered from a Hegelian standpoint. For Aristotle, the image of God as ‘thought thinking itself’ was an image of the knowledge aspired to in philosophy. With the notion of God becoming man and his insistence on the icon of the Cross, Hegel challenged the Aristotelian goal of philosophy as immutable knowledge of an ‘ultimate’ reality. Hegel viewed the crisis of normativity as strictly linked to the conception of the self. It is Nietzsche who is best known for alluding to the full significance of this image for modern life, but Hegel’s thought on the complex relations of philosophy and religion in the modern world can be regarded as an attempt to think through this same historical phenomenon. In this paper, I focus on the philosophical relevance of Hegel’s notion of the death of God. I argue that unpacking the significance of the ‘truths’ presented symbolically in modern Christianity is crucial in unders..

René Girard’s mimetic theory has significantly influenced the fields of comparative literature and cultural studies, as well as sociological anthropology and philosophy. Nevertheless, I argue that a somewhat different line of interpretation, an interdisciplinary one, has not been sufficiently investigated. This involves an interpretation which focuses on the vicissitudes of the mimetic and “victimage” circle not (or not only) in sociological terms, but by analysing their articulation on the level of knowledge. The sociological and epistemological perspectives do not exclude each other, but can be integrated. The main aim of this paper is to clarify this articulation, and to show that integration between these two perspectives is possible only by bringing into play a real ‘literary aesthetics’. The notion of literary aesthetics needs to be considered in both the common and the etymological sense, as a theory of feeling and of experiencing. In doing so, I firstly cover in brief the main stages of Girard’s thought in the light of this perspective, to then focus on the relationship between literary aesthetics and knowledge. Finally I argue that this picture, if seriously considered, could lead to a mystical outcome, and will discuss the possible alternatives to that outcome.

After a period of neglect, the idealist and romantic philosophies that emerged in the wake of Kant's revolutionary writings have once more become important foci of philosophical interest, especially in relation to the question of the role of religion in human life. By developing and reinterpreting basic Kantian ideas, an array of thinkers including Schelling, Hegel, Friedrich Schlegel, Hölderlin and Novalis transformed the conceptual framework within which the nature of religion could be considered. Furthermore, in doing so they significantly shaped the philosophical perspectives from within which later thinkers such as Feuerbach, Kierkegaard, Wagner and Nietzsche could re-pose the question of religion. This volume explores the spaces opened during this extended period of post-Kantian thinking for a reconsideration of the place of religion within the project of human self-fashioning.