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Stephanie Ross

University of Missouri, St. Louis
  •  Home
  •  Publications
    39
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 More details
  • University of Missouri, St. Louis
    Department of Philosophy
    Retired faculty
Harvard University
Department of Philosophy
PhD, 1977
Areas of Interest
Aesthetics
Meta-Ethics
  • All publications (39)
  •  161
    Art and allusion
    Journal of Aesthetics and Art Criticism 40 (1): 59-70. 1981.
    Aesthetics
  •  146
    Ut hortus poesis—gardening and her sister arts in eighteenth-century England
    British Journal of Aesthetics 25 (1): 17-32. 1985.
    Aesthetics
  •  59
    Grant, James. The Critical Imagination. Oxford University Press, 2013, 192 pp., $55.00 cloth (review)
    Journal of Aesthetics and Art Criticism 72 (4): 453-456. 2014.
    AestheticsHistory of Aesthetics
  •  107
    On Landscapes
    British Journal of Aesthetics 51 (1): 106-108. 2011.
    (No abstract is available for this citation)
    AestheticsTopics in Aesthetics
  •  1
    Anthony Savile, Aesthetic Reconstructions: The Seminal Writings of Lessing, Kant and Schiller Reviewed by
    Philosophy in Review 10 (9): 383-387. 1990.
    Kant: AestheticsKant and Other Philosophers
  •  362
    What photographs can't do
    Journal of Aesthetics and Art Criticism 41 (1): 5-17. 1982.
    Photography
  •  230
    Humean Critics: Real or Ideal?: Articles
    British Journal of Aesthetics 48 (1): 20-28. 2008.
    This paper attempts a rational reconstruction of the Humean notion of an ideal critic. Claiming that the traits of practice and comparison can only arise through the gradual accumulation of experience, I argue that Humean critics are real, not ideal. After discussing the nature of perfection and the relation of delicacy to the other Human traits, I propose two supplements to Hume's list: imaginative fluency and emotional responsiveness. I close by examining a trio of challenges to my view and su…Read more
    This paper attempts a rational reconstruction of the Humean notion of an ideal critic. Claiming that the traits of practice and comparison can only arise through the gradual accumulation of experience, I argue that Humean critics are real, not ideal. After discussing the nature of perfection and the relation of delicacy to the other Human traits, I propose two supplements to Hume's list: imaginative fluency and emotional responsiveness. I close by examining a trio of challenges to my view and supporting a mitigated aesthetic nonrealism.
    AestheticsHume: AestheticsAesthetic Judgment
  •  59
    Paradoxes and puzzles: appreciating gardens and urban nature
    Contemporary Aesthetics 4. 2006.
    Aesthetics
  •  127
    Comparing and Sharing Taste: Reflections on Critical Advice
    Journal of Aesthetics and Art Criticism 70 (4): 363-371. 2012.
    AestheticsAesthetic Taste
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