Catherine Elgin

In “Useful False Beliefs,” Peter Klein argues that the justification required for knowledge can contain a false belief essentially. When this happens, the agent arrives at her conclusion via a chain of inference that includes a false belief. He illustrates his argument with cases that depend on apparent memory, testimony, recorded empirical evidence, and observation-based calculation. If the agent’s inferential path is close enough to a route that contains only truths, Klein maintains, her conclusion is justified. Still, he intimates, reliance on a falsehood is an epistemic defect, even if not a fatal one. All things considered, it is preferable to take the epistemic high road and rely only on truths. I will argue, however, that sometimes inferring via a falsehood is an epistemic strength. Reliance on a falsehood enables the agent to marshal epistemic resources by excluding from her reasoning irrelevant complications that would blind her to the relation between her evidence and her conclusion.

En posant avec clarté des questions de philosophie de l’esprit, d’ontologie et d’épistémologie, ce livre témoigne à la fois de l’intérêt réel de la danse comme objet philosophique et du rôle unique que peut jouer la philosophie dans une meilleure compréhension de cet art. Qu’est-ce que danser ? Que nous apprend le mouvement dansé sur la nature humaine et la relation entre le corps et l’esprit ? À quelles conditions une œuvre est-elle correctement interprétée par les danseurs et bien identifiée par les spectateurs ?

Although our theories are not precisely true, scientific realists contend that we should admit their objects into our ontology. One justification--offered by Sellars and Putnam--is that current theories belong to series that converge to ideally adequate theories. I consider the way the commitment to convergence reflects on the interpretation of lawlike claims. I argue that the distinction between lawlike and accidental generalizations depends on our cognitive interests and reflects our commitment to the direction of scientific progress. If the sciences disagree about the lawlikeness of some generalization(s), as an argument of Davidson's suggests, it follows from the interest relatively of lawlikeness that the laws of a science do not determine the essences of their objects. I conclude that this form of scientific realism provides no metaphysical support for essentialism

Davidson's token-Token identity theory is based on the indeterminacy of translation. I argue that psychological theories, Like other theories, Are underdetermined by the evidence, And that their reduction, Like other reductions, Is subject to the indeterminacy of translation. This does not invalidate reduction, But it does raise epistemic difficulties. Accepting a claim as law-Like involves uncertainty and risk. There are ideological reasons for thinking that psychophysical reduction involves risks we should not take

Knowing how to ride a bicycle, prove a theorem, tie a necktie, or play chess is, at least in part, an epistemic accomplishment. It is some sort of knowing. Abel (2012) argues that knowing how is irreducible to knowing that. No collection of knowings-that, however extensive, enables a person to play chess. I agree. He concludes that knowing how is therefore inscrutable. I argue that knowing how is akin to Aristotelian virtue - a matter of having a propensity to do the right thing at the right time for the right reason. The norm of the practice has been internalized, becoming second nature. I argue that rather than conforming to expressly stated rules, we model our behavior on exemplars - publicly available instances that manifest the features we seek to emulate. Since the exemplars are public, knowing-how is scrutable.

Se considera que la ciencia es el espejo de la naturaleza, mientras que el arte imita la vida. De ser así, las representaciones en ambas disciplinas deberían asemejarse a sus objetos. En contra de tales teorías miméticas, argumento que la ejemplificación y no la simple semejanza es crucial. Explico en qué consiste la ejemplificación: una relación referencial de un ejemplar con alguna de sus características. Puesto que la ejemplificación es selectiva, un ejemplar puede diferir de su referente en aspectos no ejemplificados. Ésta es la razón por la cual una idealización, que estrictamente es falsa, puede ofrecer comprensión del fenómeno que le concierne. A partir de analogías con las representaciones pictóricas, muestro cómo un modelo ejemplifica características que comparte con su objeto, pone de relieve la importancia de tales características y con ello proporciona comprensión del sistema en cuestión

Philosophy long sought to set knowledge on a firm foundation, through derivation of indubitable truths by infallible rules. For want of such truths and rules, the enterprise foundered. Nevertheless, foundationalism's heirs continue their forbears' quest, seeking security against epistemic misfortune, while their detractors typically espouse unbridled coherentism or facile relativism. Maintaining that neither stance is tenable, Catherine Elgin devises a via media between the absolute and the arbitrary, reconceiving the nature, goals, and methods of epistemology. In Considered Judgment, she argues for a reconception that takes reflective equilibrium as the standard of rational acceptability. A system of thought is in reflective equilibrium when its components are reasonable in light of one another, and the account they comprise is reasonable in light of our antecedent convictions about the subject it concerns.Many epistemologists now concede that certainty is a chimerical goal. But they continue to accept the traditional conception of epistemology's problematic. Elgin suggests that in abandoning the quest for certainty we gain opportunities for a broader epistemological purview--one that comprehends the arts and does justice to the sciences. She contends that metaphor, fiction, emotion, and exemplification often advance understanding in science as well as in art. The range of epistemology is broader and more variegated than is usually recognized. Tenable systems of thought are neither absolute nor arbitrary. Although they afford no guarantees, they are good in the way of belief.

A challenger of traditions and boundaries A pivotal figure in 20th-century philosophy, Nelson Goodman has made seminal contributions to metaphysics, epistemology, aesthetics, and the philosophy of language, with surprising connections that cut across traditional boundaries. In the early 1950s, Goodman, Quine, and White published a series of papers that threatened to torpedo fundamental assumptions of traditional philosophy. They advocated repudiating analyticity, necessity, and prior assumptions. Some philosophers, realizing the seismic effects repudiation would cause, argued that philosophy should retain the familiar framework. Others considered the arguments compelling, but despaired of doing philosophy without the framework. Goodman disagreed with both factions. Rather than regretting the loss of structure, he capitalized on the opportunities that arise when the strictures of tradition are loosened.

I argue that the picture theory provides both a common referential hase and a common logical syntax for languages embodying alternative conceptual schemes. I offer an analysis of depiction, explicating the Tractarian concepts of pictorial structure, pictorial relationship, and representational form. Significant failure of reference and the existence of languages with incompatible ontological commitments show that on the molar level depiction is not required for sense. Using three premises, taken to be axiomatic for Wittgenstein, I show that analysis leads to a base of elementary propositions which must depict in order to be significant. There, the relations between pictorial structure, pictorial relationship and representational form are such that reference is secured and conceptual relativity precluded.

Nelson Goodman was one of the soaring figures of twentieth century philosophy. His work radically reshaped the subject, forcing fundamental reconceptions of philosophy’s problems, ends, and means. Goodman not only contributed to diverse fields, from philosophy of language to aesthetics, from philosophy of science to mereology, his works cut across these and other fields, revealing shared features and connecting links that narrowly focused philosophers overlook. That the author of The Structure of Appearance also wrote Languages of Art is not in the end surprising.

I argue that trustworthiness is an epistemic desideratum. It does not reduce to justified or reliable true belief, but figures in the reason why justified or reliable true beliefs are often valuable. Such beliefs can be precarious. If a belief's being justified requires that the evidence be just as we take it to be, then if we are off even by a little, the belief is unwarranted. Similarly for reliability. Although it satisfies the definition of knowledge, such a belief is not trustworthy. We ought not use it as a basis for inference or action and ought not give others to believe it. The trustworthiness of a belief, I urge, depends on its being backed by reasons—considerations that other members of the appropriate epistemic community cannot reasonably reject. Trustworthiness is intersubjective. It both depends on and contributes to the evolving cognitive values of an epistemic community