Darian Meacham

Understood historically, culturally, politically, geographically, or philosophically, the idea of Europe and notion of European identity conjure up as much controversy as consensus. The mapping of the relation between ideas of Europe and their philosophical articulation and contestation has never benefited from clear boundaries, and if it is to retain its relevance to the challenges now facing the world, it must become an evolving conceptual landscape of critical reflection. The Routledge Handbook of Philosophy of Europe provides an outstanding reference work for the exploration of Europe in its manifold conceptions, narratives, institutions, and values. Comprising twenty-seven chapters by a group of international contributors, the Handbook is divided into three parts: • Europe of the Philosophers • Concepts and Controversies • Debates and Horizons Essential reading for students and researchers in philosophy, politics and European studies the Handbook will also be of interest to those in related disciplines such as sociology, religion, and European history and history of ideas. Darian Meacham is an Assistant Professor of Philosophy at Maastricht University, The Netherlands. He is the editor-in-chief of the Journal of the British Society for Phenomenology and the co-editor of Thinking After Europe: Jan Patočka and Politics (2016) Nicolas de Warren is Associate Professor of Philosophy and Jewish Studies at Pennsylvania State University, USA. He is the author of Husserl and the Promise of Time (2010), A Momentary Breathlessness in the Sadness of Time (2018), and Original Forgiveness (2020).

ABSTRACTThe aim of this article is to sketch a phenomenological theory of political institutions and to apply it to some objections and questions raised by Pierre Manent about the project of the European Union and more specifically the question of “European Construction”, i.e. what is the aim of the European Project. Such a theory of political institutions is nested within a broader phenomenological account of institutions, dimensions of which I have tried to elaborate elsewhere. As a working conceptual delineation, we can describe institutions as stable meaning structures. As such, the definition encompasses phenomena like the European Commission, Belgium, marriage, the Dollar, the Labour Party, but also political subjects themselves. In order to develop said theory of institutions, I will draw primarily upon resources in the work of Maurice Merleau-Ponty and John Searle.

This paper investigates the relation in Patočka’s thought between the concepts of the “front” and the “solidarity of the shaken”, which we find in the Heretical Essays in the Philosophy of History, particularly the sixth essay, “Wars of the Twentieth Century and The Twentieth Century as War”, and the phenomenological analysis of corporeity that we find in Patočka’s work from the late sixties, namely, “The Natural World and Phenomenology” (1967). We argue for a reading of the “front” and the “solidarity of the shaken” that emphasizes the importance of the body and intercorporeity. Based on this we argue for an interpretation of Patočka’s “absolute” as life’s transcendence of itself.

This volume addresses some of the most prominent questions in contemporary bioethics and philosophy of medicine: ‘liberal’ eugenics, enhancement, the normal and the pathological, the classification of mental illness, the relation between genetics, disease and the political sphere, the experience of illness and disability, and the sense of the subject of bioethical inquiry itself. All of these issues are addressed from a “continental” perspective, drawing on a rich tradition of inquiry into these questions in the fields of phenomenology, philosophical hermeneutics, French epistemology, critical theory and post-structuralism. At the same time, the contributions engage with the Anglo-American debate, resulting in a fruitful and constructive conversation that not only shows the depth and breadth of continental perspectives in bioethics and medicine, but also opens new avenues of discussion and exploration.

This paper argues for an inflationary and capacity-relative understanding of human enhancement technology. In doing so it echoes the approach followed by Buchanan. Particular emphasis is placed on the point that capacities themselves are relative to demands placed on the organism by its environment. In the case of human beings, this environment is to a very large extent institutionally structured. On the basis of the inflationary and capacity-relative concept of enhancement, I argue that the subject of enhancement must be understood in terms of a bundle of capacities that is both extended and ecological. This consequence of the inflationary enhancement concept has some surprising upshots, namely that the subject itself must be considered as a technological enhancement and not a ‘platform’ or subjectum upon which the enhancement enterprise builds. This conclusion clashes, I argue, with some of the presuppositions of liberal philosophy, which starts by assuming a reflective subje..

The idea of “style” emerges at several important points throughout Husserl’s oeuvre: in the second part of the Crisis of the European Sciences, the lectures on intersubjectivity published in Husserliana XV, and in the analyses of transcendental character and intersubjectivity in the second book of the Ideas. This paper argues that the idea of style, often overlooked, is in fact central to understanding Husserl’s conception of the person and intersubjective relations, its role in the latter captured in his odd turn of phrase, “intuitive flair.” Moreover, by showing the interdependence between the ideas of style and institution Stiftung), I argue that institution also has a central role in Husserl’s account of constitution and personhood. The relevance of the relation between institution and style goes beyond Husserlian phenomenology. In his late writings, Merleau-Ponty makes this relation the centerpiece of his attempts at an “indirect-ontology.” Thus the investigation of Husserl’s concept of style that I carry out here becomes an important propaedeutic for the study of style that Merleau-Ponty calls for in his later work. In brief, the concept of style has an important role to play in any phenomenological account of personhood and intersubjective relations.

The idea of “style” emerges at several important points throughout Husserl’s oeuvre: in the second part of the Crisis of the European Sciences, the lectures on intersubjectivity published in Husserliana XV, and in the analyses of transcendental character and intersubjectivity in the second book of the Ideas. This paper argues that the idea of style, often overlooked, is in fact central to understanding Husserl’s conception of the person and intersubjective relations, its role in the latter captured in his odd turn of phrase, “intuitive flair.” Moreover, by showing the interdependence between the ideas of style and institution (Stiftung), I argue that institution also has a central role in Husserl’s account of constitution and personhood. The relevance of the relation between institution and style goes beyond Husserlian phenomenology. In his late writings, Merleau-Ponty makes this relation the centerpiece of his attempts at an “indirect-ontology.” Thus the investigation of Husserl’s concept of style that I carry out here becomes an important propaedeutic for the study of style that Merleau-Ponty calls for in his later work. In brief, the concept of style has an important role to play in any phenomenological account of personhood and intersubjective relations.