•  1397
    McDowell’s disjunctivism and other minds
    Inquiry: An Interdisciplinary Journal of Philosophy 54 (3): 277-292. 2011.
    John McDowell’s original motivation of disjunctivism occurs in the context of a problem regarding other minds. Recent commentators have insisted that McDowell’s disjunctivism should be classed as an epistemological disjunctivism about epistemic warrant, and distinguished from the perceptual disjunctivism of Hinton, Snowdon and others. In this paper I investigate the relation between the problem of other minds and disjunctivism, and raise some questions for this interpretation of McDowell.
  •  1278
    Naïve Realism in Kantian Phrase
    Mind 126 (502): 529-578. 2017.
    Early twentieth-century philosophers of perception presented their naïve realist views of perceptual experience in anti-Kantian terms. For they took naïve realism about perceptual experience to be incompatible with Kant’s claims about the way the understanding is necessarily involved in perceptual consciousness. This essay seeks to situate a naïve realist account of visual experience within a recognisably Kantian framework by arguing that a naïve realist account of visual experience is compatibl…Read more
  •  2883
    Skepticism about Other Minds
    In Diego Machuca & Baron Reed (eds.), Skepticism: From Antiquity to the Present, Bloomsbury Academic. 2016.
    In this paper I distinguish two ways of raising a sceptical problem of others' minds: via a problem concerning the possibility of error or via a problem concerning sources of knowledge. I give some reason to think that the second problem raises a more interesting problem in accounting for our knowledge of others’ minds and consider proposed solutions to the problem.
  •  426
    Goldie on the virtues of art
    British Journal of Aesthetics 49 (1): 75-81. 2009.
    Peter Goldie has argued for a virtue theory of art, analogous to a virtue theory of ethics, one in which the skills and dispositions involved in the production and appreciation of art are virtues and not simply mere skills. In this note I highlight a link between the appreciation of art and its production, and explore the implications of such a link for a virtue theory of art.
  •  3200
    Iris Murdoch on Art, Ethics, and Attention
    British Journal of Aesthetics 53 (3): 321-337. 2013.
    Can the experience of great art play a role in our coming to understand the ethical framework of another person? In this article I draw out three themes from Iris Murdoch’s ‘The Sovereignty of Good’ in order to show the role that communal attention to works of art can play in our ethical lives. I situate this role in the context of Murdoch’s wider philosophical views
  •  53
    Manifest Reality: Kant’s Idealism and his Realism (review)
    Journal of Philosophy 113 (2): 112-116. 2016.
  •  735
    We are grateful to Ganson and Mehta (forthcoming) for their reply to our defence of phenomenal particularism against the objections raised by Mehta in his (2014). Their reply clarifies the nature of their objections to phenomenal particularism and helps identify the locus of our disagreements. In what follows we aim to defend phenomenal particularism against the objections raised in their reply.