Steinar Bøyum

In the present essay, I attempt to develop a distinction between moral and political theories of education, inspired by the work of Amy Gutmann. The main idea is that whereas a moral theory of education gives an account of an ideal (or at least good) education, a political theory gives an account of how to structure education in a democracy where there is deep disagreement on what constitutes an ideal (or good) education. Unfortunately, we sometimes speak as though our moral theories can be unproblematically translated into the political realm, but in doing so, we are either being outright undemocratic or we underestimate the significance of the world-view pluralism in modern, liberal democracies. In order for a political theory of education to be democratically acceptable, it must fulfill the criterion of being capable of democratic translation into a society characterized by deep pluralism.

We usually think of philosophy as the production of theories and arguments. Yet there are other sides to philosophy, the recognition of which is necessary to understand its wider personal and cultural significance. Some of these sides are seldom acknowledged as philosophical at all, perhaps because literature has appropriated what professional philosophy unfortunately has lost. One philosophical activity often overlooked is the construction of philosophical allegories: to describe one's life in explicit philosophical terms or philosophically suggestive ways. Reading life allegorically is to recognize philosophy in what seems merely details of the whole picture and to develop a sense for how philosophical constellations are mirrored in one's life, no matter how ordinary that life may seem. As a theoretical position skepticism is sometimes stated by saying that we are in a prison from which we cannot escape. What if one had actually been in some kind of prison, say, a home or a university, and then described that episode so that the skeptical picture is revealed in the description? That would be what I call an autobiographical philosophical allegory: a part of one's life is sublimated into a picture of the human condition. To attain as much, the episode need not be imbued with philosophical significance at the time—it may have felt utterly ordinary or utterly private. Yet the telling of it can make it extraordinary and promote it into a philosophical piece. In the following, I shall elucidate the concept of philosophical allegory through a reading of some episodes in Jean-Jacques Rousseau's autobiographical works.

Wittgenstein often refers to matters of learning, and there have been efforts to extract a social conception of learning from his writings. In the first half of this article, I look at three such efforts, those of Meredith Williams, Christopher Winch, and David Bakhurst, and I say why I think these efforts fail. As I go on to argue, though, there is a fairly trivial sense in which learning is a social rather than a psychological phenomenon: ordinarily, there are public criteria for whether someone has learned something. Yet, in the second half of the article, I point to an exception to this general rule. Taking a cue from Wittgenstein, I call this ‘intransitive learning’, as it refers to learning experiences where we cannot say what we have learned or where there simply isn't anything in particular that we have learned. This is a use that is not easily accommodated by received definitions of learning. It also represents a genuinely psychological use of the word ‘learn’. In contrast to ordinary cases of learning, claims about intransitive learning function like expressions and are marked by first-person authority

We often speak about religious experience, and sometimes we speak about metaphysical experience. Yet we seldom hear about philosophical experience. Is philosophy purely a matter of theories and theses, or does it have an experiential aspect? In this article, I argue for the following three claims. First, there is something we might call philosophical experience, and there is nothing mystical about it. Second, philosophical experiences are expressed in something quite similar to what Kant called "aesthetic judgements." Third, philosophical experiences are expressed by using words in what Wittgenstein called "secondary sense." Finally, I try to show the educational significance of pursing philosophical experiences. Through articulating them one might find one's ground, and through articulating them in a less private and more universal form one might raise oneself to universality. Thus, in expressing philosophical experiences one aspires to speak in a universal voice