Terence Rajivan Edward

This is a one page handout, presenting a puzzle from J.G. Frazer regarding why, to become the priest of Diana at Nemi, one had to first break a bough in the sacred grove.

Why does Derek Parfit, a philosopher very much associated with the University of Oxford, use pictures of St. Petersburg on the covers of volumes of On What Matters? Perhaps it is because he regards his agony argument as like something from Russian literature. But I can envisage a response to the argument from such literature.

Martha Kuhlman criticizes Milan Kundera for repeatedly depicting crowds in a negative light, contrasting his impressions with that of another novelist and observer of crowds. But how do we define the concept of a crowd? In this slightly light-hearted paper, I propose a definition and then note a problem with it and then propose another definition.

I present an example in which the all-or-nothing problem involves adults, rather than children in danger.

This paper examines the debate between Marilyn Strathern and I.C. Jarvie. Writing in 1987, Strathern argues that the time is ripe for reincorporating Sir James Frazer. Jarvie thinks Strathern does so in a way that treats revolutions in anthropology as not involving scientific progress. There is a familiar defence against this charge while pursuing the same, or much the same, line of argument.

I consider a proposal for what the relation between philosophy and fiction is: the same problems appear in both, but fiction explores solutions which are not available to philosophers. I use Joe Horton’s all-or-nothing problem to illustrate the proposal, but pose an objection to it.

This paper offers a brief analysis of what it is to be moved by a death. It is written as an imitation of a famous European writer and it has an analysis of some newspaper material as well, which was just some gentle fun, if it be permitted.

What did Max Gluckman actually say about apparently structureless societies? I introduce a fictional example to make sense of what he says regarding the Tonga.

This paper presents a more holistic variety of liberalism than the Rawlsian kind, which involves judging that various things are not properly liberal, things which the Rawlsian would seek to avoid conflict with, e.g. “This is not liberal poetry,” “This is not liberal computer programming.” Such judgments seem to be based on an emotional, or aesthetic, sense of coherence.

There is a puzzle over why some literary works which are less esteemed are subject to more commentary and some literary works which are more esteemed are subject to less. By examining Max Beerbohm’s pastiche of Joseph Conrad, I propose an answer regarding pastiches.

This paper is written as a pastiche of a notable European novelist, and essayist – it is the essayist who is being imitated, my first effort at this. I make some notes on a paragraph from a well-crafted fiction by Stacy Aumonier. I use the pastiche mode not just for fun but because readers may prefer the bolder and less qualified style, despite some information loss.

I present two interpretations of Max Beerbohm’s pastiche “The Feast.” Both interpretations seem as if they cannot survive forceful questioning, which asks, “Why should we think that?” And yet we, or at least I, find them worth attending to. Why? I propose an answer.

Is kinship insignificant in Western societies? This paper presents an objection to the symbolism solution for why it is significant.

This paper presents what I call “the flowchart solution” to Joe Horton’s all-or-nothing problem. Rather than three options – don’t save any child, save one, or save two – there is a flowchart with a choice of don’t save or save, and then within save, save one or save two.

This paper presents a proposal for how British structural-functionalist anthropology can cope with some change. It may not seem a very sensible proposal, but I think it needs to be registered. I use a structure of universities in a country to illustrate the proposal.

This paper proposes that there is common ground between H.J. Rose’s A Handbook of Greek Mythology and Robert Graves’s The Greek Myths, in that both seem to think that it is a bad idea to meet a certain demand: to provide a handbook that is reliable, easy to consult, and suitable for students of certain literary tastes.

I introduce an argument for rejecting Joe Horton’s all-or-nothing problem on the grounds that saving one child is not a genuine option for most people.

This paper responds to a piece of dialogue from Flora Nwapa’s novel Women are Different, in which Comfort mockingly says, “They took up the job voluntarily. Now you will soon tell us that they are celibate because of us.” There are two different interpretations of the use of “because,” and the claim is obviously false on only one of these.

This paper tries to make sense of a piece of dialogue from Flora Nwapa’s novel Women are Different. I clarify the conclusion drawn by one of the characters, which enables a solution.

I interpret Max Beerbohm as entering the dispute between Christina Rossetti and George Eliot on how English parishioners talk, in his imitative fiction “The Feast.”

I address a puzzle identified by the anthropologist Marilyn Strathern in her text on the village of Elmdon: that a disappearing ranking system has actually led to an increasing sense of a division, between the haves and the have-nots in the village.

It is tempting to always try to distinguish convincing from poor literary imitation by micro-analysis. The analysis observes various patterns of word and punctuation use in the original and compares those with the imitation. I argue that no such sophistication is needed when faced with Max Beerbohm’s imitation of Joseph Conrad.

This paper responds to a paradox Marilyn Strathern raises concerning who endorses a community first model of the village of Elmdon, according to which it is a community and the good of the community should take priority over individual interests. It is middle-class newcomers, whose peripheral position requires greatest sacrifice from them, if the model is to be implemented. I propose two solutions to the puzzle.

This document presents some notes on Rousseau's claim that "In the state of nature... I recognize as belonging to others only what is of no use to me. "

In this paper, I present a little puzzle to do with a book of prefaces.

I specify the grounds for Derek Parfit's hypothetical friendship with Chekhov: in short (!), common ground as pioneers in the use of short fiction.

I contrast the Frazerian approach to rituals with an approach suggested by George Eliot in her esteemed novel Middlemarch.

Do we learn anything from social anthropology done in more familiar settings, such as England? In this paper, I draw attention to something I learnt from Frances Oxford’s commentary on Elmdon: a surprising combination. I also propose a solution based on a conception of labour and inheritance rights.

In her book on the English village of Elmdon, the anthropologist Marilyn Strathern identifies an assumption made by villagers: that much as Elmdon has a set of real Elmdon families, long associated with the place, so other villages also have their real families. I present an argument in favour of the assumption; the argument is an informal model.

This is a one page handout summarizing some information on how people in the village of Elmdon use the concept of being real Elmdon.