Daniele De De Santis

The goal of the present text is to analyze some aspects of Husserl’s own phenomenology against the backdrop of the quite famous or infamous critique of the “Myth of the Given” proposed by the American philosopher Wilfrid Sellars in his Empiricism and the Philosophy of Mind. Indeed, whereas Sellars’ volume is usually deemed the source of what has been recently referred to as the “Hegelian Renaissance” characterizing analytic philosophy, Husserl and his transcendental phenomenology are on the contrary seen as the very expression of a new “form” of “Cartesianism.” Now, after a quick discussion of Sellars’ “diagnosis” of the Myth of the Given, the present essay elaborates on the general “Hegelian” character of his argumentations ; finally, an analysis of Husserl’s alleged Cartesianism in the late text known as Cartesian Meditations will be provided bearing upon the notions of “evidence” and “synthesis.” As we firmly believe, our remarks will show not only that Husserl does not at all fall prey to the “Myth,” but also that his understanding of the concept of reason can help us avoid some of the implications directly flowing from Sellars’ position.

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No better analogy can be found to indirectly “illustrate” and thus describe the vicissitudes of the thought of Rudolf Hermann Lotze than what Don Abbondio exclaims about Carnades in Alessandro Manzoni’s 1827 masterpiece I promessi sposi. Carneades was in fact one of the most important and famous thinkers of the Hellenic period; as one of the great heads of the Platonic Academy after Arcesilaus, he was sent to Rome in 155 BC to lecture on justice. Apparently, more than 400 books were written about him. And yet, the question that Don Abbondio asks himself reveals how little his name is known outside the quite restricted circles of professional scholarship.

The main goal of the present paper is to offer a preliminary study of the relations between phenomenology and metaphysics in Husserl. After a brief presentation of what Husserl means by the term “metaphysics”, the rest of our research will consist of a detailed commentary on §60 of the Cartesian Meditations. Our aim is to explain in what sense, according to Husserl, the “outcomes” of the phenomenological constitution of monadological intersubjectivity entail the solution to a traditional metaphysical problem, i.e., that of the existence of just one real world. The present investigation does not pretend to be more than an introduction. Besides shedding some light on a specific text, it will pave the way for a future inquiry into the relations between phenomenology and metaphysics in Husserl.

This paper aims at discussing a quite specific aspect of Husserl’s phenomenology, i.e., the notion of synthesis of identification, and the role it plays in the arguments set forward in the Fifth Cartesian Meditation during the discussion of the constitution of the other, hence of the monadological inter-subjectivity. The case will be made for considering the very heart of the Meditation to be what we will refer to as Husserl’s “transcendental argument”, consisting in the claim that there can be only one inter-subjectivity, hence, the “world” being the correlate of the transcendental monadological inter-subjectivity, only one real and actual world. This will also give us the opportunity to critically approach a series of views lately held by some leading figures of the “continental” and “analytic” tradition, which, as the first part of the essay will show, pursue views directly opposed to Husserl’s.

_ Source: _Volume 46, Issue 2, pp 221 - 256 In the following paper we will seek to understand what Edmund Husserl, in his second _Logical Investigation_, refers to as “idealism”, against the backdrop of Rudolf Hermann Lotze’s interpretation of Plato’s doctrine of Ideas in the third book of his _Logic_. This will raise not only the question of Husserl’s indebtedness to Lotze with respect to the _Ideenhlehre_ in terms of _Geltung_, but first and foremost that of the “Platonism” of the idealism defended in his first masterpiece.

The main goal of this article is to examine Edmund Husserl’s method of “eidetic variation”—that is, to examine the way this method is supposed to work in connection with the notion of “similarity” (Ähnlichkeit). Unlike most interpretations, it will be suggested that similarity represents the leading methodologicalprinciple of eidetic variation. We will argue, therefore, that, on the one hand, this method is rooted in the sphere of association and passivity while, on the otherhand, it is constituted by the transposition of a passive synthesis into an active operation. After having introduced and discussed a twofold notion of phantasy(as “localized phantasy” and as “pure phantasy”) as well as a twofold concept of eidos (as “hen epi pollon” and as “pure eidos”), the extent to which for Husserl there cannot be any eidetic variation without a monadology will be shown.

In this paper we will be discussing the “Platonism” of two former Göttingen students of Husserl, notably Jean Héring and Roman Ingarden. By “Platonism” we mean not simply an account of the diff erence between individuals and Forms. We mean a peculiar insight into what Ingarden explicitly designates as “the content of Ideas”. Our primary concern is to emphasize a major shift in Plato’s treatment of Forms: we will see Plato switching the focus of his investigation from the difference between the visible world of bodies and the invisible realm of Forms to the internal structure of the Forms themselves. We will then discuss Héring’s Bemerkungen über das Wesen, die Wesenheit und die Idee and Ingarden’s Essentiale Fragen in order to explain the diff erence between the notions of individual essence, morphe, essentiality and Idea.