Thorsten Botz-Bornstein

The Eurasianist movement launched a theory according to which Russia does not belong to Europe but forms, together with its Asian colonies, a separate continent named “Eurasia” whose Eastern border is the Pacific Ocean. Similarily, in the early 1920s, Richard Coudenhove-Kalergi, the founder of the Pan-European movement, developed, the idea of “Eurafrica.” I compare the writings of Coudenhove and those of Nicolas S. Trubetzkoy and show how the idea of Europe was used as an anti-essentialist model of a cultural community. Though both “Eurasia” and “Eurafrica” may be understood to express cultural and economic imperialism, the sophistication with which both concepts are brought forward makes their interpretation as simple derivatives of chauvinism impossible. Both Trubetzkoy and Coudenhove refuse national “egocentricity” which “destroys every form of cultural communication between human beings.” Above that, Trubetzkoy and Coudenhove agree that cultural apogees have often come about through fusion. I discuss the idea of “convergence” in the context of Bergson's and Deleuze's biophilosophies.

There are many links between Kuki Shūzō and the French philosophy of the 1920s that treated the phenomenon of contingency. Examined are (1) the problem of time as it presented itself to French philosophers at the beginning of the twentieth century and its reception by Kuki as an Oriental philosopher and a Buddhist; (2) the problem of liberty and of existence in these French philosophers and in Buddhism; and (3) the phenomenon of the dream as a psychic and aesthetic phenomenon for Kuki and for the French philosophers in question

Born in Vyborg in 1884 by parents of German descent, Vasily (Wilhelm) Sesemann grew up and studied in St. Petersburg. A close friend of Viktor Zhirmunsky and Lev P. Karsavin, Sesemann taught from the early 1920s until his death in 1963 at the universities of Kaunas and Vilnius in Lithuania (interrupted only by his internment in a Siberian labor camp from 1950 to 1956). Botz-Bornstein's study takes up Sesemann's idea of experience as a dynamic, constantly self-reflective, ungraspable phenomenon that cannot be objectified. Through various studies, the author shows how Sesemann develops an outstanding idea of experience by reflecting it against empathy, Erkenntnistheorie (theory of knowledge), Formalism, Neo-Kantianism, Freudian psychoanalysis, and Bergson's philosophy. Sesemann's thought establishes a link between Formalist thoughts about dynamics and a concept of Being reminiscent of Heidegger. The book contains also translations of two essays by Sesemann as well as of an essay by Karsavin.

The Chinese concept of wen is examined here in the context of contemporary gene theory and the "cultural branch" of gene theory called "memetics." The Chinese notion of wen is an untranslatable term meaning "pattern," "structure," "writing," and "literature." Wen hua—generally translated as "culture"—signifies the process through which one adopts wen. However, this process is not simply one of civilizational mimesis or imitation but the "creation" of a new pattern. Within a gene-wen debate we are able to read genes neither in terms of nature or culture but, in a Chinese way, in terms of "nature-culture." "Posthuman" or "transhuman" models that celebrate the creation of techno-biobodies (cyborgs) as the continuation of the human by nonhuman means are still dependent on a clear distinction between nature and technology (culture) that is rooted in the Greek and Christian traditions. bioengineering does not do more than gradually replacing the "given" by the "made" until the body is seen as a commodity malleable in the hands of modern technology. A wen-based genetics offers a new perspective on nature-culture continuity because it is not trapped in nature but involved in a concept of wen that a Western mind tends to identify too quickly with natural necessity