Paul Redding

McDowell’s attempts to find a way out of the grip of some seemingly intractable problems besetting analytic philosophy has led him back to Kant and Hegel. Understanding, with Kant, the role played by concepts in experience will point the way forward, but Kant’s thinking must be released from its own problems which threaten to reduce the contents of experience and knowledge to “facts about us”. Kant’s “subjectivism” must be subjected to an “Hegelian” critique. However, McDowell’s solution to that problem, which involves a radical reinterpretation of Kant’s concept–intuition distinction, introduces new problems. Here I contrast McDowell’s reinterpretation of the intuition–concept relation with a less radical one suggested by Wilfrid Sellars, and based on his diagnosis of the ambiguity of Kant’s notion of intuition. The Sellarsian modest revision of Kant both gives a better account of perceptual experience and helps us better to understand the step that Hegel had taken beyond Kant.

In his recent book James Kreines argues that for Hegel reason is “in the world”, but how we are to understand the idea of reason's being so located? One answer, suggested by more traditional theocentric readings of Hegel, would be to appeal to the idea of a divine thought, coursing through the world. Another answer, more congenial to modern sensibilities, might locate reason within the rational activities of inter-subjectively connected human beings, as suggested by Terry Pinkard's idea of the “sociality of reason”. Kreines seems to want to avoid suggestions of the former, but in distancing himself from approaches like the latter, he also seems to refuse the more metaphysically modest alternative. In retracing the contours of Kreines's nuanced attempt to reinflate Hegel's metaphysics as a “metaphysics of reason”, I pose the question as to whether he can avoid reintroducing a more extravagantly metaphysical Hegel than he wishes.

Recent scholarship has helped to demythologise the life and work of Georg Philipp Friedrich von Hardenberg who, as the poet “Novalis”, had come to instantiate the nineteenth-century’s stereotype of the romantic poet. Among Hardenberg’s interests that seem to sit uneasily with this literary persona were his interests in science and mathematics, and especially in the idea, traceable back to Leibniz, of a mathematically based computational approach to language. Hardenberg’s approach to language, and his attempts to bring mathematics to bear on poetry, is examined in relation to debates that developed late in the eighteenth century over the relation of language to thought—debates which share many features with contemporary ones in this area.

The late Richard Rorty was no stranger to provocation, and many an analytic philosopher would surely count as extremely provocative comments he had made on Robert Brandom’s highly regarded book from 1994, Making It Explicit.1 Brandom’s book was, Rorty asserted “an attempt to usher analytic philosophy from its Kantian to its Hegelian stage.”2 The reception of Kant within analytic philosophy has surely been, at best, patchy, but if it is difficult to imagine exactly what Rorty could have had in mind by analytic philosophy’s “Kantian phase,” the idea of an immanent Hegelian one would strike many as ludicrous. Given that the beginnings of analytic philosophy are conventionally described in terms of the radical break initiated by Russell and Moore with the Hegel-inspired idealism of their teachers at Cambridge in the closing years of the 19th century, the distinctly anti-Hegelian character of analytic philosophy has been held to be central. Moreover, the increasing naturalistic tenor of recent analytic philosophy would seem hardly propitious for a revival of 19th century idealism. And yet Rorty’s description should not be dismissed as mere provocation.

If Hegel has been taken seriously at all in this century it has been qua social and political philosopher. As author of the Science of Logic, that work on which he considered the Realphilosophie dependent, he has been largely dismissed. Recently, however, interest in Hegel’s peculiar logico-ontological project as developed in his Logic has been revived and the traditional negative reading of this work challenged. Here debate has tended to center on the question of his relation to Kant. In contrast to the traditional rejection of Hegel’s logical project as exemplifying the kind of dogmatic metaphysics effectively killed off by Kant’s critical philosophy, the revisionist reading construes Hegel as a definite post-Kantian thinker, intent on freeing Kant’s philosophy from the remnants of the traditional metaphysics still ensnaring it.

This paper examines Hegel’s accounts of the nature of judgements and inferences in the ‘subjective logic’ of the Science of Logic, and does so in light of the history of the tradition of formal logic to his time. It is argued that, contrary to the attitude often displayed by interpreters of Hegel’s logic, it is important to understand the positive role played by formal logic, ‘logic commonly so called’, in Hegel’s own conception of logic. It is argued that Hegel’s own scientific presentation [Darstellung] of logic relies on a dialectic working through the tradition of formal logic from Aristotle to Leibniz. The positions within the dialectic are most easily brought into focus in terms of the distinction between Aristotelian and Stoic logic, but they can also be seen as internal to Aristotelian logic. The logical tradition can be regarded as presenting a type of reductio ad absurdum, and a science of logic must examine what it was about Aristotle’s original project that brought it to this fate

In Mind and World and subsequent writings up to an essay first published in 2008 entitled “Avoiding the Myth of the Given”,1 John McDowell had insisted not only on the conceptuality of what is often discussed as “perceptual content” but also on the propositionality of that content. Many might find this puzzling. At the most intuitive level, one might think of the “content” of perception, what one perceives, as things— things with particular properties, and things arranged in particular relations. I look around my room and see my desk, see its colour, the variety of things on it, and so on. But, following the tractarian Wittgenstein, in Mind and World McDowell portrays the world to which one is open in perceptual experience not as a world of “things” but as a world of “facts”, and that facts rather than things is what one sees can strike one as counterintuitive. True, I can think of myself as seeing that my desk has a particular color, that it stands between the bookshelf and the window, but that I can see that such facts “obtain” (in the rather odd locution of philosophy) can seem to be, in some sense, secondary to or explainable by the fact that I see the desk. And I can see the desk only because I am in my study facing it with an unimpeded view.2 Proximity to and having an unimpeded view of as conditions for seeing seem to be an important part of what we mean by “seeing”, and “facts” can seem neither to be the sorts of things one can be close to or far from, nor things one can have unimpeded or impeded views of

Thom Brooks'sHegel's Political Philosophy: A Systematic Reading of the Philosophy of Rightpresents a very clear and methodologically self-conscious series of discussions of key topics within Hegel's classic text. As one might expect for a ‘systematic’ reading, the main body of Brooks's text commences with an opening chapter on Hegel's system. Then follow seven chapters, the topics of which are encountered sequentially as one reads through thePhilosophy of Right. Brooks's central claim is that too often Hegel's theories or views on any of these topics are misunderstood because of a tendency to isolate the relevant passages from the encompassing structure of thePhilosophy of Rightitself, and, in turn, from Hegel's system of philosophy as a whole, with its logical underpinnings. Brooks is clearly right in holding that Hegel hadintendedthePhilosophy of Rightto be read against the background of ‘the system’ and the ‘logic’ articulating it —nobody doubts that— but there is a further substantive issue here.Shouldcontemporary readers heed Hegel's advice? Brooks's answer is emphatically in the affirmative, and what results is a series of illuminating discussions in which he makes a case for his own interpretations on the basis of systematic considerations, presented against a range of alternatives taken from the contemporary secondary literature, which is amply covered, often in the extensive endnotes to the book.

The historical origins of the analytic style that was to become dominant within academic philosophy in the English-speaking world are often traced to the work of Bertrand Russell and G. E. Moore at the turn of the twentieth century, and portrayed as involving a radical break with the idealist philosophy that had bloomed in Britain at the end of the nineteenth. Congruent with this view, Hegel is typically taken as representing a type of philosophy that analytic philosophy assiduously avoids. Thus, while Hegel’s writings are regarded as indirect, metaphorical and “darkly Teutonic”, analytic philosophers usually think of themselves as prizing the clarity of plain speech, except when making use of the precision of scientific logical notation. This analytic directness, furthermore, is usually seen as consonant with the increasingly “naturalistic” outlook of analytic philosophy, especially as practiced in the United States. In contrast, Hegel is seen as regarding philosophical thought as mysteriously engaging with a content that is somehow generated out of the mind’s own activities, linking philosophy more to art and religion than natural science. Moreover, it is usually accepted that Russell had shown Hegel’s bizarre metaphysic doctrines to be based on a few fundamental logical mistakes, even if the details of Russell’s criticisms have been largely forgotten

In a short exchange published in 2000, Richard Rorty and Robert Brandom differed over the status of “facts” in a world containing no speakers and, hence, no speech acts. While Brandom wanted to retain the meaningfulness of talk of “facts” or “truths” about things—in this case truths about photons —in a world in which there could be no claimings about such things, Rorty denied the existence of any such “worldly items” as “facts.” In this essay the difference between Rorty and Brandom on this issue is used to explore their differing attitudes to modality. Brandom appeals to a Kantian approach of modal realism to support counterfactual claims. However, I argue that when his approach to modality is examined in the context of current debates over possible world semantics, his own “incompatibilist” semantics itself seems incompatible with a Kantian approach to modality. In turn, I suggest that this difference between Brandom and Rorty in their attitudes to modality reveals a difference in their respective attitudes to pragmatism’s relation to philosophy in general.

Between 1933 and 1939 Alexandre Kojève gave his series of celebrated lectures on Hegel’s Phenomenology of Spirit at the École Pratique des Hautes Études in Paris. Importantly, Kojève claimed to be reading Hegel in the wake of a philosopher whom he considered to be, along with Marx, the only important philosopher since Hegel - Martin Heidegger, whose Being and Time had appeared in 1927. Indeed, Kojève went so far as to claim that Hegel’s Phenomenology “would probably never have been understood if Heidegger had not published his book”.

Putting it very crudely, it might be said that in the much discussed opening three chapters that make up the section “Consciousness” of his Phenomenology of Spirit Hegel sketches and “test-drives” various models for a consciousness able to experience and know the world.1 Kant had thought of objects of experience as necessarily having conceptual (as well as spatio-temporal) form, but non-conceptual (“intuitional”) content. But for Hegel, that objects show themselves to have a conceptual form emerges as one the first lessons of experience as tracked in Chapter 1. Moreover, in contrast to Kant’s focus on the unity and stability of such form, Hegel wants to display a series in which successive “shapes of consciousness” emerge from the resolution of contradictions affecting their predecessors.2 We might say that while Kant had famously asserted the identity of “the conditions of the possibility of experience in general” and the “conditions of the possibility of the objects of experience”,3 Hegel points to the ever-present tension between them, examining the fate of particular conceptions of the constitution of objects in the light of the “experience” based upon those conceptions, and with this transforms philosophy’s task, as Kant conceives it. Thus in the place of the reconfigured metaphysical project signalled by Kant which gives a definitive map of “what reason brings forth entirely out of itself” via the discovery of “reason’s common principle”,4 Hegel radically historicizes reason into a series of particular finite forms, each driven to selfovercoming because of the constitutive contradictions at its centre

Hegel makes claims about the relation of philosophy to religion that might raise concerns for those who want to locate his philosophy generally within the modern enlightenment tradition. For example, at the outset of his Lectures on Aesthetics he claims that philosophy “has no other object but God and so is essentially rational theology”.1 What might seem to placate worries here is that Hegel of course differentiates between the forms of religious and philosophical cognition in which such a content is presented: while religion grasps this content in the form of imagistic or figurative representations [Vorstellungen], philosophy grasps it within conceptual thought, an attitude which might seem to align him with that found within the German enlightenment, for example, that found in Lessing and Kant. However, it seems undeniable that, in comparison to Kant, for example, Hegel employs forms of expression for the presentation of his own philosophical thought that are redolent with the type of imagistic and figurative locutions supposedly at home in religion. Moreover, the actual imagery employed seems to refer to the type of trinitarian version of Christianity that can seem antithetical to those forms of Christian thought that lent themselves to the sort of “demythologization” characteristic of the enlightenment attitude to religious doctrine. Such factors as these make it easy to portray Hegel’s philosophy as a type of irrationalist mysticism,2 or at least as a disguised theology with a content from revealed religion, and thus aligning him more to the spirit of the Counter-Enlightenment than the Enlightenment