Barbara Michaela Sattler

Zeno’s Moving Rows paradox is the only paradox among his four paradoxes of motion that is usually skipped over as being of no philosophical interest. This paper aims to give a new diagnosis of the Moving Rows paradox, a diagnosis that allows us to see it as raising a philosophically interesting problem concerning the relationship of time, space, and motion. It shows the consequences of confusing time’s dependence on the space covered in a motion with time’s dependence on the motion performed. I argue that, to date, the paradox has not been given the correct analysis – usually being reconstructed either as a mere oversight, or as some confusion about the relativity of motion, or as a very different atomistic paradox.

This is part of a two-paper project to show in detail in ways that have not been attempted before that, in the Symposium, Plato uses the language and metaphors of the Eleusinian Mysteries as a template for the ascent to the Form of Beauty; and also to explain why he might have chosen to do so. The standard accounts of the Eleusinian Mysteries come from sources that have themselves been influenced by Plato and hence are unsuitable to demonstrating the extent of his exploitation of the Mysteries. This first paper offers a reconstruction of what can be known about the Eleusian Mysteries with the help of Pre-Platonic sources, by looking at material culture, archaeological remains, and pre-Platonic literature.