Amelie Rorty

(1932 - 2020)

There is no such thing as ART. There are public monuments and celebrations of victories, icons, religious teaching, civic pride, courtier flattery, family legitimation, secularization of the sacred, celebration of the ordinary as ordinary, attempts to shock, political statements, making money, decoration of homes, corporations, visual debates on what the world looks like—debates about what the world is—debates about what we see. On the other hand, we can look at anything—clouds, a tree, a face, a road, a herd of cows in a field—as if they were works of art, finding a composition of patterns and resonances of color, texture, and form. Directly or indirectly, consciously or unconsciously, works of art..

Near the outset of Faust, Goethe sets his protagonist to translating the beginning of the Book of John. Dissatisfied with translating logos as Word, Faust tries "In the beginning was Mind" (Sinn), but he quickly retreats: "Can it be Mind what makes and shapes all things? Surely it should be 'In the beginning was Power (Kraft).'" Yet reflecting that Power might be merely latent, merely potential, he perseveres until finally Spirit (Geist) prompts Faust to settle on, "In the beginning was the Deed (That)!"1With the restless ambition of Faust, Jean-Paul Sartre tries to find the origins of self-consciousness in a move from Word to Deed, inspired by an account of Jean Genet's foster-mother branding the ..

_Essays on Aristotle's_ Rhetoric offers a fresh and comprehensive assessment of a classic work. Aristotle's influence on the practice and theory of rhetoric, as it affects political and legal argumentation, has been continuous and far-reaching. This anthology presents Aristotle's _Rhetoric_ in its original context, providing examples of the kind of oratory whose success Aristotle explains and analyzes. The contributors—eminent philosophers, classicists, and critics—assess the role and the techniques of rhetorical persuasion in philosophic discourse and in the public sphere. They connect Aristotle's _Rhetoric_ to his other work on ethics and politics, as well as to his ideas on logic, psychology, and philosophy of language. The collection as a whole invites us to reassess the place of rhetoric in intellectual and political life.

Many philosophers believe that normative ethics is in principle independent of psychology. By contrast, the authors of these essays explore the interconnections between psychology and moral theory. They investigate the psychological constraints on realizable ethical ideals and articulate the psychological assumptions behind traditional ethics. They also examine the ways in which the basic architecture of the mind, core emotions, patterns of individual development, social psychology, and the limits on human capacities for rational deliberation affect morality.

Spinoza’s project of showing how the mind can be freed from its passive affects and the State from its divisive factions (E IV.Appendix and V.Preface) ultimately coincides with the aims announced in the subtitle of the Tractatus-Theologico-Politicus (TTP) “to demonstrate that [the] freedom to philosophize does not endanger the piety and obedience required for civic peace.”1 Both projects rest on a set of provisional isomorphic distinctions—between adequate and inadequate ideas, between reason and the imagination, between active and passive affects—that Spinoza proceeds to blur, and indeed to renounce. In using these distinctions while also moving to overcome them, Spinoza is not confused or indecisive. Every philosopher, every wise Sovereign, every free man who attempts to incorporate adequate ideas in inadequately framed, perspectivally limited contexts must use these distinctions and also see how deeply misleading they are. I want to offer a friendly amendment to Hasana Sharpe’s essay “The Force of Ideas in Spinoza” arguing that Spinoza refuses her distinction between the force of an idea and its truth.2.

IN PREPARING A HANDBOOK ON RHETORIC, Aristotle proceeds as he does for a discussion of any craft or practice. After distinguishing it from other closely related arts, he defines its proper aim: that of finding the means that can be used to persuade an audience of any subject whatever. Since the most effective exercise of any craft or faculty is conceptually connected to its fulfilling its norm-defined aims, his counsel is directed to guiding the master craftsman who is responsive to the larger issues that surround the exercise of his skill--a rhetorician speaking about important matters to those authorized to affect them. Aristotle's advice to the rhetorician imports the results of his philosophic investigations: the Rhetoric presupposes and is implicitly informed by Aristotle's logical works, by his philosophy of mind, and his theory of action; it is also strongly conjoined with his political and ethical theory. But while the rhetorician relies on these theories, he is not himself a philosopher, logician, statesman, or moralist.

Courage is dangerous. If it is defined in traditional ways, as a set of dispositions to overcome fear, to oppose obstacles, to perform difficult or dangerous actions, its claim to be a virtue is questionable. Unlike the virtue of justice, or a sense of proportion, traditional courage does not itself determine what is to be done, let alone assure that it is worth doing. If we retain the traditional conception of courage and its military connotations–overcoming and combat–we should be suspicious of it. Instead of automatically classifying it as a virtue, attempting to develop and exercise it, we should become alert to its dangers. And yet and yet. There is an aspect of traditional courage that serves us: we require the capacities and traits that enable us to persist in acting well under stress, to endure hardships when following our judgments about what is best is difficult or dangerous. If courage is checked, redefined as the virtue that enables virtue–the various sets of dispositions, whatever they may be, that make us resolute in worthy, difficult action–then we need not fear the dangers of courage. We need rather to reform it by diversifying it, as a heterogeneous variety of traits that enable us to act well under stress, against the natural movements of self-protection.