Dennis Schulting

In this article, I respond to critiques of my book Kant’s Radical Subjectivism: Perspectives on the Transcendental Deduction (London: Palgrave Macmillan, 2017). I address issues that are raised concerning objectivity, the nature of the object, the role of transcendental apperception and the imagination, and idealism. More in particular I respond to an objection against my reading of the necessary existence of things in themselves and their relation to appearances. I also briefly respond to a question that relates to the debate on Kantian nonconceptualism, more in particular, the question whether Kant allows animals objective intentionality. Lastly, I respond to one objection against my reading of Hegel’s critique of Kant. (The copy uploaded here is an English translation of the original Dutch version that is published in the journal.)

This book offers an array of important perspectives on Kant and nonconceptualism from some of the leading scholars in current Kant studies. As well as discussing the various arguments surrounding Kantian nonconceptualism, the book provides broad insight into the theory of perception, philosophy of mind, philosophy of mathematics, epistemology, and aesthetics. His idealism aside, Kantian nonconceptualism is the most topical contemporary issue in Kant’s theoretical philosophy. In this collection of specially commissioned essays, major players in the current debate, including Robert Hanna and Lucy Allais, engage with each other and with the broader literature in the field addressing all the important aspects of Kantian nonconceptualism. Among other topics, the authors analyse the notion of intuition and the conditions of its generation, Kant’s theory of space, including his pre-Critical view of space, the relation between nonconceptualism and the Transcendental Deduction, and various challenges to both conceptualist and nonconceptualist interpretations of Kant. Two further chapters explore a prominent Hegelian conceptualist reading of Kant and Kant’s nonconceptualist position in the Third Critique. The volume also contains a helpful survey of the recent literature on Kant and nonconceptual content. Kantian Nonconceptualism provides a comprehensive overview of recent perspectives on Kant and nonconceptual content, and will be a key resource for Kant scholars and philosophers interested in the topic of nonconceptualism.

In this paper, I want to zero in on the Kantian idea that,whilst things in themselves must logically be presupposed as the ground underlying appearances and things are not reducible to their representations, (1) objects as appearances are not properties of things in themselves, and (2) things in themselves or the thing in itself cannot properly be represented or even thought. To do this, I turn to one of the earliest defenders and champions of the Kantian philosophy, Karl Leonhard Reinhold, and specifically to his first major work Versuch einer neuen Theorie des menschlichen Vorstellungsvermögens, published in 1789. I am here interested neither in the extent to which Reinhold’s interpretation of Kant is correct or even adequately represents Kant’s thought in all of its aspects, nor whether Reinhold’s attempt to present a systematic philosophy based on a rigorous deduction from a single principle (his strong foundationalism) stands up to scrutiny. I am here solely interested in some of Reinhold’s positive insights, in the Versuch, concerning elements of his representationalism that may shed light on Kant’s idealism, specifically, the relation between appearances (as objects of knowledge) and things in themselves, i. e., points (1) and (2) described above. I read the early Reinhold of the Versuch as confirming the Kantian view that objects as appearances are not properties of things in themselves and that we are radically ignorant of things in themselves, in the sense that we can neither know things in themselves (through the senses) nor even intellectually grasp things in themselves through the understanding alone.

This is an essay on Kant's neglected late tract On a Recently Adopted Prominent Tone in Philosophy (RTP) and Derrida's oblique commentary on this work in his D'un ton apocalyptique adopté naguère en philosophie. The theme of the essay is metaphilosophical and considers issues concerning the nature of critical philosophy, fanaticism (Schwärmerei), and the use of religious tropes in philosophy. I am primarily interested in the ways in which RTP thematises the legitimacy of speaking in an exalted, quasi-religious tone apropos of the authority of Reason as a self-legitimising capacity in philosophical speech. An important additional reason for taking a closer look at this text is because the late Jacques Derrida (1930–2004) took a great interest in this work of Kant’s and, indeed, emphasised, rightly I think, that despite its prima facie rhetorically charged, polemical nature this work—which might at first be taken to be merely a lampoon—is anything but insignificant in Kant’s œuvre. Derrida’s On a Recently Adopted Apocalyptic Tone in Philosophy, originally published in 1983, is an oblique commentary on Kant’s RTP, and aims to expose to view the alleged hidden underpinnings of Kant’s polemic against exaltation or fanaticism (Schwärmerei) in philosophy. Derrida tries to show that Kant’s appeal for tonal moderation in philosophy, for a measured speech, which should rein in exalted modes of speech, is itself not neutral and rather fundamentally biased against an exalted, quasi-religious, manner of thought. It is evident that, as he himself notes early on in RTP, Kant is predisposed towards a more Aristotelian, academic kind of philosophy, which adopts a “proper” tone or pitch in philosophical debate, but Derrida claims that Kant himself raises his voice precisely in lampooning exalted thinkers. I am particularly interested in the extent to which Derrida’s critique manifests a fundamental misapprehension of the Kantian mode of moderating critique. By expounding this misapprehension, Kant’s own reasons for his philippic against religious or quasi-religious talk in philosophy are foregrounded, thus showing the nature of properly critical thought. At the same time, I shall show how Derrida underestimates the self-reflexivity, and hence properly critical, self-authorising mode of thinking, underlying his own oblique references to the adieu as a trope for quasi-transcendental intentionality towards the so-called ‘Other’.