Annandale-on-Hudson, New York, United States of America
Areas of Interest
Philosophy of Mind
  •  1
    Art and Ventriloquism
    with David Goldblatt
    Journal of Aesthetics and Art Criticism 65 (2): 238-240. 2007.
  •  59
  •  151
    Wittgenstein underground
    Philosophy and Literature 28 (2): 379-392. 2004.
    : This paper argues that Dostoevsky's Notes from Underground makes a fundamental point that runs directly counter to the received popular image of the work; i.e. the understanding that Notes describes a consciousness reflecting on itself, hermetically sealed within its own Cartesian interior. In truth, a closer reading shows that the mind depicted therein is profoundly relational and situated in a particularized context, and that this discursive mind characterizes what Wittgenstein says about me…Read more
  •  148
    Davidson, self-knowledge, and autobiographical writing
    Philosophy and Literature 26 (2): 354-368. 2002.
    In lieu of an abstract, here is a brief excerpt of the content:Philosophy and Literature 26.2 (2002) 354-368 [Access article in PDF] Davidson, Self-knowledge, and Autobiographical Writing Garry Hagberg AMONG THE NUMEROUS THINGS that make any autobiographical undertaking so interesting is the fact that there exists no one-to-one correlation between a person's belief, intention, preference, desire, hope, fear, expectation, and so forth (through a list including many of the diverse things philosoph…Read more
  •  1
    V.A. Howard, Artistry: The Work Of Artists (review)
    Philosophy in Review 4 113-115. 1984.
  •  55
    This chapter contains sections titled: Possible Selves and Webs of Belief The Textually Cultivated “I”: Making up One's Mind Metaphorical Identification and Self‐Individuation.
  •  56
    Artistic Intention and Mental Image
    The Journal of Aesthetic Education 22 (3): 63. 1988.
  • Meaning and Interpretation: Wittgenstein, Henry James, and Literary Knowledge
    Philosophical Quarterly 47 (186): 106-108. 1997.
  •  41
    On Rhythm
    Journal of Aesthetics and Art Criticism 68 (3): 281-284. 2010.
  •  120
    Jazz Improvisation : A Mimetic Art ?
    Revue Internationale de Philosophie 4 (4): 469-485. 2006.
  •  66
    Goldman, Alan H. Philosophy and the Novel. Oxford University Press, 2013, 209 pp., $53.40 cloth (review)
    Journal of Aesthetics and Art Criticism 72 (3): 332-335. 2014.
  •  135
  •  91
    The self, speaking
    Revue Internationale de Philosophie 1 (219): 9-47. 2002.
  •  107
    Art and Ethical Criticism (edited book)
    Wiley-Blackwell. 2009.
    Through a series of essays, _Art and Ethical Criticism_ explores the complex relationship between the arts and morality. Reflects the importance of a moral life of engagement with works of art Forms part of the prestigious _New Directions in Aesthetics_ series, which confronts the most intriguing problems in aesthetics and the philosophy of art today.
  •  2
    Jenefer Robinson, ed., Music and Meaning (review)
    Philosophy in Review 19 52-55. 1999.
  •  159
    Aristotle's Mimesis and Abstract Art
    Philosophy 59 (229). 1984.
    Does non-representational art itself constitute a refutation of any theory of art based upon mimesis or imitation? Our intuitions regarding this question seem to support an affirmative answer: it appears impossible to account for abstract and non-representational art in terms of imitation, because, to put the problem simply, if nothing is copied in a work of art then there can be nothing essentially imitative about it. The very notion of abstract imitative art seems self-contradictory
  •  3
    Improvisation: Jazz Improvisation
    In Michael Kelly (ed.), Encyclopedia of aesthetics, Oxford University Press. pp. 1--479. 1998.
  •  80
    Editor's Note
    Philosophy and Literature 36 (1). 2012.
  •  50
    Wittgenstein's aesthetics
    Stanford Encyclopedia of Philosophy. 2007.