Mattia Riccardi

Nietzsche vs. Kant? Der siebzehnte Aphorismus aus dem ersten Teil von Menschliches, Allzumenschliches schliesst mit der korrosiven Bemerkung, das Ding an sich [sei] eines homerischen Gelachters werth. Aufgrund dieser Passage nun aber zu vermuten, Nietzsche habe diesen von Kant stammenden Terminus einfach so ad acta gelegt, ware jedoch ubereilt, denn die Auseinandersetzung mit der Unterscheidung zwischen Erscheinung und Ding an sich lasst sich als Konstante durch Nietzsches gesamtes Werk verfolgen. Mattia Riccardi widmet sich in seiner Studie den verschiedenen Positionen, die Nietzsche im Zusammenhang mit dieser Problematik eingenommen hat: von der im Hintergrund der Geburt der Tragodie prasenten Artisten-Metaphysik bis zur radikalen Infragestellung des kantischen Denkmusters in den Jahren nach 1880. Riccardi beschrankt sich aber nicht auf eine historisch akkurate, direkte und indirekte Textquelle mit einbeziehender Rekonstruktion von Nietzsches kampferischer Lekturepraxis. Vielmehr stellen die wiederholt auftretenden Bezuge auf Kants Begrifflichkeit fur ihn ein geeignetes Instrument dar, um die Entfaltung von Nietzsches Denken in aller Scharfe sichtbar zu machen. Die Kritik an Kant wird auf diese Weise zum Ausgangspunkt einer differenzierten Interpretation von Nietzsches perspektivistischer Philosophie der Macht im Sinne einer relationalen Ontologie. Damit versteht sich das Buch auch als Beitrag zur - vor allem im englischsprachigen Raum sehr lebendigen - Debatte um das Verhaltnis Nietzsches zu Kant.

In this paper I argue that Nietzsche's view on consciousness is best captured by distinguishing different notions of consciousness. In other words, I propose that Nietzsche should be read as endorsing pluralism about consciousness. First, I consider the notion that is preeminent in his work and argue that the only kind of consciousness which may fit the characterization Nietzsche provides of this dominant notion is self-consciousness. Second, I argue that in light of Nietzsche's treatment of perceptions and sensations we should conclude that he takes each of such state types to involve a specific kind of consciousness which differs from Sconsciousness. I label these two additional kinds of consciousness perceptual consciousness and qualitative consciousness, respectively. I conclude the paper with some remarks on how, in Nietzsche's picture, these three different kinds of consciousness might relate

Nietzsche believes that we do not know our own actions, nor their real motives. This belief, however, is but a consequence of his assuming a quite general skepticism about introspection. The main aim of this paper is to offer a reading of this last view, which I shall call the Inner Opacity (IO) view. In the first part of the paper I show that a strong motivation behind IO lies in Nietzsche’s claim that self-knowledge exploits the same set of cognitive capacities as well as the same folk-psychological framework involved in outward-directed mind-reading. In the second part I turn to Nietzsche’s view of agency and argue that he sees a fundamental discrepancy between the conscious attitudes we have introspective access to, on the one hand, and the subpersonal processes and states occurring at the unconscious level of the drives, on the other hand.

The late Nietzsche defended a position which he sometimes to refers as ‘sensualism’ and which consists of two main theses: senses ‘do not lie’ (T1) and sense organs are ‘causes’ (T2). Two influential interpretations of this position have been proposed by Clark and Hussain, who also address the question whether Nietzsche's late sensualism is (Hussain) or not (Clark) compatible with the epistemological view which he held in his previous work and which has been dubbed the ‘falsification thesis’ (FT). In my paper I will show that both readings raise substantial difficulties and propose an alternative account of Nietzsche's sensualism. In particular, I will argue: (a) that according to Nietzsche the representational content of sensory experience ‘does not lie’ since it is physically grounded in causal exchanges with the external world which are mediated by sense organs; (b) that Nietzsche believes that the claim that senses ‘do not lie’ is also true of the phenomenal, qualitative content of sensory experience; and (c) that FT, despite its prima facie tension with (a) and (b), fit well Nietzsche's sensualism