Steffen Steinert

In this paper, I argue that machines can create works of art. My argument is based on an analysis of the so-called creative machines and focuses on technical functions and intentions. If my proposal is correct, then creative machines are technical artifacts with the proper function to bring about works of art. My account is based on sensible conceptual connections between makers, technical artifacts, intentions, and the creation of art. One upshot of the account presented here is that we do not need a new conceptual framework or dubious assumptions about artistic agency on part of machines in order to arrive at the conclusion that creative machines make art. I will conclude the paper with some remarks regarding the artistic value of items produced by creative machines.

There seems to be no connection between philosophy of humor and the philosophy of technology. In this paper, I want to make the case that there is. I will pursue a twofold goal in this paper: First, I will take an account from one of the seminal figures in the philosophy of humor, Henri Bergson, and bring out its merits for a philosophy of technology. Bergson has never been fully appreciated as a philosopher of technology. I will fill this gap and show that Bergson’s account of the comic contains some interesting insights about our relation to technology. Second, I will show that humor and the comic open up a new perspective on technology that may facilitate new ways of thinking about our technological culture.