Jack Alan Reynolds

Despite a recent surge in publications on Tourette Syndrome, we still lack substantial insight into first-personal aspects of “what it is like” to live with this condition. This is despite the fact that developments in phenomenological psychiatry have demonstrated the scientific and clinical importance of understanding subjective experience in a range of other neuropsychiatric conditions. We argue that it is time for Tourette Syndrome research to tap into the sophisticated frameworks developed in the philosophical tradition of phenomenology for describing experience in a way that integrates discrete symptoms into an overarching experiential framework concerning the self, the body, and its modes of experience. Following a historical introduction that contextualises the pertinence of phenomenology to psychopathology, we distinguish this approach from the existing, psychologically oriented studies on TS that are also qualitative. We then outline gaps and opportunities for future research, including the sorts of questions that might be utilised in phenomenological interviews and why they are of potential benefit to research programs in philosophy, psychology, and neuroscience. In conclusion we address some of the broader implications for phenomenology of the body and philosophy of action.

Despite its short historical moment in the sun, behaviorism has become something akin to a theoria non grata, a position that dare not be explicitly endorsed. The reasons for this are complex, of course, and they include sociological factors which we cannot consider here, but to put it briefly: many have doubted the ambition to establish law-like relationships between mental states and behavior that dispense with any sort of mentalistic or intentional idiom, judging that explanations of intelligent behavior require reference to qualia and/or mental events. Today, when behaviorism is discussed at all, it is usually in a negative manner, either as an attempt to discredit an opponent’s view via a reductio, or by enabling a position to distinguish its identity and positive claims by reference to what it is (allegedly) not. In this paper, however, we argue that the ghost of behaviorism is present in influential, contemporary work in the field of embodied and enactive cognition, and even in aspects of the phenomenological tradition that these theorists draw on. Rather than take this to be a problem for these views as some have, we argue that once the behaviorist dimensions are clarified and distinguished from the straw-man version of the view, it is in fact an asset, one which will help with task of setting forth a scientifically reputable version of enactivism and/or philosophical behaviorism that is nonetheless not brain-centric but behavior-centric. While this is a bit like “the enemy of my enemy is my friend” strategy, as Shaun Gallagher notes (2019), with the shared enemy of behaviorism and enactivism being classical Cartesian views and/or orthodox cognitivism in its various guises, the task of this paper is to render this alliance philosophically plausible. Doi: 10.1007/s11229-019-02432-1.

Mark Eli Kalderon's book boldly positions itself as a work in speculative metaphysics. Its point of departure is the familiar distinction between presentational and representational philosophies of perception. Kalderon notes that the latter has been more popular of late, as it is more amenable to "an account" explicating causal or counterfactual conditions on perception; but he wishes to rehabilitate the former, at least in part. One widely perceived disadvantage of presentationalism has been the way that understanding perception merely as registering the presence of things might seem to leave us vulnerable to error about the nature of what is presented. Kalderon seeks to remedy this not by dealing at length with various disjunctivist positions concerning perception which may be friendly to his position, nor by spending much time criticising opposing views, but by explicating presentationalist perception through a series of tactile metaphors, thereby providing a radically new philosophical view. He claims that we do not just 'stand before' reality, we grasp it-the metaphor survives tellingly in ordinary language-and he thereby seeks to defend a form of realism which is robust, though he admits, "pre-modern". He draws on a remarkably rich variety of thinkers to defend this position, including pre-modern, modern, and various figures from both analytic and continental philosophy-however, although there is plenty of solid scholarship here, the book is aimed at metaphysics more than the history of ideas.

In the past generation, various philosophers have been concerned with the so-called “placement problem” for naturalism. The problem has taken on the shorthand alliteration of the 4Ms, since Mind/Mentality, Meaning, Morality, and Modality/Mathematics are four important phenomena that are difficult to place within orthodox construals of naturalism, typified by physicalism and a methodological preference for ways of knowing associated with the natural sciences. In this paper I highlight the importance of temporality to this ostensibly forced choice between naturalism and the 4Ms, and then reframe the problem by advocating a temporal naturalism rather than the atemporal versions that remain the orthodoxy. In short, I argue in Section 1 that scientific naturalism is standardly atemporal in outlook and in philosophical presuppositions, in Section 2 that temporality is a fundamental condition for each of the 4Ms (drawing on insights from classical phenomenology), and hence the intransigence of the dilemma. Instead of accepting this construal, in Section 3 I outline a temporal naturalism that owes more to biology than to physics (and hence more to Peter Godfrey-Smith than Huw Price), where we also see temporally dependent “points of view” in incipient biological forms, and where the norms surrounding explanation are less nomological and reductive in orientation.

Derrida has been rather frequently acclaimed for his conception of alterity, which we are told is irrecuperable and beyond the dialectic. However, this essay will argue that his attempts to instantiate an ethics of responsibility to the "otherness of the other" are more problematic than is commonly assumed. Much of Derrida’s work on alterity palpably bears a tension between his emphasis upon an absolute and irrecuperable notion of alterity that is always deferred and always ‘to come’, and his simultaneous insistence that the other is somehow always already within the self. These two aspects of his treatment of alterity do not necessarily contradict one another, but they represent an important tension between a Levinasian inclined account of alterity, and a more traditionally phenomenological conception of alterity. Derrida’s philosophical career seems to gradually move closer and closer towards adopting the first position at the expense of the second, which emphasises that alterity must always, at least to some extent, be dependent on and relative to the self. Indeed, while "Violence and Metaphysics" criticises Levinas’ rather absolute conception of alterity, it will be argued that Derrida’s own eventual position in the Gift of Death and in his theorising of the messianic, is actually rather similar. His notion of responsibility towards the other prioritises the aspects of them which are forever elusive and resist any encroachment with the self. Though such aspects of responsibility are important, this essay will argue that they also need to be counterbalanced by other more phenomenological considerations, and perhaps ones more closely aligned with the chiasmic ontology that Maurice Merleau-Ponty theorises.

In this paper I explore a series of fertile ambiguities that Merleau-Ponty’s work is premised upon. These ambiguities concern some of the central methodological commitments of his work, in particular his commitment to transcendental phenomenology and how he transforms that tradition, and his relationship to science and philosophical naturalism and what they suggest about his philosophical methodology. Many engagements with Merleau-Ponty’s work that are more ‘analytic’ in orientation either deflate it of its transcendental heritage, or offer a “modest” rendering of its transcendental dimensions. This is also true, albeit perhaps to a lesser extent, of the work of the more empirically-minded phenomenological philosophers who engage very seriously with Merleau-Ponty—e.g. Hubert Dreyfus, Shaun Gallagher, Evan Thompson, Alva Noë, and others. At the same time, many other scholars contest these proto-scientific and more naturalistic uses of Merleau-Ponty’s work on hermeneutical and exegetical grounds, and they likewise criticise the deflated reading of his transcendental phenomenology that tends to support them. By working through some of the key passages and ideas, this paper establishes that the former view captures something pivotal to Merleau-Ponty’s philosophy. I also extend these interpretations by arguing that, at least around the time of Phenomenology of Perception, his philosophy might be reasonably regarded as a form of minimal methodological naturalism.

This book is a collection of specifically commissioned articles on the key continental European philosophical movements since 1914. It shows how each of these bodies of thought has been shaped by their responses to the horrors set in train by World War I, and considers whether we are yet ‘post-post-war’. The outbreak of World War I in August 1914,set in chain a series of crises and re-configurations, which have continued to shape the world for a century: industrialized slaughter, the end of colonialism and European empires, the rise of the USA, economic crises, fascism, Soviet Marxism, the gulags and the Shoah. Nearly all of the major movements in European thinking were forged in, or shaped by, attempts to come to terms with the global trauma of the World Wars. This is the first book to describe the development of these movements after World War I, and as such promises to be of interest to philosophers and historians of philosophy around the world.

This paper seeks firstly to understand Deleuze’s main challenges to phenomenology, particularly as they are expressed in The Logic of Sense and Difference and Repetition. We then turn to a discussion of one of the few passages in which Deleuze and Guattari directly engage with Merleau-Ponty, which occurs in the chapter on art in What is Philosophy? In this text, he and Guattari offer a critique of what they call the “final avatar” of phenomenology – that is, the “fleshism” that Merleau- Ponty proposes in his unfinished but justly famous work, The Visible and the Invisible. We argue that both Deleuze’s basic criticisms of phenomenology, as well as he and Guattari’s problems with the concept of the flesh, do not adequately come to grips with Merleau-Ponty’s later philosophy. Merleau-Ponty is not obviously partisan to what Deleuze finds problematic in this tradition, despite continuing to identify himself as a phenomenologist, and is working within a surprisingly similar framework in certain key respects. In fact, in the more positive part of this paper, we compare Merleau-Ponty’s notion of flesh, and Deleuze’s equally infamous univocity of being, as a means to consider the broader question of the ways in which the two philosophers consider ontological thought, its meaning and its conditions. It is our argument that through properly understanding both positions, a rapprochement, or at least the foundation for one, can be established between these two important thinkers.

Deleuze suggests that his work grounds a new conception of the Other - the Other as expression of a possible world, as a structure that precedes any subsequent dialectical mediation, including the master-slave dialectic of social relations. I will argue, however, that the ethico-political injunction that Deleuze derives from his analysis of the ‘other-structure’ confronts a different problem. It commits Deleuze to either tacitly prescribing a romantic morality of difference that valorizes expressive encounters without ‘relations of explication’ and any kind of pre-understanding (embodied or otherwise), or his continual flirtations with a mystical ‘going beyond’ the other-structure must be more than mere flirtations.

This paper explores the idea that Deleuze’s oeuvre is best understood as a philosophy of the wound, synonymous with a philosophy of the event. Although this wound/scar typology may appear to be a metaphorical conceit, the motif of the wound recurs frequently and perhaps even symptomatically in many of Deleuze’s texts, particularly where he is attempting to delineate some of the most important differences (transcendental, temporal, and ethical) between himself and his phenomenological predecessors. I raise some some potential problems for this trajectory, most of which revolve around Deleuze's use of transcendental philosophy.

In this paper, we examine the historical relationship between phenomenology and the emerging analytic tradition. We pay particular attention to the reception of Husserl’s work by Russell, Moore, and others, and to some convergences between phenomenology and ordinary language philosophy, noted by Wittgenstein, Austin, and Ryle. Focusing on Russell and Ryle, we argue that the historical details suggest an alternative parsing of the ways to the “parting of the ways” narrative made famous by Dummett but also committed to by many others, in which we start from a common source or origin only to have two increasingly divergent inheritances of philosophy that have next to nothing in common, like the Rhine and the Danube. We will show that the period thought to be prior to the “gulf” does not evince the sort of philosophical unity and commonality of purpose sometimes ascribed to it, and that the period of socio-political institution of the ‘divide’ post World War Two, is both historically and philosophically much more complicated than is usually thought, with the ostensible rivers being rather more intertwined than is often supposed.

While there have been many essays devoted to comparing the work of Maurice Merleau-Ponty with that of Jacques Derrida, there has been no sustained book-length treatment of these two French philosophers. Additionally, many of the essays presuppose an oppositional relationship between them, and between phenomenology and deconstruction more generally. Jack Reynolds systematically explores their relationship by analyzing each philosopher in terms of two important and related issues—embodiment and alterity. Focusing on areas with which they are not commonly associated (e.g., Derrida on the body and Merleau-Ponty on alterity) makes clear that their work cannot be adequately characterized in a strictly oppositional way. Merleau-Ponty and Derrida: Intertwining Embodiment and Alterity proposes the possibility of a Merleau-Ponty-inspired philosophy that does not so avowedly seek to extricate itself from phenomenology, but that also cannot easily be dismissed as simply another instantiation of the metaphysics of presence. Reynolds argues that there are salient ethico-political reasons for choosing an alternative that accords greater attention to our embodied situation.

A battle over the politics of time is a major part of what is at stake in the differences between three competing currents of contemporary philosophy: analytic philosophy, post-structuralist philosophy, and phenomenological philosophy. Avowed or tacit philosophies of time define representatives of each of these groups and also guard against their potential interlocutors. However, by bringing the temporal differences between these philosophical trajectories to the fore, and showing both their methodological presuppositions and their ethico-political implications, this book begins a long overdue dialogue on their respective strengths and weaknesses. It argues that there are systemic temporal problems that afflict each, but especially the post-structuralist tradition and the analytic tradition. What is required is a “middle-way” that does not treat the living-present and the pragmatic temporality associated with bodily coping as an epiphenomenon to be explained away as either a transcendental illusion, or as a subjective/psychological experience that is not ultimately real.

Deleuze suggests that his work grounds a new conception of the Other–the Other as expression of a possible world, as a structure that precedes any subsequent dialectical mediation, including the master-slave dialectic of social relations. I will argue, however, that the ethico-political injunction that Deleuze derives from his analysis of the 'other-structure' confronts a different problem. It commits Deleuze to either tacitly prescribing a romantic morality of difference that valorizes expressive encounters without 'relations of explication' and any kind of pre-understanding (embodied or otherwise), or his continual flirtations with a mystical 'going beyond' the other-structure must be more than mere flirtations.

This paper critically engages with Simon Glendinning’s The Idea of Continental Philosophy. Glendinning purports to show that there can be no coherent philosophical understanding of continental philosophy as comprising any sort of distinct or unified tradition. In this paper, however, I raise some questions about the largely unilateral direction in which his account of the motives for the divide is pursued: analytic philosophy is envisaged as pathologically projecting the internal and unavoidable threat of philosophical failure upon an external ‘continental’ other. I also contend that Glendinning’s claims regarding the lack of thematic and methodological continuity at work in continental philosophy are overstated. Without denying that there is less of a normative consensus undergirding this polyvocal tradition than is evinced in the analytic tradition, in the second half of the paper I will argue for a ‘quasi-unity’ that revolves around the co-imbrication of methodological considerations and what I characterise as continental philosophy’s ‘temporal turn’.

The Continuum Companion to Existentialism offers the definitive guide to a key area of modern European philosophy. The book covers the fundamental questions asked by existentialism, providing valuable guidance for students and researchers to some of the many important and enduring contributions of existentialist thinkers. Eighteen specially commissioned essays from an international team of experts explore existentialism’s relationship to philosophical method; ontology; politics; psychoanalysis; ethics; religion; literature; emotion; feminism and sexuality; cognitive science; authenticity and the self; its significance in Latin American culture; and its contribution to the development of Poststructuralism. In addition, five short chapters summarise the status of canonical figures Kierkegaard, Nietzsche, Heidegger, Sartre and de Beauvoir, delineating the historical approach to their work, while pointing to new directions such research is now taking. Featuring a series of indispensable research tools (A to Z of terms, concepts and thinkers; timeline of existentialism; list of resources and an annotated guide to further reading), this Companion is an essential tool to help the new reader navigate through the heart of Existentialism and modern European philosophy.

This essay examines some of Derrida’s most famous ‘possible-impossible’ aporias, including his discussions of giving, hospitality, forgiveness, and mourning. He argues that the condition of the possibility of such themes is also, and at once, the condition of their impossibility. In order to reveal the shared logic upon which these aporias rely, and also to raise some questions about their persuasive efficacy, it will be argued that of the two polarities evoked by each of his possible-impossible aporias, the ‘impossible’ term of the opposition invariably posits a separation between “two radical singularities”, or in somewhat more controversial terms, between a self and an other. While Derrida emphasises this ‘impossible’ aspect of giving, hospitality, forgiveness, etc., Merleau-Ponty’s abiding emphasis upon the chiasmic intertwining of self and other provides the resources to challenge this emphasis, and even to reverse it. While Merleau-Ponty rarely directly addresses the kind of aporias that concern Derrida, his chiasmic account of embodiment, and his emphasis upon the body-subject’s propensity to seek an equilibrium with its environment, better accounts for the ‘possible’ side of the aporias that Derrida describes. In the process, it will be argued that Merleau-Ponty’s later philosophy also allows for a more politically efficacious idea of responsibility towards the other than the position to which Derrida is tacitly committed.