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481Why is there a norm of reciprocity in certain societies – the recipient of a gift should give a gift in return? Or what is its function? Sir James Frazer provides an unobvious answer to the function of such a norm in one society: it serves to establish who is alive.
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597This paper considers the debate between teams of skilled contributors versus a genius by focusing on a specific case: a team project to overturn some remarks by Wittgenstein on Frazer’s The Golden Bough. In theory, there can be a team which does this, but in actual practice, such a team seems unlikely to arise.
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328This paper begins with Adam Smith’s advice to specialize and draws attention to an advantage from a misleading appearance of fixed specialization, identified in Flora Nwapa’s novel Efuru.
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486This paper responds to Theron Pummer’s distinction between Sorites arguments and repugnant conclusion arguments by presenting a Sorites overpopulation argument. Also I present a Sorites argument in favour of myths of genius.
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621I present anthropologist Max Gluckman’s explanation of what “if-I-were-a-horse” arguments are and introduce three questions. How do we define this kind of argument? Are earlier anthropologists “guilty” of them? And is it a bad idea to make them? I address the first two questions, proposing that Frazer is not much guilty of precisely these, though his project calls for them.
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766This paper presents two objections to Milan Kundera’s definition of graphomania.
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439Sir James Frazer’s The Golden Bough presents a puzzle regarding how primitive peoples believe they can control something which civilized people regard as beyond their control: the weather. I clarify the puzzle and consider Frazer’s solution to it, as well as other solutions.
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396This paper draws attention to a worry concerning what the book The econocracy says about multiple-choice questions versus essays. They face a problem reminiscent of the problems facing various kinds of relativism.
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374This is a one page handout, presenting a puzzle from J.G. Frazer regarding why, to become the priest of Diana at Nemi, one had to first break a bough in the sacred grove.
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495Why does Derek Parfit, a philosopher very much associated with the University of Oxford, use pictures of St. Petersburg on the covers of volumes of On What Matters? Perhaps it is because he regards his agony argument as like something from Russian literature. But I can envisage a response to the argument from such literature.
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476Martha Kuhlman criticizes Milan Kundera for repeatedly depicting crowds in a negative light, contrasting his impressions with that of another novelist and observer of crowds. But how do we define the concept of a crowd? In this slightly light-hearted paper, I propose a definition and then note a problem with it and then propose another definition.
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312I present an example in which the all-or-nothing problem involves adults, rather than children in danger.
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525This paper examines the debate between Marilyn Strathern and I.C. Jarvie. Writing in 1987, Strathern argues that the time is ripe for reincorporating Sir James Frazer. Jarvie thinks Strathern does so in a way that treats revolutions in anthropology as not involving scientific progress. There is a familiar defence against this charge while pursuing the same, or much the same, line of argument.
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331I consider a proposal for what the relation between philosophy and fiction is: the same problems appear in both, but fiction explores solutions which are not available to philosophers. I use Joe Horton’s all-or-nothing problem to illustrate the proposal, but pose an objection to it.
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647This paper offers a brief analysis of what it is to be moved by a death. It is written as an imitation of a famous European writer and it has an analysis of some newspaper material as well, which was just some gentle fun, if it be permitted.
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372What did Max Gluckman actually say about apparently structureless societies? I introduce a fictional example to make sense of what he says regarding the Tonga.
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426This paper presents a more holistic variety of liberalism than the Rawlsian kind, which involves judging that various things are not properly liberal, things which the Rawlsian would seek to avoid conflict with, e.g. “This is not liberal poetry,” “This is not liberal computer programming.” Such judgments seem to be based on an emotional, or aesthetic, sense of coherence.
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407Some distinguished literary works are pastiches or involve pastiches. Before postmodernism, these pastiches are hardly subject to any explicit commentary by critics. Even within the period or trends designated postmodernism, the quality of these pastiches as imitations is generally not assessed: how close they get to the original style. An explanation is that specialization puts most researchers in a bad position to do this: one ideally needs to be a specialist in both original author and imitat…Read more
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451This paper is written as a pastiche of a notable European novelist, and essayist – it is the essayist who is being imitated, my first effort at this. I make some notes on a paragraph from a well-crafted fiction by Stacy Aumonier. I use the pastiche mode not just for fun but because readers may prefer the bolder and less qualified style, despite some information loss.
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405I present two interpretations of Max Beerbohm’s pastiche “The Feast.” Both interpretations seem as if they cannot survive forceful questioning, which asks, “Why should we think that?” And yet we, or at least I, find them worth attending to. Why? I propose an answer.
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336Is kinship insignificant in Western societies? This paper presents an objection to the symbolism solution for why it is significant.
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327This paper presents what I call “the flowchart solution” to Joe Horton’s all-or-nothing problem. Rather than three options – don’t save any child, save one, or save two – there is a flowchart with a choice of don’t save or save, and then within save, save one or save two.
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414This paper presents a proposal for how British structural-functionalist anthropology can cope with some change. It may not seem a very sensible proposal, but I think it needs to be registered. I use a structure of universities in a country to illustrate the proposal.
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586This paper proposes that there is common ground between H.J. Rose’s A Handbook of Greek Mythology and Robert Graves’s The Greek Myths, in that both seem to think that it is a bad idea to meet a certain demand: to provide a handbook that is reliable, easy to consult, and suitable for students of certain literary tastes.
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399I introduce an argument for rejecting Joe Horton’s all-or-nothing problem on the grounds that saving one child is not a genuine option for most people.
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492This paper responds to a piece of dialogue from Flora Nwapa’s novel Women are Different, in which Comfort mockingly says, “They took up the job voluntarily. Now you will soon tell us that they are celibate because of us.” There are two different interpretations of the use of “because,” and the claim is obviously false on only one of these.
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343This paper tries to make sense of a piece of dialogue from Flora Nwapa’s novel Women are Different. I clarify the conclusion drawn by one of the characters, which enables a solution.
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467I interpret Max Beerbohm as entering the dispute between Christina Rossetti and George Eliot on how English parishioners talk, in his imitative fiction “The Feast.”
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323I address a puzzle identified by the anthropologist Marilyn Strathern in her text on the village of Elmdon: that a disappearing ranking system has actually led to an increasing sense of a division, between the haves and the have-nots in the village.
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518It is tempting to always try to distinguish convincing from poor literary imitation by micro-analysis. The analysis observes various patterns of word and punctuation use in the original and compares those with the imitation. I argue that no such sophistication is needed when faced with Max Beerbohm’s imitation of Joseph Conrad.
Manchester, England, United Kingdom of Great Britain and Northern Ireland
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