Fabian Dorsch

(1974 - 2017)

Please send me an email ([email protected]) if you wish to receive a copy of the book. — 'In this highly ambitious, wide ranging, immensely impressive and ground-breaking work Fabian Dorsch surveys just about every account of the imagination that has ever been proposed. He identifies five central types of imagining that any unifying theory must accommodate and sets himself the task of determining whether any theory of what imagining consists in covers these five paradigms. Focussing on what he takes to be the three main theories, and giving them each equal consideration, he faults the first two and embraces the third, which argues that imagining is a special form of mental agency. The scholarship is immaculate, the writing crystal clear and the argumentation always powerful.' (Malcolm Budd).

The imagination poses fascinating philosophical questions across a range of subjects including philosophy of mind, aesthetics and epistemology. However, until now it has been a relatively neglected topic. How do acts of imagining differ from other mental episodes, such as perceptions or judgements? What kind of awareness is involved in imagining? Can imagining ground knowledge and if so, how reliable is it? Is there some unity to the various forms of imagining? In this book Fabian Dorsch considers these questions, introducing and assessing all the main issues and arguments concerning imagination, including: episodic imagining imagining objects propositional imagining imagination and epistemology imagination and aesthetics imagination and cognitive science the unity of imagining. Including chapter summaries, annotated further reading and a glossary, _Imagination_ is an ideal starting point for anyone studying the philosophy of imagination for the first time as well as more advanced students and researchers in philosophy, psychology and related disciplines.

This article overviews Hume’s thoughts on the nature and the role of imagining, with an almost exclusive focus on the first book of his Treatise of Human Nature. Over the course of this text, Hume draws and discusses three important distinctions among our conscious mental episodes : between impressions and ideas ; between ideas of the memory and ideas of the imagination; and, among the ideas of the imagination, between ideas of the judgement and ideas of the fancy. I discuss each distinction in turn, also in connection to contemporary views on imagining. In addition, I briefly consider Hume’s views on the imagination as a faculty aimed at the production of ideas, as well as on the role that imagining plays in the wider context of our mental lives, notably in the acquisition of modal knowledge and in the comprehension of stories and opinions that we take to be false or fictional.