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18Review of Stephen Davies, Themes in the Philosophy of Music (review)Notre Dame Philosophical Reviews 2006 (1). 2006.
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64Art as Language: Wittgenstein, Meaning, and Aesthetic TheoryJournal of Aesthetics and Art Criticism 54 (4): 388-389. 1995.
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15Aristotle's Mimesis and Abstract ArtPhilosophy 59 (229): 365-371. 1984.Does non-representational art itself constitute a refutation of any theory of art based upon mimesis or imitation? Our intuitions regarding this question seem to support an affirmative answer: it appears impossible to account for abstract and non-representational art in terms of imitation, because, to put the problem simply, if nothing is copied in a work of art then there can be nothing essentially imitative about it. The very notion of abstract imitative art seems self-contradictory.
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19Listening to Music By Martyn Evans London: Macmillan, 1990, viii + 160 pp., £35.00 (review)Philosophy 67 (259): 123-. 1992.
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2James K. Wright, Schoenberg, Wittgenstein and the Vienna Circle Reviewed byPhilosophy in Review 26 (6): 449-452. 2006.
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1In a new light: Wittgenstein, aspect-perception, and retrospective change in self-understandingIn William Day & Víctor J. Krebs (eds.), Seeing Wittgenstein Anew, Cambridge University Press. 2010.
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2Listening to Music By Martyn Evans London: Macmillan, 1990, viii + 160 pp., £35.00 (review)Philosophy 67 (259): 123-125. 1992.
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41Thinking of Others: On the Talent for Metaphor, by Ted Cohen (review)Mind 119 (476): 1145-1151. 2010.(No abstract is available for this citation)
Annandale-on-Hudson, New York, United States of America
Areas of Specialization
Philosophy of Language |
Aesthetics |
20th Century Philosophy |
Areas of Interest
Philosophy of Mind |