Guido Cusinato

Botticelli and Tizian depict the Annunciation in two very different ways. Botticelli portrays a kneeling angel in an act of guiding from below, while Tizian represents an angel imposing himself from above with an authoritarian forefinger. Botticelli's painting suggests an intention of orientation that is not authoritarian yet able to bring about a transformation (Umbildung). It also suggests that an individual's transformation cannot be achieved in a closed solipsistic dimension, but requires a disclosure from otherness. My theory is that at the origin of ethics there is a non-authoritarian way of orientation that comes from otherness and arises from the emotional sphere thanks to a "care of desire". The expression cura sui has often been interpreted as a care confined to a private and solipsistic dimension with the aim of strengthening the self-referential subject. By "care of desire" I mean a care not turned upon itself but made possible by a disclosure coming from otherness and addressed to the transformation of the individual and of society. In the human existence, emotions reveal an extraordinary plasticity. They are not already regulated by instinct but develop and get to maturity even many years after biological birth. Moreover, this maturation process does not follow a universal process identical for everyone, being different for every individual. In fact it finds its realization in the unique order of feelings (ordo amoris) that characterizes every individual. Emotions guide actions and the way we interact with the others and with the world. In the human existence they become plastic and don't have only a homeostatic function of self-regulation. They give flexibility to our way of perceiving, of existing and of taking our position in the world. The care of desire is dedicated to the plasticity of emotions and makes ethics, i.e. a person's formation process (Bildung) and flourishing, possible. It also allows the transition from the “environmental closedness” (Umweltgeschlossenheit) to the world-openness (Weltoffenheit). To sum up, the care of desire implies the transition from a solipsistic self-care to a “care for world-openness”. From this point of view, emotion is no more the secondary result of a cognitive process, but at the origin of every formative, perceptive and cognitive process: In the beginning was the emotion. Yet in this process of creative transformation not every emotion has the same significance: at the core of emotions’ plasticity there are love and wonder (thaumàzein), whose peculiar feature is “lack of envy” (aphthonoi).

In the Greek mythology the concept of annunciation has been often associated with the figure of “winged messenger”, in Greek “anghelos”, while in the Christian tradition it usually recalls the archangel Gabriel in his announcing to Mary the generative act per excellence: the birth. In this paper I take into consideration Botticelli’s Cestello Annunciation: the image represented in this painting suggests the interpretation of the annunciation from the viewpoint of transformation, i. e., of the crisis and the birth of something that was not there before. What is special in the annunciation that transforms? In Botticelli’s masterpiece, Mary doesn’t only comprehend something that she didn’t know before, but she also feels the an-nouncement directly in her own flesh: the annunciation that transforms doesn’t exclusively let her understand something, but also allows her to feel it directly. If this is true, every transformation has its annunciation.

"Siamo come lucciole che hanno disimparato a illuminare e che prima si sono messe a girare attorno alla lanterna magica dell'ideale ascetico e ora attorno alle insegne pubblicitarie al neon. Lucciole che hanno scordato d’avere una potenzialità di orientatività preziosa nel proprio sistema affettivo" (G. Cusinato, La totalità incompiuta, Milano 2008, 314). Che cos'è una persona? Come si costituisce concretamente l'identità personale? Che rapporto c'è fra identità personale e identità psichica? C'è coincidenza fra persona e homo sapiens? La persona è ancora oggi, nonostante tutto, al centro del dibattito filosofico, sociologico, giuridico e bioetico, eppure la sua dimensione sembra sfuggire continuamente alle reti concettuali e alle categorie epistemologiche della scienza. In questo lavoro si propone una fenomenologia della persona a partire dal confronto con la teoria dei sistemi autopoietici di Maturana e Varela e dei sistemi sociali di Luhmann, mettendo in luce che la persona non può essere considerata un sistema autopoietico. La persona si delinea piuttosto come un sistema excentrico che si costituisce mediante l'esecuzione dell'atto. Questa prospettiva viene esplorata attraverso un dialogo serrato con l'antropologia filosofica tedesca, la stessa che all'inizio del Novecento mette in luce che l'uomo non ha un'essenza precostituita e proprio per questo necessita di un processo di Bildung. L'antropologia filosofica di Scheler e Plessner nasce nella Germania degli anni Venti in un periodo ancora fluido in cui l'eclissi delle tradizionali concezioni dell'uomo non aveva ancora lasciato il posto alla cristallizzazione totalitaria dell'uomo di massa che si sarebbe imposta negli anni Trenta.

The thesis of this paper is that – in order to avoid trivializations – a Philosophy of Birth needs to elaborate a precise concept of transformation and distinguish it carefully from that of adaptation. While transformation goes beyond the limited self-referential perspective of an individual and, on the social level, of the gregarious identity, adaptation aims at strengthening or preserving the old self-referential equilibrium. Transformation is driven by what Zambrano has called, with an exceptionally happy expression, the “hunger to be born completely”. Such a hunger pushes one to continue one’s own birth through the encounter with the Other. Transformation has a creative feature that is made possible by two factors: the surplus of the effect over the cause, and the priority of the real over the possible. These premises lead to a radical questioning of the primacy of the possible on the real, at least as it has been conceived so far in mainstream Western philosophy, with few exceptions, such as Schelling, Bergson and Scheler. In the first part of this text, I shall consider a new Philosophy of Birth in the light of the concept of transformation and in this regard deal with several core themes such as the hunger to be born completely, the new beginning, creative time, the priority of the real over the possible, the limits of finalism, the surplus of effect over cause, and the creative force that expresses itself in the act of ideation. In the second part, I shall analyze the relation between birth and death and focus especially on their intimate and reciprocal connection by referring to the image of the seed that, after falling on the ground, germinates and breaks its own integument.

In this article I develop two arguments, taking Max Scheler’s phenomenology as a starting point. The first one is that emotions are not private and internal states of consciousness, but what makes us come into contact with the expressive dimension of reality, by orienting our placement in the world and our interaction with others. The second thesis is that some emotions have an “anthropogenetic” nature that is at the roots of the ontology of a person and of social ontology: it is through practices of “sharing” certain emotions that the humanity has been born and that the various forms of social realities are established. In accordance with one of María Zambrano’s phrases, I propose to trace these anthropogenetic emotions back to the «hambre de nacer del todo» («hunger for being fully born») of a being that never stops being born again.

How comes that two organisms can interact with each other or that we can comprehend what the other experiences? The theories of embodiment, intersubjectivity or empathy have repeatedly taken as their starting point an individualistic assumption (the comprehension of the other comes after the self-comprehension) or a cognitivist one (the affective dimension follows the cognitive process). The thesis of this book is that there are no two isolated entities at the origin which successively interact with each other. There is, rather, an impersonal stratum – the original affectivity (Gefühlsdrang) – which lets the living organisms be constitutively attuned with the expressive dimension of the life from the very beginning. The book aims to rethink the issue of corporality on the basis of a biosemiotics of the interaction between lived body (Leib) and environment (Umwelt). The human emotions reveals themselves as devices that experiment further attunement levels and expose the human being – because of her ex-centricity – to the alienation in various forms of the psychopathological existence. This is an unprecedented perspective that turns to psychopathology to reread against the light the watermark weaving the structure of personal singularity. What emerges is an intermediate territory confining both with philosophy and psychiatry: the psychopathology of ordo amoris. The author advances the project of a new psychopathology of ordo amoris, not only tackling with the 19th-century tradition of psychiatry and phenomenological psychopathology, but also with the contemporary disputes on intersubjectivity in phenomenology and with those on schizophrenia as disruption of aida or as disembodiment process in psychiatry. What results from his project is the first systematic study on the international level showing the relevance of Schelerian concepts of body schema (Leibschema) and order of feeling (ordo amoris) to understand the disruptions of emotional regulation on the psychopathological dimension as well as on the formation process of the singularity.

Searching for the origins of 20th century Philosophical Anthropology, it is quite common to follow the suggestions of A. Gehlen who points to Herder as such an origin. In this study, however, I propose a rather different, until now scarcely considered hypothesis: the origin of Philosophical Anthropology can be brought back to Schelling’s reflections concerning Kant’s Critique of Judgement and the problem of self-organization of nature. Starting from his critical observations on Kant, Schelling works out the concept of a succession of levels in the organic, and that of the ex-centricity that defines human beings. Exactly these two concepts will be discussed by Scheler in The Human Place in the Cosmos and by Plessner in The Stages of the Organic and Man. It is commonly assumed that Schelling did not exert any direct influence upon Philosophical Anthropology; one usually allows only for an indirect influence on Scheler, intermediated by Eduard von Hartmann. This paper shows, however, that a documentable, direct influence of Schelling on Scheler can be demonstrated, and that it was decisive for the birth of Philosophical Anthropology

Questo saggio mette in discussione l'interpretazione predominante sull'ultimo Scheler e basata sulla tesi di un dualismo sostanziale fra Geist e Leben riconducibile a quello cartesiano. Questa interpretazione non tiene conto che Scheler in Die Stellung des Menschen im Kosmos critica espressamente il dualismo cartesiano. In secondo luogo, attraverso una precisa analisi dei testi, si mette in luce come dopo il 1924, il termine Geist assuma nel testo scheleriano un significato molto diverso da quello del periodo intermedio, e venga caratterizzato come un attributo completamente impotente. Il problema delle interpretazioni dualistiche è quello di sovrapporre questi due concetti di Geist e in particolare di continuare ad applicare al concetto di Geist sviluppato dopo il 1924 le stesse caratteristiche che Scheler attribuiva al Geist nel periodo intermedio, quando lo identificava ancora con la persona, cioè con un centro dotato di forza. A causa di questa indistinzione le interpretazioni dualistiche non riescono a rispondere alla domanda fondamentale: con quali forze uno spirito originariamente impotente e senza forze potrebbe contrapporsi dualisticamente alla vita? Scheler stesso anticipa possibili obiezioni in questo senso e afferma che «non lo spirito, ma solo l'intelletto ipersublimato, che Klages confonde con lo spirito, è in un certo senso ostile alla vita» (Max Scheler, GW IX, 150). In realtà il vero punto debole della relazione fra Geist e Drang non è il dualismo, tanto che Scheler stesso interpreta il rapporto nel senso di una compenetrazione (Durchdringung), un termine ripreso da Schelling, ma piuttosto il fatto che questa compenetrazione sfocia in una metafisica astratta che non ha più il suo fulcro nel concetto di persona ma in quello di Geist.

There have been innumerable attempts to characterize personal identity either in terms of psychological continuity or in terms of the linear and self-referential process of reproduction of one's self. I will defend the thesis according to which personal identity emerges mainly as a process of transcendence of one's own "minimal self". It is precisely by means of this critical distancing from his self, I contend, that the individual learns to see himself under a new perspective as far as to experience his self as a surprise. Amazed at his own self, he lives a reawakening which leads him to a transformation of his way of living. This transcendence of the self cannot take place self-referentially but only through the force of an example provided by another person. Such act neither aims at the annihilation of the individual, nor does it contrast with self-love. It is in conlict merely with what Harry Frankfurt calls "selfindulgence". The idea of a transcendence of the self is already to be found in Plato, who fostered the overcoming of and puriication from amathia (in the sense of a "not knowing but pretending to know") and from an excessive love of oneself. Indeed, these latter would be the two grave diseases which render formless the soul of a human being, for they stand in the way of the cura sui. The same theme will reappear in Max Scheler's phenomenological reduction, which endeavours to bracket egocentrism (construed as excessive love of oneself) in order to give a form to the personal identity.

The paper discusses issues raised by Scheler's The Nature of Sympathy, investigating its phenomenology and social ontology: the individual's genesis from the social and parental background in which it is immersed as an historical-cultural invariant; the idea of pri- mary objectification and the child's progressive stepping back from «environmental lived experiences»; «sympathy» as a way of «being together»; «community of life» and «pa- rental accompaniment» as the ground for the constitution of persons and relationships; the life-world and the idea of estrangement in philosophy and in psychopathology ; the «sense of one's self», living oneself as a subject, which requires the experience of - one's ability to «feel oneself» through - actions and emotions. Lived subjectivity, sensitivity, power and primary socialization concur tothe emergence of «primary individuation» - a form of subjectivation through which the human creature enters the sphere of its own life definable as «reason»

The German phenomenologist Max Scheler, commonly considered one of the most important exponents of value objectivism, does not claim an “absolute” value objectivism, as often asserted. The values are objecttive towards the will of the subject, not towards the creative act of loving. This presupposes a radical new conception of the value. According to Scheler, in fact, the values are no qualities to be attributed to the perceived object but the very first thing grasped on a phenomenon, i.e. the “first messenger” (erste Bote) of the phenomenon: the value is what orients the formation and development of the experience. This paper proposes to deal with the problem of the value objectivism in relation to the self-transcendence and to the self-realization of the person. The value objectivism should be measured by its faculty to orient the act through which a person detaches himself from the proper factual self. The “Good” isn‟t therefore related to an ideal transcendent object, but to the act to transcend the proper self in a creative way. The fundamental thesis is that the personal identity constitutes itself only in a critical distancing from the self. This concrete act of self-transcending cannot be understood merely in the sense of the self-interpretation – of the “strong evaluations” of Charles Taylor – but requires also the presence of the exemplarity of the other.