Bernard Freydberg

Abstract The paper is divided into four brief but related sections: (I) a description of Figal's resuscitation and reinterpretation of the word that informs the title of his book, the word “ Gegenstand ,“ and his Heidegger-critique regarding this resuscitation; (II) an examination of an important strain of the aforementioned lineage, namely, the role of Wilhelm von Humboldt as source for Heidegger's and his own Sprachdenken ; (III) an account of the Figal-Heidegger encounter with respect to the speaking of language; and (IV) the culmination of the “ Sprache “ chapter and some comments upon the outcome with regard to philosophy of language

Both in Force of Imagination: The Sense of the Elemental and in his very recent Logic of Imagination: The Expanse of the Elemental, John Sallis enacts a reconfiguration of the relationship of geometry to elementology, which might be regarded more generally as a rethinking of the relation of mathematics to philosophy. The paper will trace this reconfiguration in two ways: as it lies present but concealed in the history of philosophy, for example, in Descartes’ so-called “dualism” and in Kant’s pure productive imagination, and in its present creative evolution in fractal geometry, as Sallis interprets it. Sallis draws together the mathematical affinity with a fundamental aesthetic drive, likening mathematical patterns to choreographic ones. I conclude by following this strain as it points to specific dance companies, and to my own sense of aesthetic homecoming as presented in my Imagination in Kant’s Critique of Practical Reason.

This book addresses the breach within contemporary philosophy with a newly conceived foundationalism. It shows that dramatic discord has arisen between its two dominant branches. The Anglo-American branch generally takes its departure from logic and from natural science, while the Continental branch generally takes its departure from art and from the great traditional questions. However, they share this common negative feature: each side denies the view that philosophy issues from a central foundation. The book gives brief distillations of six major Anglo-American figures: Carnap, James, Quine, Davidson and Kripke; as well as six major Continental figures: Husserl (the only foundationalist), Heidegger, Merleau-Ponty, Derrida, Gadamer, and Sallis. In each, the author discovers a hidden foundation called ruling image that animates the philosopher's thought.

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Play resides at the heart of the Platonic dialogues, shaping their insights as well as informing their style. "The Play of the Platonic Dialogues" traces the prominent role of play, both as a general philosophical characteristic and as influencing the treatment of key issues. The nature of the forms, of the city, of virtue, of the soul and its immortality - these and others have been shaped by play. This book shows how Platonic playfulness is joined with the deepest seriousness throughout the dialogues.

Part I. Phenomenology -- Phenomenology and the return to beginnings -- Delimitations: phenomenology and the end of metaphysics -- Part II. Sallis's Plato interpretation -- Being and logos: reading the Platonic dialogues -- Chorology: on beginning in Plato's Timaeus -- Platonic legacies -- Part III. Art/Sallis -- Stone -- Shades-of painting at the limit -- Topographies -- Part IV. Sallis and other thinkers -- The gathering of reason -- Spacings-of reason and imagination in texts of Kant, Fichte, Hegel -- Echoes: after Heidegger -- Crossings: Nietzsche and the space of tragedy -- Part V. Sallis speaks directly -- Double truth -- Force of imagination: the sense of the elemental -- On translation -- The Sallis/Derrida dialogue -- Derrida's "Tense" and Sallis's The verge of philosophy.

The Kerygma of the Wilderness Traditions in the Hebrew Bible examines biblical writers' use of the wilderness traditions in the books of Exodus and Numbers, Deuteronomy, the Prophets, and the Writings to express their beliefs in God and their understandings of the community's relationship to God. Kerygma is the proclamation of God's actions with the purpose of affirming faith/or appealing to an obedient response from the community. The experiences of the wilderness community, who rebelled and refused to live according to God's purposes, serve as a polemic against disbelief in God and the refusal to embrace Israel's religious heritage. In the Writings, more than in the Prophets, the wilderness traditions are remembered with a notable resemblance to the traditions in Exodus and Numbers, which reflects a heightened interest in the ancient traditions in the closing turbulent period of Israelite history. Recollections of Israel's beginnings in the wilderness address problems associated with faith, obedience, and ultimately, the nature of the Israelite community.

This provocative reassessment of modern philosophy explores its nonrational dimensions and connection to ancient mysteries. Delving beneath the principal discourses of philosophyfrom Descartes through Kant, Bernard Freydberg plumbs the previously concealed dark forces that ignite the inner power of modern thought. He contends that reason itself issues from an implicit and unconscious suppression of the nonrational. Even the modern philosophical concerns of nature and limits are undergirded by a dark side that dwells in them and makes them possible. Freydberg traces these dark sources to the poetry of Hesiod, the fragments of Heraclitus and Parmenides, and the Platonic dialogues and claims that they rear their heads again in the work of Spinoza, Schelling, and Nietzsche. Freydberg does not set forth a critique of modern philosophy but explores its intrinsic continuity with its ancient roots.