Paolo Stellino

RESUMENEn las siguientes páginas se intentará recorrer los pasos a través de los cuales Nietzsche entró en contacto con la obra dostoievskiana y delinear las posiciones principales de la crítica acerca de la problemática, muy discutida, de qué obras de Dostoievski fueron leídas por Nietzsche. Para ello, nos basaremos en el análisis de las obras, de los fragmentos póstumos y de las cartas del último periodo de la vida consciente de Nietzsche.PALABRAS CLAVESNIETZSCHE, DOSTOIEVSKI, DESCUBRIMIENTOABSTRACTIn the following pages we attempt to reconstruct Nietzsche’s discovery of Dostoevsky’s work. Afterwards we will focus on critical studies in order to specify how the philosopher got to know the Russian author’s novels and specifically which books he may have read. We will base our investigation on Nietzsche’s work, notes and letters.KEYWORDSNIETZSCHE, DOSTOEVSKY, DISCOVERY

Cet article a pour but de développer la critique qu’Amartya Sen adresse à la théorie du conflit de Samuel P. Huntington. Plus spécifiquement, je me propose d’appuyer l’idée de Sen, selon laquelle l’identité est toujours plurielle et dynamique, sur la conception de ‘généalogie’ élaborée par Friedrich Nietzsche et, postérieurement, développée par Michel Foucault. Dans un second temps, je reprendrai l’affirmation de Sen, selon laquelle une vision ‘solitariste’ de l’identité humaine s’avère potentiellement dangereuse. Cela permettra de montrer qu’une approche non monolithique à la question de l’identité favorise l’apaisement des tensions sociales et des conflits culturels déterminés, entre autres, par la crise migratoire récente.

Nietzsche’s view of suicide is a topic which in the last years has been the focus of works such as Julian Young’s and Paul S. Loeb’s. Within this context, this paper seeks to add new elements to the discussion. To this purpose, Nietzsche’s attitude to suicide will be explored from two different points of view. The first part of the paper focuses on the distinction between voluntary (free) and involuntary (natural) death. Nietzsche’s appraisal of both will be scrutinized. In particular, through the comparison with the Classical and, especially, Stoic philosophy and through the critique of the religious (particularly Christian) conception of death, it will be shown, among other things, that Nietzsche defends the rationality of suicide, presents a view of voluntary death as emptied of morality and fights against the Christian denaturalization of suicide. In the second part of the paper, suicide will be considered from a philosophical-existentialist viewpoint, that is, as a possible consequence of the meaninglessness of human existence. The problem is to judge whether life is or is not worth living in a world devoid of meaning and purpose. Nietzsche’s attitude to suicide will be analyzed in a chronological way (early, middle and late Nietzsche). Special attention will be given to the role played by art. The relevant conclusion is that, although in different ways, Nietzsche gives an affirmative answer to the question whether life is worth living in a world devoid of meaning and purpose.