David Burrell

This work offers a bold and illuminating exercise in philosophy as narrative, and in doing so presents itself quite consciously as an alternative mode of explanation to the "rationalist paradigm" which dominated Greek philosophy. Yet while acknowledging the inspiration of Hegel, the work hews far more closely than the author of Phänomenologie des Geistes to the actual dialectic of explanation as it worked itself out from Aristotle through Plotinus to Aquinas--to mention only the most prominent milestones. In that respect, the book offers an apparently independent and certainly more lyrical orchestration of the themes elaborated in such careful counterpoint by Edward Booth in his Aristotelian Aporetic Ontology in Islamic and Christian Writers. Indeed, for each author, it is a stubborn aporia inherent in Aristotle's project, yet resistant to resolution in terms of that same project, which fuels the resultant "historical dialectic." Booth's formulation focuses on the metaphysical clash between Aristotle's assertion that existing individuals bear ontological primacy and his insistence that form alone is intelligible, however, while Madigan pinpoints the explanatory lacuna in the project of Aristotle's Metaphysics as he intended it to complete the Physics. Yet I would suggest that these two formulations manifest a single metaphysical impasse for Aristotle; in fact, the very one which was to come to the fore in the debate which emerged within Islamic, Jewish, and Christian philosophical theology regarding the origins of the universe. As Madigan summarizes it: "a theory of creation or the production of the world through efficient causality is necessary to explain the world, or to render Aristotle's system complete. This is what Plotinus' philosophy lacked. But given creation or the free production of an independent world, a theory of salvation is necessary to make creation itself for the first time rational".