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885Book review of: A. Brooks, Who Really Cares: The Surprising Truth of Compassionate ConservatismLiberty (March): 43-46. 2009.
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531Movie review of: The ArtistLiberty 1. 2012.In this essay, I review a French-American gem of a movie, The Artist. This movie was an homage to the silent film era and is itself almost all silent. I discuss both the artistic and financial success of silent movies, and I praise this film for successfully interesting modern theater-goers despite its almost total lack of sound. The film won five Academy Awards, including Best Picture, Best Director, and—for its outstanding lead actor, Jean Dujardin—Best Actor. It is the only French-produced mo…Read more
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32Critical Thinking: Developing an Effective WorldviewCengage/Wadsworth Publishing Company. 2001.This text covers the nature of statements, single- and multiple-argument identification, the pitfalls of language, definition, truth tables and Venn diagrams, analogy, generalization, causal inference, and informal fallacies.
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466Book review of: F. Schauer, Profile, Probabilities, and StereotypesAcademic Questions 17 (2): 80-84. 2004.
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2580Portraits of Egoism in Classic Cinema I: Sympathetic PortrayalsReason Papers 36 (1). 2014.In this essay, I look at more or less sympathetic portrayals of egoists in film. I start by explaining some basic concepts: psychological egoism; ethical egoism; default egoism; rational egoism; egotism; cynicism; narcissism; and psychopathy. I then review in-depth two excellent WWII films, Stalag 17 and The Bridge on the River Kwai. I note that the key protagonist in both pictures is the same type of character—both played by the same fine actor, William Holden. The main protagonist in both is a…Read more
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1183Two Problems of InductionDialectica 39 (1): 53-74. 1985.In this paper, two different theoretical problems of induction are delineated. The first problem is addressed; the second problem is deferred to the sequel to this paper. The first problem of induction is taken to be the seemingly unformalizable nature of traditional inductive arguments. It is shown that the problem does not arise out of some particularly dubious argument form (all inductive argument forms being interderivable), but rather from the presupposition that inductive "logic" is, like …Read more
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803Book review of: M. Skousen, The Big Three in EconomicsLiberty (July): 43-44. 2009.This essay is my review of economist Mark Skousen’s book, The Big Three in Economics. In it, he discusses the economic work of Adam Smith, Karl Marx, and John Maynard Keynes. He gives even-handed treatments of the major contributions of each, for example, Smith’s reputation refutation of mercantilist policies and Smith’s crucial insight into the role that division of labor plays in economic growth. My only complaint is that Skousen doesn’t adequately explain his choice of Marx as a great economi…Read more
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68An Introduction to LogicJones and Bartlett Publishers. 1993.Written for independent study and suitable for an introductory course in logic, this classic text combines a sound presentation of logic with effective pedagogy and illustrates the role of logic in many areas of humanistic and scientific thought. Cohen and Nagel's elegant integration of the history of philosophy, natural science, and mathematics helps earn this work its distinguished reputation.
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512Book review of: W. Smith, A Rat is a Pig is a Dog is a Boy: The Human Cost of the Animal Rights MovementLiberty (September): 47-48. 2010.
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671The Rest of the Best: Ten Great Actors Snubbed by OscarLiberty (August): 41-46. 2010.In this essay, I look at some extraordinary actors who never got their due—actors who had distinguished careers, but never won an Academy Award for acting. I review the work of: Joseph Cotten; Orson Welles; Edward G. Robinson; Cary Grant; James Mason; Richard Burton; Claude Rains; Alan Ladd: Robert Mitchum; and Fred MacMurray. In each case, I explore the actor’s best work, what made his acting outstanding, and offer possible explanations why he was not so honored.
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453Book review of: P. Kitcher, Abusing Science: The Case Against CreationismCalifornia Review (November). 1985.
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2068Review essay: A. Gini and A. Marcoux, The Ethics of Business: A Concise IntroductionReason Papers 36 (1). 2014.This essay is my critical review of Al Gini and Alexei Marcoux’s fine text, The Ethics of Business. Unlike most business ethics texts, Gini/Marcoux recognize that most businesses are small, and that business is not inherently immoral and always in need of reform. And they put their focus on using ethical theory to find action-guiding principles to help guide business behavior. Moreover, they adopt the Schumpeterian view that business is an entrepreneurial activity—one that not merely executes tr…Read more
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613Movie Review of: Temple GrandinLiberty 1. 2011.In this essay, I review an extraordinary bio flick, Temple Grandin. Temple Grandin is a professor of animal science, and to achieve her distinguished career she had to deal with her autism. The film explores what it is to suffer this disease, but it also explores her extraordinary work involving making slaughterhouses more humane.
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51The Dialectic of DiscoveryDissertation, University of Illinois at Urbana-Champaign. 1982.This study, The Dialectic of Discovery, addresses the long-standing debate about the possibility of a "logic of discovery." Regarding this issue, four interlocking theses are defended. The first thesis is that there is indeed a logic of discovery, namely, dialectic, which is an extension of underlying inference and question logics. ;The second thesis is that this fact has been overlooked because the view of knowledge that has dominated Western philosophy, a view I dub "the solipsistic concept of…Read more
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892Artists in the Moves: The Ten Best FimsLiberty (January). 2011.In this essay, I briefly review ten of the best bio flicks of artists. After laying out my criteria for assessing biographical films about artists, I review my ten choices. These films are: The Agony and the Ecstasy; Frida; Local Color; The Moon and Sixpence; Girl with the Pearl Earring; Pollock; Rembrandt; Moulin Rouge; Modigliani; and Lust for Life. For each film, I try to explain the ways in which the directors were able to show the artist’s creative processes and personal challenges.
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9880Film and Propaganda: The Lessons of the Nazi Film IndustryReason Papers 35 (1): 203-219. 2013.This essay is my review of Erwin Leiser’s excellent documentary film Germany Awake. This classic film first aired in Germany in 1968, and remains to this day one of the best surveys of major Nazi-era movies and exactly what messages they were meant to convey. The film underscores the emphasis the regime put on film as one of the premier mechanisms of propaganda, though Leiser’s film points out that most of the cinema produced by the Nazi regime was not pure propaganda, but mainly entertainment. …Read more
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531Book review of: H. Johns and P. Omerod, Happiness, Economics, and Public PolicyThe Independent Review 14 (3): 458-460. 2010.
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490Book review of: J. Simon, A Life Against the Grain: The Autobiography of an Unconventional EconomistLiberty (September): 46-50. 2004.