Tom Rockmore

Plato both created the Western aesthetic tradition and rejected the artistic claim to truth. I suggest that Plato’s rejection of the view that non-philosophical art is true gave rise to a debate later traversing the entire Western aesthetic tradition. I further suggest that the post-Platonic Western aesthetic tradition can be reconstructed as an effort by many hands to come to grips with and if possible overturn the Platonic judgment. I finally suggest that Hegel, in disagreeing with both Kant and Plato, presents an interesting anti-Platonic argument for “reforging” as it were the ancient link between art and truth. For in the final analysis, art, or at least some kinds of art, is not only beautiful but also in a deep sense true.

In the Communist Manifesto, in a famous boutade, Marx and Engels claimed that capitalism was in the process of bringing forth its own gravediggers. This assertion may once have been true. But lately it has seemed less likely as a description of contemporary society which, for all its problems, appears surprisingly robust. Although capitalism has its problems, and perhaps cannot be said to exist now in the sense that it was described by Marx and Engels, as a social system it has always exhibited the kind of staying power which cast doubt on the theory which predicted its demise. Indeed, it would be more accurate to say that, for numerous reasons which cannot be cited here, in recent years Marxism has been digging its own grave as the results of the theory in practice become more widely known.