Bernard Freydberg

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Play resides at the heart of the Platonic dialogues, shaping their insights as well as informing their style. "The Play of the Platonic Dialogues" traces the prominent role of play, both as a general philosophical characteristic and as influencing the treatment of key issues. The nature of the forms, of the city, of virtue, of the soul and its immortality - these and others have been shaped by play. This book shows how Platonic playfulness is joined with the deepest seriousness throughout the dialogues.

Etudes hégéliennes: Raison et décision. Bernard Bourgeois (Presses Universitaires de France, Paris, Questions, 1992). 404 pp. FF 198.00 paper. Name, Hero, Icon: Semiotics of Nationalism through Heroic Biography. Anna Makolkin (Berlin and New York: Mouton de Gruyter, 1992), 264 pp. DM 148 cloth. A History of Women in the West: II. Silences of the Middle Ages. Edited by Christiane Klapisch‐Zuber (Cambridge, Mass. and London: The Belknap Press of Harvard University Press, 1992). Examination of Pharisaic Traditions. Exame das tradiçoes phariseas. By Uriel Da Costa. Facsimile of the only copy, Royal Library of Copenhagen. Supplement by Samuel Da Suva's Treatise on the immortality of the soul. Tratado da immortalidades da alma. Trans., notes and introduction by H. P. Salomon and I. S. D. Sassoon (E. J. Brill: Leiden, New York, Köln, 1992) 578 pp. $143.00 cloth. La transparence du mal: Essai sur les phénomènes extrêmes. 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In a letter written to Gadamer after receiving a copy of Truth and Method, Leo Strauss offered many criticisms with which Gadamer took issue. However, he acknowledged the important hint cited in the title. Perhaps strangely, Gadamer never took up this hint and showed very little interest in comedy throughout his Gesammelte Schriften. In this essay, I show that there are ample resources within Gadamerian hermeneutics to answer Strauss positively, also for a rich philosophy of comedy along Gadamerian lines. Toward that end, I use Gadamer’s Aristotelian view of tragedy as a clue; interpretations of play, excess and delight (Ergötzen) also weave into the analyses

Both in Force of Imagination: The Sense of the Elemental and in his very recent Logic of Imagination: The Expanse of the Elemental, John Sallis enacts a reconfiguration of the relationship of geometry to elementology, which might be regarded more generally as a rethinking of the relation of mathematics to philosophy. The paper will trace this reconfiguration in two ways: as it lies present but concealed in the history of philosophy, for example, in Descartes’ so-called “dualism” and in Kant’s pure productive imagination, and in its present creative evolution in fractal geometry, as Sallis interprets it. Sallis draws together the mathematical affinity with a fundamental aesthetic drive, likening mathematical patterns to choreographic ones. I conclude by following this strain as it points to specific dance companies, and to my own sense of aesthetic homecoming as presented in my Imagination in Kant’s Critique of Practical Reason.

"Heidegger" and "comedy" are words that one seldom finds conjoined. However, in his 1943 Summer Freiburg lecture course entitled " Der Anfang des abendländischen Denkens. Heraklit ," the word " komisch " occurs significantly, it is regarded as superior to " das Tragische ," and thus can open up a new vista onto Heideggerian thought. In this paper, I discuss Heidegger's interpretive translation of Heraclitus' Fragment 123: Φυσιζ κρυπτ∊σθαι φιλ∊ι. I attempt to show how Heidegger distinguishes his translation and interpretation from other great thinkers and other ways of thought, and how this distinction ultimately unfolds into that unlikeliest and untimeliest of beings, a uniquely comic Heidegger

Among Platonic images that have engaged John Sallis’s thought on Plato, the second voyage of Socrates, his deuteros plous, recurs often and provocatively. It is not too much to suggest that deuteros plous has occasioned many of Sallis’s own voyages, as well as suggesting a fruitful image of the philosopher as voyager that may be gleaned from these peculiar journeys. This essay will consist of four brief sections. The first will focus upon Sallis’s earliest reading of deuteros plous in Being and Logos: The Way of Platonic Dialogue (the title of its first edition, to me the best title), in which he provides a sustained reading of Phaedo 95e–102a, in the heart of which Socrates’s second voyage is brought ..

Abstract The paper is divided into four brief but related sections: (I) a description of Figal's resuscitation and reinterpretation of the word that informs the title of his book, the word “ Gegenstand ,“ and his Heidegger-critique regarding this resuscitation; (II) an examination of an important strain of the aforementioned lineage, namely, the role of Wilhelm von Humboldt as source for Heidegger's and his own Sprachdenken ; (III) an account of the Figal-Heidegger encounter with respect to the speaking of language; and (IV) the culmination of the “ Sprache “ chapter and some comments upon the outcome with regard to philosophy of language