Michela Summa

Das Verhältnis zwischen Husserl und Kant zählt zu den kontroversesten Themen im Bereich systematischer Forschung zur Transzendentalphilosophie. Dieses Verhältnis ist unter anderem deshalb kompliziert, weil Husserl relativ ambivalent über Kants Philosophie urteilt. Einerseits betrachtet er Kant als den Entdecker der Transzendentalphilosophie und somit auch als Vorläufer der transzendentalen Phänomenologie. Andererseits äußert er sich gegenüber bestimmten Aspekten der Philosophie Kants, die er als Reste einer nicht überwundenen metaphysischen Tradition betrachtet, kritisch. Die Anerkennung einer solchen Ambivalenz scheint der Ausgangspunkt von Pradelles Forschungen zu Husserl und Kant zu sein. Diese bewegen sich zwischen der Hervorhebung der Bedeutung der Kant’schen Erbschaft für Husserls Phänomenologie und der Anerkennung, dass eine solche theoretische Erbschaft eine tiefreichende Änderung, wenn nicht sogar eine Umkehrung, innerhalb der Phänomenologie erfährt. Das zeigt sich sowohl in...

Several works published in the last decades defend the claim that the concept of creativity should be demystified. With the aim of showing that creativity is not an obscure power owned by only few individuals and free from constraints, authors working at the intersection field between philosophy and cognitive science have notably focused on the structure and evolution of cognitive mechanisms underlying our creative capacities. While taking up the suggestion that we should try not to mystify creativity, this article argues that what is required for such demystification is primarily a transcendental and phenomenological inquiry. Kant’s and Merleau-Ponty’s works are here discussed in order to develop such a transcendental inquiry into creativity. Both Kant and Merleau-Ponty bring to the fore the conditions of possibility for creative acts, and highlight fundamental role of creativity itself in the formation of meaningfulness. The keystone of both philosophers’ inquiries is the emphasis on the interdependence between creativity and rules. Yet, due to the different approaches to the transcendental, Kant’s and Merleau-Ponty’s accounts do not fully converge, but should rather be considered as complementary.

Body Memory, Metaphor and Movement is an interdisciplinary volume with contributions from philosophers, cognitive scientists, and movement therapists. Part one provides the phenomenologically grounded definition of body memory with its different typologies. Part two follows the aim to integrate phenomenology, conceptual metaphor theory, and embodiment approaches from the cognitive sciences for the development of appropriate empirical methods to address body memory. Part three inquires into the forms and effects of therapeutic work with body memory, based on the integration of theory, empirical findings, and clinical applications. It focuses on trauma treatment and the healing power of movement. The book also contributes to metaphor theory, application and research, and therefore addresses metaphor researchers and linguists interested in the embodied grounds of metaphor. Thus, it is of particular interest for researchers from the cognitive sciences, social sciences, and humanities as well as clinical practitioners.