Barry Stocker

The later Wittgenstein claimed to resolve philosophical problems through returning words to their 'ordinary' use. The paradox arises that Wittgenstein's own philosophy must be written in a philosophical language and, therefore, in an extra-ordinary language. The paradox is discussed with particular reference to rules. Rules constitute language, but the account of the 'rule' itself leads to paradox and contradiction. A rule is followed and following a rule requires an interpretation. The interpretation of the rule requires a decision. The decision precedes the rule, so it justifies following a rule but there cannot be a rule for the decision itself

Introduction Life, art and mysticism Luitzen Egbertus Jan Brouwer Logic and ethics as the limits of the world Anthony Rudd To what extent is solipsism a truth? Michael Kremer Frege at therapy Kelly Dean Jolley 'Making sense' of nonsense Conant and Diamond read Wittgenstein's Tractatus Diarmuid Costello More making sense of nonsense: from logical form to forms of life Daniel D. Hutto Saying and showing: an example from Anscombe Cora Diamond Why worry about the Tractatus? James Conant Transcendence and contradiction in the Tractatus Barry Stocker Wittgenstein's onto-logic Barry Allen Bibliography Index.

Keith Ansell-Pearson, An Introduction to Nietzsche as Political Thinker (Cambridge: Cambridge University Press, 1994) hb: 0-521-41722-8. pb: 0-521-42721-5. Paul Patton, ed., Nietzsche, Feminism and Political Theory (London: Routledge. 1993) 0-4150-8256-0. Lester M. Hunt, Nietzsche and the Origin of Virtue (London: Routledge, 1993) 0-4150-9580-8. David Owen, Maturity and Modernity. Nietzsche, Weber, Foucault and the Ambivalence of Reason (London: Routledge, 1994) 0-4150-5398-6. Peter Lassmann and Ronald Spiers, eds., Weber: Political Writings (Cambridge: Cambridge University Press. 1994) hb: 0-521 -39312-4. pb: 0-521 -39719-7. Friedrich Nietzsche, On the Genealogy of Morality and Other Writings, ed. Keith Ansell-Pearson, tr. Carol Diethe (Cambridge University Press, 1994) hb: 0-521-40459-2. pb: 0-521-40610-2.

Hegel's philosophy of literature, in the Aesthetics and other texts, gives no extended discussion of the novel. Hegel's predecessor Friedrich Schlegel had produced a philosophy of literature with a central position for the novel. Schlegel's discussion of the novel is based on a view of Irony which allows the novel to be the fusion of poetry and philosophy. Hegel retained a place for art, including poetry, below that of philosophy. The Ironic conception of the novel has themes, which also appear in Hegel, of the unity of opposites. However, for Hegel Irony does not allow the unity of artistic form and does not allow art to be guided by law and science. Therefore Hegel's philosophy of literature owes much to Schlegel but needs to attack Irony and minimise the role of the novel. Irony is criticised as a purely negative position of a 'beautiful soul', which cannot act and in its absolutely subjective resistance to evil in the world becomes evil itself. Hegel gives great importance to Epic which foreshadows the emergence of philosophy in its unity, but it is a unity based on conflicting individuality and lawlessness. In the modern world Heroic lawlessness can only be approached as nostalgia, the novel cannot integrate individuality and law, only religion and philosophy above aesthetics, including the novel.