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Thomas E. Wartenberg

Mount Holyoke College
  •  Home
  •  Publications
    137
    • Most Recent
    • Most Downloaded
    • Topics
  •  Events
    6
  •  News and Updates
    17

 More details
  • Mount Holyoke College
    Department of Philosophy
    Retired faculty
University of Pittsburgh
Department of Philosophy
PhD, 1978
Homepage
Areas of Specialization
Aesthetics
Areas of Interest
Aesthetics
  • All publications (137)
  •  157
    Reply to Aurand
    with Cynthia A. Freeland
    Film-Philosophy 2 (1). 1998.
  •  65
    Picture Book Philosophy
    Philosophy Now 84 9-10. 2011.
    Philosophy in SchoolsPhilosophy for Children: Introductions
  •  24
    Looking Backward
    Film and Philosophy 8 138-141. 2004.
    Philosophy of Film
  •  187
    Teaching Philosophy by Teaching Philosophy Teaching
    Teaching Philosophy 26 (3): 283-297. 2003.
    Standard approaches to teaching philosophy tend to focus on teaching aspects of philosophy that are important to doing professional philosophy. This paper suggests an alternative to this approach by preparing college students to teach philosophy to elementary school children. After arguing that classics in children’s literature ought to be the primary vehicle for initiating philosophical discussion in elementary school children, an upper-level seminar for undergraduates at Mount Holyoke College …Read more
    Standard approaches to teaching philosophy tend to focus on teaching aspects of philosophy that are important to doing professional philosophy. This paper suggests an alternative to this approach by preparing college students to teach philosophy to elementary school children. After arguing that classics in children’s literature ought to be the primary vehicle for initiating philosophical discussion in elementary school children, an upper-level seminar for undergraduates at Mount Holyoke College that takes this alternative approach is described. Finally, the paper evaluates this alternative approach, contending that this method is more effective than the traditional approach due to the fact that it provides a multi-dimensional learning experience for college-level students.
    Philosophy in SchoolsPhilosophy of Education
  •  129
    Film Column
    Philosophy Now 30 48-49. 2000.
    Cinema
  •  53
    The Aesthetic Dimension (review)
    International Studies in Philosophy 11 189-191. 1979.
    AestheticsAesthetic Experience
  •  84
    Continental Philosophy Since 1750 (review)
    Teaching Philosophy 12 (3): 261-262. 1989.
    Continental PhilosophyPhilosophy of EducationContinental Philosophy, Miscellaneous
  •  59
    7 Reason and the practice of science
    In Paul Guyer (ed.), The Cambridge companion to Kant, Cambridge University Press. pp. 3--228. 1992.
    Scientific Practice
  •  45
    Blending Fiction and Reality
    In No&#235l Carroll & Lester H. Hunt (eds.), Philosophy in The Twilight Zone, Wiley-blackwell. 2009.
    This chapter contains sections titled: 1 2 3 4 Acknowledgment Notes.
  •  134
    Philosophy & Film
    Philosophy Now 58 46-47. 2006.
    Film Media
  •  18
    Not Just Mere Things
    Contemporary Aesthetics 6. 2008.
  •  46
    What Else Films Can Do: A Response to Bruce Russell
    Film and Philosophy 27-34. 2008.
    Philosophy Through Film
  • Heidegger
    In Berys Gaut & Dominic Lopes (eds.), The Routledge Companion to Aesthetics, Routledge. 2013.
    Aesthetics
  •  200
    The Forms of Power
    Analyse & Kritik 10 (1): 3-31. 1988.
    The question of how to define the concept of social power has been a focus of controversy among social theorists. In this paper, I put forward a definition of social power that avoids many of the pitfalls of previous attempts at such a definition. Roughly, I define the power which one agent has over another as the ability that the dominant agent has to control the situation within which the subservient agent acts. Using this basic definition of power, I go on to define many of the central forms …Read more
    The question of how to define the concept of social power has been a focus of controversy among social theorists. In this paper, I put forward a definition of social power that avoids many of the pitfalls of previous attempts at such a definition. Roughly, I define the power which one agent has over another as the ability that the dominant agent has to control the situation within which the subservient agent acts. Using this basic definition of power, I go on to define many of the central forms in which power actually exists, forms that are conceptualized by such concepts as force, coercion, and influence. I show that these different forms of power can all be understood as specifications of the generic definition of power that I offered and go on to develop an account of how they function in relation to one another in actual relationship of social power.
    Michel Foucault
  •  31
    Film and Representation
    In Ananta Charana Sukla (ed.), Art and Representation: Contributions to Contemporary Aesthetics, Praeger. pp. 210. 2000.
  •  203
    “Species-being” and “human nature” in Marx
    Human Studies 5 (1). 1982.
    Karl MarxHuman Nature
  •  31
    Comment
    Proceedings of the Hegel Society of America 7 213-218. 1984.
  •  113
    Philosophy of film
    Stanford Encyclopedia of Philosophy. 2008.
    Cinema
  •  74
    "But would you want your daughter to marry one?" The representation of race and racism in guess who's coming to dinner
    Journal of Social Philosophy 25 (s1): 99-130. 1994.
    Racism
  •  22
    Philosophy & Film
    Philosophy Now 48 46-47. 2004.
    Film Media
  • Marx and the Social Constitution of Value in Essays on Marx: Value, Property and Ideology
    Philosophical Forum 16 (4). 1985.
  •  181
    The Situated Conception of Social Power
    Social Theory and Practice 14 (3): 317-343. 1988.
    Value TheorySocial and Political Philosophy
  •  79
    Film Column
    Philosophy Now 33 50-51. 2001.
    Film Media
  •  39
    The Counterfeiters (review)
    Philosophy Now 68 38-39. 2008.
  •  78
    Can romance function as social criticism? A defense of unlikely couples
    Journal of Social Philosophy 33 (2). 2002.
    Philosophy of Film, MiscCinemaSocial and Political PhilosophyPhilosophy of Sexuality
  • Reason and Truth in Kant's Theory of Experience
    Dissertation, University of Pittsburgh. 1977.
  •  3
    Big Ideas for Little Kids: Teaching Philosophy Through Children's Literature, 2nd edition
    R&L Education. 2014.
    Big Ideas for Little Kids includes everything a teacher, a parent, or a college student needs to teach philosophy to elementary school children from picture books. Written in a clear and accessible style, the book explains why it is important to allow young children access to philosophy during primary-school education. Wartenberg also gives advice on how to construct a "learner-centered" classroom, in which children discuss philosophical issues with one another as they respond to open-ended ques…Read more
    Big Ideas for Little Kids includes everything a teacher, a parent, or a college student needs to teach philosophy to elementary school children from picture books. Written in a clear and accessible style, the book explains why it is important to allow young children access to philosophy during primary-school education. Wartenberg also gives advice on how to construct a "learner-centered" classroom, in which children discuss philosophical issues with one another as they respond to open-ended questions by saying whether they agree or disagree with what others have said.
    Philosophy in SchoolsPhilosophy for Children: Educational Theory and MethodsPhilosophy for Children:…Read more
    Philosophy in SchoolsPhilosophy for Children: Educational Theory and MethodsPhilosophy for Children: Introductions
  •  57
    Philosophy & Film
    Philosophy Now 48 46-47. 2004.
    Film Media
  •  107
    Quine and the third manual
    with David J. Ross
    Metaphilosophy 14 (3-4): 267-275. 1983.
    Philosophy of Language, General WorksW. V. O. Quine
  •  172
    Need there be implicit narrators of literary fictions?
    Philosophical Studies 135 (1). 2007.
    Fictional CharactersNarrativeNarration in Film
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