Tom Rockmore

In this book—the first large-scale survey of the complex relationship between Hegel’s idealism and Anglo-American analytic philosophy—Tom Rockmore argues that analytic philosophy has consistently misread and misappropriated Hegel. According to Rockmore, the first generation of British analytic philosophers to engage Hegel possessed a limited understanding of his philosophy and of idealism. Succeeding generations continued to misinterpret him, and recent analytic thinkers have turned Hegel into a pragmatist by ignoring his idealism. Rockmore explains why this has happened, defends Hegel’s idealism, and points out the ways that Hegel is a key figure for analytic concerns, focusing in particular on the fact that he and analytic philosophers both share an interest in the problem of knowledge.

Il sera question ici d’examiner le constructivisme hégélien, relativement au problème épistémologique. Le constructivisme, comme concept mathématique, est basé sur la construction de l’objet et remonte à l’antiquité grecque. Le constructivisme philosophique, par contre, est un concept moderne qui applique cette stratégie mathématique au problème de la connaissance. La forme hégélienne, omniprésente dans ses écrits, ne semble jamais avoir reçu l’attention qu’elle mérite. Elle se laisse pourtant examiner par rapport au constructivisme de Kant, parfois étudié sous le terme de révolution copernicienne. J’esquisserai donc la façon dont Hegel transforme une approche a priori et apodictique en procédé a posteriori et faillible. Le constructivisme hégélien offre ainsi des possibilités encore peu connues mais prometteuses pour le débat épistémologique.

Despite its foundational role in the history of philosophy, Plato’s famous argument that art does not have access to truth or knowledge is now rarely examined, in part because recent philosophers have assumed that Plato’s challenge was resolved long ago. In _Art and Truth after Plato_, Tom Rockmore argues that Plato has in fact never been satisfactorily answered—and to demonstrate that, he offers a comprehensive account of Plato’s influence through nearly the whole history of Western aesthetics. Rockmore offers a cogent reading of the post-Platonic aesthetic tradition as a series of responses to Plato’s position, examining a stunning diversity of thinkers and ideas. He visits Aristotle’s Poetics, the medieval Christians, Kant’s _Critique of Judgment_, Hegel’s phenomenology, Marxism, social realism, Heidegger, and many other works and thinkers, ending with a powerful synthesis that lands on four central aesthetic arguments that philosophers have debated. More than a mere history of aesthetics, _Art and Truth after Plato_ presents a fresh look at an ancient question, bringing it into contemporary relief.