Andrew Bowie

In his Notes on Philosophy, which he began writing in 1796, Friedrich Schlegel asserts that ‘The fact that one person understands the other is philosophically incomprehensible, but it is certainly magical.’ In the interim a large amount of philosophical effort has been expended on trying to refute Schlegel's first claim. The fact is, though, that what Michael Dummett calls a ‘fullblooded theory of meaning’ is now looking less and less like a really feasible philosophical enterprise, so Schlegel may have actually been right. Dummett maintains that a ‘full-blooded theory of meaning’ ‘must give an explicit account, not only of what anyone must know in order to know the meaning of any given expression, but of what constitutes having such knowledge’. However, as I shall try to show via aspects of the hermeneutic tradition, it is precisely this way of talking about meaning and understanding that renders them incomprehensible. The differences between approaching the issue of understanding from the hermeneutic tradition and approaching it from the analytical tradition can, I want to suggest, tell us something important about the state of philosophy today. My aim is eventually to suggest that we need to understand the analytical version of the ‘linguistic turn’ in modern philosophy as a perhaps rather questionable aspect of a much more important ‘hermeneutic turn’, whose implications are now becoming apparent in more and more diverse areas of contemporary philosophy.

_Introduction to German Philosophy_ is the only book in English to provide a comprehensive account of the key ideas and arguments of modern German philosophy from Kant to the present. the first book in English to provide a comprehensive account of the key ideas and arguments of modern German philosophy from Kant to the present. offers an accessible introduction to the work, among others, of Kant, Fichte, the Romantics, Hegel, Marx, Nietzsche, Wittgenstein, the Vienna Circle, Husserl, Heidegger, Benjamin, Adorno, Gadamer, and Habermas. considers how German philosophy reacts to revolutionary changes in modern science, society, and culture; ideal for anyone wanting to know more about the role of the German tradition within philosophy and literature as a whole.

Schleiermacher rarely features in the now widespread discussion of the relevance of the German Idealist and Romantic traditions for contemporary philosophy because he has mainly been regarded as a theologian and theorist of textual interpretation. This essay shows that his most important philosophical work, the Dialectic, involves many ideas concerning truth and language which are generally regarded as belonging to what Habermas terms 'post-metaphysical thinking'. Schleiermacher's views of truth and language are contrasted with those of Habermas and Rorty, and are seen as being of more than merely historical interest. His reflections on self-consciousness are shown to raise important questions for contemporary accounts of the relationship of the subject to language.

Modern philosophers generally assume that music is a problem to which philosophy ought to offer an answer. Andrew Bowie’s Music, Philosophy, and Modernity suggests, in contrast, that music might offer ways of responding to some central questions in modern philosophy. Bowie looks at key philosophical approaches to music ranging from Kant, through the German Romantics and Wagner, to Wittgenstein, Heidegger and Adorno. He uses music to re-examine many current ideas about language, subjectivity, metaphysics, truth, and ethics, and he suggests that music can show how the predominant images of language, communication, and meaning in contemporary philosophy may be lacking in essential ways. His book will be of interest to philosophers, musicologists, and all who are interested in the relation between music and philosophy.