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    In lieu of an abstract, here is a brief excerpt of the content:Experiences of MortalityPhenomenology and AnthropologyAlphonso LingisMartin Heidegger set out to elucidate our experience of being mortal, beneath the interpretations that he would take as metaphysical. He dismissed the dying that Socrates had taken to be liberation, a transfiguration, a passage to a higher kind of existence. Yet Socrates had argued that this liberation is an experience, anticipated in the asceticism of the body that…Read more
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    Practical Necessity
    Graduate Faculty Philosophy Journal 20 (2-1): 71-82. 1998.
    Microorganisms luxuriate in, plants push through, the humus, that is, the corpses of plants, insects, birds and mammals. Insects, fish, birds, and mammals nourish themselves with the flesh of plants on hand, and also with that of insects, fish, birds, and mammals. In the natural world, everything assimilates and is assimilated. Every animal, from amoebas to the blue whales, feels moments of fear, for they know they are vulnerable and mortal. As they eat what is at hand they sense that what will …Read more
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    Truth in Reconciliation
    Journal of Bioethical Inquiry 8 (3): 239-243. 2011.
    To what extent is truth required for reconciliation of peoples in conflict? What kind of truth? Objective truth, subjective truth? Maybe reconciliation require that the pursuit of truth be limited? The trial of the former “Khmer Rouge” leaders in Cambodia for crimes against humanity provides a case where these issues are examined
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    Book reviews (review)
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    "Alphonso Lingis analyzes with power and depth the meaning of subject, time and nature throught the lens of the death of the other"--Jacket.
  • Our Uncertain Compassion
    Janus Head 9 (1). 2006.
    There are those, even our enemies, we want to live; there are those, even our friends, we want to die. We imagine death may be the end of pain, but we may well will our pain. We honor those who die with dignity, but dignity is not something we ascribe to ourselves or can be our objective
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    Collective performances cannot be understood only from the intentions of the organizers, participants and bystanders, and from their historical, political, economic and ideological contexts. Cultural performances close in on themselves and evolve with their own logic: that of ceremony and festival in which their own scenes of splendour, dance and war adjust to one another.
    War
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    Black Stars: The Pedigree of the Evaluators
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