Angelica Nuzzo

“The relation of a trillion to unity is very clearly understood, yet so far philosophers have not been able to make the concept of freedom comprehensible in terms of their unities, i.e., in terms of their simple and familiar concepts.” That this estimation of Kant’s, formulated as early as 1764, still holds true for the state of post-Kantian philosophy becomes evident when one attempts to reconstruct the discussion of the concept of freedom, which was initiated even among Kant’s contemporaries by his formulation of its problematic. The problem connected with this discussion can be understood historically as well as systematically. On the one hand, it is concerned with following the historical inheritance of the Kantian philosophy along the guiding thread of the concept of freedom in the debate between the followers and opponents of Kant. On the other hand, this historical investigation should serve to trace the systematic changes that the concept of freedom necessarily undergoes as soon as it enters a philosophical framework that is different from the Kantian. This dual perspective, under which the theme of “freedom” will be considered, offers the further possibility of marking off the temporal as well as the systematic limits of what is to be investigated here. The main philosophical interest in pursuing the modifications to which Kant’s concept of freedom was subjected in post-Kantian philosophy obviously lies in casting new light on the epochal course of thought that leads “from Kant to Hegel.” A claim to satisfy this interest is justified, however, only after one is clear about the philosophical discussion that had already begun among Kant’s contemporaries even while Kant himself was completing and working out his philosophical program. In short, the transition from the concept of freedom in Kant’s transcendental philosophy to the conception of freedom that is unique to the speculative idealism of Hegel can be explained only in light of a preceding analysis of the transformations that the Kantian theory of freedom underwent even as it was being worked out. These transformations, then, will appear at the same time as alternatives to the Kantian program.

This essay examines the presence of Kant, Fichte, Schelling and Hegel in Merleau-Ponty’s thought. The perspective adopted here is methodological. Central to this is the choice of “transcendental phenomenology,” understood as a rehabilitation of the idealism and subjectivism proper to the transcendentalism of Kant and Fichte—the choice by which Merleau-Ponty refuses to abandon transcendental philosophy, like Hegel on the contrary did with his dialectical-speculative philosophy, and follows instead the phenomenological perspective suggested for the first time by Schelling.

Angelica Nuzzo - Kant and Herder on Baumgarten's Aesthetica - Journal of the History of Philosophy 44:4 Journal of the History of Philosophy 44.4 577-597 Muse Search Journals This Journal Contents Kant and Herder on Baumgarten's Aesthetica Angelica Nuzzo While philosophers since antiquity have offered reflections and theories on subjects such as the beautiful, the sublime, art, and its appreciation, "aesthetics" as a discipline in its own right dates back only to the second half of the eighteenth-century. We owe to Alexander Gottlieb Baumgarten the introduction of 'aesthetics' into philosophical discourse. At the moment of its inception, however, this discipline had little to do with art and was not primarily concerned with the beautiful. It was instead a theory of the cognitive value of human sensibility—a doctrine of "sensible cognition." A general historical and systematic question presents itself at this point: How shall human sensibility be conceived in order for aesthetics as a theory of sensibility to gain an independence of its own in philosophical discourse? And accordingly: How shall the human being be conceived in order for our aesthetic experience to claim a philosophical value of its own? In this essay, I elaborate the results of the hypothesis that I submit in response to these questions. My claim is that the mind/body dualism dominating the rationalist tradition of modern philosophy is the principal obstacle..

Angelica Nuzzo offers a comprehensive reconstruction of Kant's theory of sensibility in his three Critiques. By introducing the notion of "transcendental embodiment," Nuzzo proposes a new understanding of Kant's views on science, nature, morality, and art. She shows that the issue of human embodiment is coherently addressed and key to comprehending vexing issues in Kant's work as a whole. In this penetrating book, Nuzzo enters new terrain and takes on questions Kant struggled with: How does a body that feels pleasure and pain, desire, anger, and fear understand and experience reason and strive toward knowledge? What grounds the body's experience of art and beauty? What kind of feeling is the feeling of being alive? As she comes to grips with answers, Nuzzo goes beyond Kant to revise our view of embodiment and the essential conditions that make human experience possible.

This essay is a renewal of Hölderlin’s poetic question as raised again philosophically by Heidegger, and is an attempt to frame the issue anew bringing Hegel into the conversation. At stake, first, is the way in which poetry and philosophy respectively—or perhaps in conjunction—are able to address the chief question of the time as a question of “truth.” What is it that poetry and the poet properly and uniquely do in relation to their time? Does the poet think, and how does she think poetically in language? And, crucially, how does poetic thinking differ from philosophical thinking? But at stake is also, second, the way in which philosophy can—and should—itself speak of poetry. Significantly, both Heidegger and Hegel propose a thoroughly new way of addressing the question of poetry in philosophy.

This essay reconstructs the argument of Kritik der Urteilskraft §§76 –77 by placing it in the context of the “Critique of Teleological Judgment”. What role does the problematic and historically so successful figure of the intuitive understanding play in the antinomy of teleological judgment? The answer is considered indispensable to address the issue of the reception of §§76 – 77. The claim is that these sections institute the “closure” of transcendental philosophy—a closure fundamentally misunderstood by the post Kantians. On the series of distinctions drawn to characterize the “peculiarity” of our human understanding and, by contrast, that of a non-human mind hinges the specific transcendental character of Kant’s philosophy. Once the condition that sustains those distinctions is abandoned transcendental philosophy is abandoned as well.

In lieu of an abstract, here is a brief excerpt of the content:Translation, (Self-)Transformation, and the Power of the MiddleAngelica NuzzoThe etymologies of the word translation—the real and the imaginary ones—are many and varied across languages and traditions. I want to frame my present remarks by appealing to the well-known derivation of the Latin traducere from trans-ducere, the verb that designates the movement of carrying across, of bringing over across and between heterogeneous and apparently incompatible terms—different languages, different places and times, and more generally different identities and cultures. I propose to indicate with translation the dynamic space of the action that takes place in-between, in the middle between two extremes—whatever these extremes may be. And I propose to dwell in this in-between space—not in order to get anywhere, but to stay there and learn how to appreciate the powerful condition of the middle. My suggestion will be that translation is the intermediate and intermediary space of transformation that precedes that which it transforms as well as that into which it transforms; that translation is the middle that comes before the extremes between which it lies and which it connects, and makes them possible for the first time. The logic of translation, I submit, is the logic of immanent self-transformation that is based on the power of the middle. This is a logic that may help us advance beyond the binary static logic in which everything is instead dictated by the predetermined, fixed identity of the extremes, and by the exclusive choice of either one or the other—the logic that Virginia Woolf aptly describes in this way: “Either we are men, or we are women. Either we are cold, or we are sentimental. Either we are young, or growing old” (Woolf 1990, ch. 5). While this may sound logically indisputable it is also—to [End Page 19] Woolf at least—existentially unacceptable and cognitively faulty when at issue is the understanding of the movement of our lives. Thus, in what follows, I am interested in exploring the meaning—the existential, historical, linguistic meaning—of the predicament of being-in-the-middle, of being-in-transition or in-translation—of being neither one extreme nor the other but both of them at the same time and also neither of them. I want to dwell, in particular, on the cipher of movement proper to this condition, on the idea of transformation that translation constitutively entails—the self-transformation that is proper to translation as such an in-between dynamic activity. But to push this point further, I also want to suggest that the movement of translation is essential for an understanding of how processes move on and advance precisely as processes; of how change and something truly new are achieved beyond the present standpoint and beyond the standpoint of the present; of how, more concretely, the individual and collective self is reconstituted and immanently transformed after a crisis and through it. For translation, in this sense, is the powerful, destabilizing moment of crisis and open possibility that invests individuals and societies alike (but also texts and languages); it is also, at the same time, a strategy of survival and a fundamental tool of advancement and progress.Let me begin with a famous philosophical scene. Plato’s Symposium opens with the intriguing account of Socrates’s unusual habits in a speech delivered by Aristodemus, and culminates with Alcibiades’s story regarding Socrates’s strange behavior during the campaign of Potidaea. Upon meeting Socrates all dressed up1 on his way to Agathon’s banquet, Aristodemus is asked to come along to Agathon’s house. He accepts, a bit embarrassed at the thought of showing up uninvited. On the way to Agathon’s, however, Socrates becomes absorbed in his thoughts and falls behind his companion. Aristodemus repeatedly waits for him, but Socrates encourages him to go on ahead alone. This puts Aristodemus in a “ridiculous position” when he arrives, all by himself, at Agathon’s house. He shows up, indeed uninvited, as there is still no sign of Socrates. Now everybody at Agathon’s is waiting and looking for him. This perplexing situation goes on until a servant discovers Socrates calmly standing...