Paul Redding

Recent scholarship has helped to demythologise the life and work of Georg Philipp Friedrich von Hardenberg who, as the poet “Novalis”, had come to instantiate the nineteenth-century’s stereotype of the romantic poet. Among Hardenberg’s interests that seem to sit uneasily with this literary persona were his interests in science and mathematics, and especially in the idea, traceable back to Leibniz, of a mathematically based computational approach to language. Hardenberg’s approach to language, and his attempts to bring mathematics to bear on poetry, is examined in relation to debates that developed late in the eighteenth century over the relation of language to thought—debates which share many features with contemporary ones in this area.

The historical origins of the analytic style that was to become dominant within academic philosophy in the English-speaking world are often traced to the work of Bertrand Russell and G. E. Moore at the turn of the twentieth century, and portrayed as involving a radical break with the idealist philosophy that had bloomed in Britain at the end of the nineteenth. Congruent with this view, Hegel is typically taken as representing a type of philosophy that analytic philosophy assiduously avoids. Thus, while Hegel’s writings are regarded as indirect, metaphorical and “darkly Teutonic”, analytic philosophers usually think of themselves as prizing the clarity of plain speech, except when making use of the precision of scientific logical notation. This analytic directness, furthermore, is usually seen as consonant with the increasingly “naturalistic” outlook of analytic philosophy, especially as practiced in the United States. In contrast, Hegel is seen as regarding philosophical thought as mysteriously engaging with a content that is somehow generated out of the mind’s own activities, linking philosophy more to art and religion than natural science. Moreover, it is usually accepted that Russell had shown Hegel’s bizarre metaphysic doctrines to be based on a few fundamental logical mistakes, even if the details of Russell’s criticisms have been largely forgotten

Putting it very crudely, it might be said that in the much discussed opening three chapters that make up the section “Consciousness” of his Phenomenology of Spirit Hegel sketches and “test-drives” various models for a consciousness able to experience and know the world.1 Kant had thought of objects of experience as necessarily having conceptual (as well as spatio-temporal) form, but non-conceptual (“intuitional”) content. But for Hegel, that objects show themselves to have a conceptual form emerges as one the first lessons of experience as tracked in Chapter 1. Moreover, in contrast to Kant’s focus on the unity and stability of such form, Hegel wants to display a series in which successive “shapes of consciousness” emerge from the resolution of contradictions affecting their predecessors.2 We might say that while Kant had famously asserted the identity of “the conditions of the possibility of experience in general” and the “conditions of the possibility of the objects of experience”,3 Hegel points to the ever-present tension between them, examining the fate of particular conceptions of the constitution of objects in the light of the “experience” based upon those conceptions, and with this transforms philosophy’s task, as Kant conceives it. Thus in the place of the reconfigured metaphysical project signalled by Kant which gives a definitive map of “what reason brings forth entirely out of itself” via the discovery of “reason’s common principle”,4 Hegel radically historicizes reason into a series of particular finite forms, each driven to selfovercoming because of the constitutive contradictions at its centre

Prior to Kojève's well-known account in his Introduction to the Reading of Hegel there seems to have been relatively little interest in Hegel's concept of recognition— Anerkennung.1 After Kojève, however, a popular view of Hegel's philosophy emerged within which the idea of recognition plays a central role: what distinguishes us as selfconscious beings from the rest of nature is that we are driven by a peculiar type of desire, the desire for recognition leading to struggle's over recognition. While Kojève directed attention to the importance of Hegel's use of notion of recognition in the famous dialectic of "lord and bondsman" in chapter 4 of the Phenomenology of Spirit,2 his reading, inspired equally by Marx and Heidegger, was nevertheless difficult to reconcile not only with the more systematic features of Hegel's philosophy, but also with what Hegel had to say on the topic of recognition within chapter 4, but especially, elsewhere in the Phenomenology.

This paper examines Hegel’s accounts of the nature of judgements and inferences in the ‘subjective logic’ of the Science of Logic, and does so in light of the history of the tradition of formal logic to his time. It is argued that, contrary to the attitude often displayed by interpreters of Hegel’s logic, it is important to understand the positive role played by formal logic, ‘logic commonly so called’, in Hegel’s own conception of logic. It is argued that Hegel’s own scientific presentation [Darstellung] of logic relies on a dialectic working through the tradition of formal logic from Aristotle to Leibniz. The positions within the dialectic are most easily brought into focus in terms of the distinction between Aristotelian and Stoic logic, but they can also be seen as internal to Aristotelian logic. The logical tradition can be regarded as presenting a type of reductio ad absurdum, and a science of logic must examine what it was about Aristotle’s original project that brought it to this fate

McDowell’s attempts to find a way out of the grip of some seemingly intractable problems besetting analytic philosophy has led him back to Kant and Hegel. Understanding, with Kant, the role played by concepts in experience will point the way forward, but Kant’s thinking must be released from its own problems which threaten to reduce the contents of experience and knowledge to “facts about us”. Kant’s “subjectivism” must be subjected to an “Hegelian” critique. However, McDowell’s solution to that problem, which involves a radical reinterpretation of Kant’s concept–intuition distinction, introduces new problems. Here I contrast McDowell’s reinterpretation of the intuition–concept relation with a less radical one suggested by Wilfrid Sellars, and based on his diagnosis of the ambiguity of Kant’s notion of intuition. The Sellarsian modest revision of Kant both gives a better account of perceptual experience and helps us better to understand the step that Hegel had taken beyond Kant.

Thom Brooks'sHegel's Political Philosophy: A Systematic Reading of the Philosophy of Rightpresents a very clear and methodologically self-conscious series of discussions of key topics within Hegel's classic text. As one might expect for a ‘systematic’ reading, the main body of Brooks's text commences with an opening chapter on Hegel's system. Then follow seven chapters, the topics of which are encountered sequentially as one reads through thePhilosophy of Right. Brooks's central claim is that too often Hegel's theories or views on any of these topics are misunderstood because of a tendency to isolate the relevant passages from the encompassing structure of thePhilosophy of Rightitself, and, in turn, from Hegel's system of philosophy as a whole, with its logical underpinnings. Brooks is clearly right in holding that Hegel hadintendedthePhilosophy of Rightto be read against the background of ‘the system’ and the ‘logic’ articulating it —nobody doubts that— but there is a further substantive issue here.Shouldcontemporary readers heed Hegel's advice? Brooks's answer is emphatically in the affirmative, and what results is a series of illuminating discussions in which he makes a case for his own interpretations on the basis of systematic considerations, presented against a range of alternatives taken from the contemporary secondary literature, which is amply covered, often in the extensive endnotes to the book.

In his recent book James Kreines argues that for Hegel reason is “in the world”, but how we are to understand the idea of reason's being so located? One answer, suggested by more traditional theocentric readings of Hegel, would be to appeal to the idea of a divine thought, coursing through the world. Another answer, more congenial to modern sensibilities, might locate reason within the rational activities of inter-subjectively connected human beings, as suggested by Terry Pinkard's idea of the “sociality of reason”. Kreines seems to want to avoid suggestions of the former, but in distancing himself from approaches like the latter, he also seems to refuse the more metaphysically modest alternative. In retracing the contours of Kreines's nuanced attempt to reinflate Hegel's metaphysics as a “metaphysics of reason”, I pose the question as to whether he can avoid reintroducing a more extravagantly metaphysical Hegel than he wishes.

Even among those philosophers who hold particular aspects of Hegel's philosophy in high regard, there have been few since the 19th century who have found Hegel's "metaphysics" plausible, and just as few not sceptical about the coherency of the "logical" project on which it is meant to be based. Indeed, against the type of work characteristic of the late nineteenth-century logical revolution which issued in modern analytic philosophy, it is often difficult to see exactly how Hegel's "logical" writings can be read as a contribution to logic at all. Furthermore, any tendency toward skepticism here can only have been reinforced by the well-known views of Bertrand Russell about the logical inadequacy of the "Hegelian" approach of his predecessors.

Recently a view of Hegel’s “idealism” which hitherto had seemed unquestionable—the view that it is fundamentally a metaphysical doctrine—has been seriously challenged. Thus yesterday’s metaphysical Hegel, complete with his cosmic megasubject hidden behind the events of nature and history, has been joined by today’s “nonmetaphysical Hegel,” the postkantian categorial “genealogist.” According to the nonmetaphysical Hegelians, a century and a half of misunderstanding has been based on the confusion of two distinct philosophical projects: on the one hand, that originating in the Aristotelian project of “ontology”—the reconstruction of the categorial structure of to on e on, “being qua being”—and on the other, that stemming from the very different Aristotelian project of “theology”—the investigation of to theion, primary being or that which is first in the order of substances.

Hegel makes claims about the relation of philosophy to religion that might raise concerns for those who want to locate his philosophy generally within the modern enlightenment tradition. For example, at the outset of his Lectures on Aesthetics he claims that philosophy “has no other object but God and so is essentially rational theology”.1 What might seem to placate worries here is that Hegel of course differentiates between the forms of religious and philosophical cognition in which such a content is presented: while religion grasps this content in the form of imagistic or figurative representations [Vorstellungen], philosophy grasps it within conceptual thought, an attitude which might seem to align him with that found within the German enlightenment, for example, that found in Lessing and Kant. However, it seems undeniable that, in comparison to Kant, for example, Hegel employs forms of expression for the presentation of his own philosophical thought that are redolent with the type of imagistic and figurative locutions supposedly at home in religion. Moreover, the actual imagery employed seems to refer to the type of trinitarian version of Christianity that can seem antithetical to those forms of Christian thought that lent themselves to the sort of “demythologization” characteristic of the enlightenment attitude to religious doctrine. Such factors as these make it easy to portray Hegel’s philosophy as a type of irrationalist mysticism,2 or at least as a disguised theology with a content from revealed religion, and thus aligning him more to the spirit of the Counter-Enlightenment than the Enlightenment