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Andreas Elpidorou

University of Louisville
  •  Home
  •  Publications
    64
    • Most Recent
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    • Topics
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 More details
  • University of Louisville
    Department of Philosophy
    Professor
Boston University
Department of Philosophy
PhD, 2013
Homepage
Louisville, Kentucky, United States of America
Areas of Specialization
Metaphysics
Philosophy of Mind
Phenomenal Concepts
Formulating Physicalism
Boredom
Explaining Consciousness?
Consciousness and Materialism
Emotions, Misc
3 more
Areas of Interest
Epistemology
Philosophy of Cognitive Science
20th Century Philosophy
Philosophy of Physical Science
European Philosophy
Explaining Consciousness?
Consciousness and Materialism
Emotions, Misc
3 more
PhilPapers Editorships
Physicalism
Dualism
Psychophysical Supervenience
Moods
Boredom
  • All publications (64)
  •  738
    The Upsurge of Spontaneity and the Rise of Undivided Subject: The Role and Place of Merleau-Ponty in the Dreyfus-McDowell Debate
    In Lauren Freeman & Andreas Elpidorou (eds.), In/visibility: Perspectives on Inclusion and Exclusion, Institut Für Die Wissenschaften Vom Menschen. 2009.
    Perception and PhenomenologyThe Nature of Perceptual Experience, MiscPhenomenologyConceptual and Non…Read more
    Perception and PhenomenologyThe Nature of Perceptual Experience, MiscPhenomenologyConceptual and Nonconceptual ContentPhilosophy of Mind, MiscMaurice Merleau-Ponty
  •  2187
    Imagination in Non-representational Painting
    In Jonathan Webber (ed.), Reading Sartre: On Phenomenology and Existentialism, Routledge. 2010.
    Imagination and ImageryAesthetic ImaginationArtworksPhenomenologyPainting and DrawingExistentialismV…Read more
    Imagination and ImageryAesthetic ImaginationArtworksPhenomenologyPainting and DrawingExistentialismVisual Imagery and ImaginationEuropean Philosophy, MiscPhilosophy of Visual Art, Misc
  •  16359
    Affectivity in Heidegger I: Moods and Emotions in Being and Time
    with Lauren Freeman
    Philosophy Compass 10 (10): 661-671. 2015.
    This essay provides an analysis of the role of affectivity in Martin Heidegger's writings from the mid to late 1920s. We begin by situating his account of mood within the context of his project of fundamental ontology in Being and Time. We then discuss the role of Befindlichkeit and Stimmung in his account of human existence, explicate the relationship between the former and the latter, and consider the ways in which the former discloses the world. To give a more vivid and comprehensive picture …Read more
    This essay provides an analysis of the role of affectivity in Martin Heidegger's writings from the mid to late 1920s. We begin by situating his account of mood within the context of his project of fundamental ontology in Being and Time. We then discuss the role of Befindlichkeit and Stimmung in his account of human existence, explicate the relationship between the former and the latter, and consider the ways in which the former discloses the world. To give a more vivid and comprehensive picture of Heidegger's account of mood, we focus on the experience of anxiety by articulating both its function within fundamental ontology and, relatedly, its revelatory nature. We conclude by considering the place of emotions in Heidegger's thinking from this period. In a companion essay, ‘Affectivity in Heidegger II: Temporality, Boredom, and Beyond’, we complement our present analysis by revisiting the issue of affectivity in terms of Heidegger's discussion of temporality in Division II of Being and Time. We also expand our present discussion by considering the fundamental mood of boredom and other specific moods that Heidegger considers within his later thinking
    Emotions, MiscMartin HeideggerPhenomenology, Misc
  •  1261
    Seeing the Impossible
    Journal of Aesthetics and Art Criticism 74 (1): 11-21. 2016.
    I defend the view that it is not impossible to see the impossible. I provide two examples in which one sees the impossible and defend these examples from potential objections. Theories of depiction should make room for impossible depictions
    DepictionRepresentation, MiscImpossible WorldsPainting and DrawingPhilosophy of Visual Art, MiscTopi…Read more
    DepictionRepresentation, MiscImpossible WorldsPainting and DrawingPhilosophy of Visual Art, MiscTopics in AestheticsAesthetics, Misc
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