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Lorenzo Chiesa

  •  Home
  •  Publications
    47
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    33

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  • All publications (47)
  • Bio-teo-politika rojstva
    Problemi 5. 2011.
  •  147
    The event of language as force of life: Agamben's linguistic vitalism
    with Frank Ruda
    Angelaki 16 (3): 163-180. 2011.
    Value TheoryGiorgio Agamben
  •  5
    Lucid Unreason: Artaud and Foucault
    Pli 13 26-65. 2002.
  • Hiperstrukturalizem in nujnost kontingence
    Problemi 1. 2011.
  • Act I Deleuze on theatre : Artaud, Beckett and Carmelo Bene. I Artaud BwO : the uses of Artaud's To have done with the judgement of god / Edward Scheer ; Expression and affect in Kleist, Beckett and Deleuze / Anthony Uhlmann ; A theatre of subtractive extinction : Bene without Deleuze
    In Laura Cull (ed.), Deleuze and performance, Edinburgh University Press. 2009.
    Gilles Deleuze
  •  201
    What is the Gift of Grace?: On Dogville
    Film-Philosophy 11 (3): 1-22. 2007.
    Philosophy of Film
  •  115
    The bio-Theo-politics of birth
    Angelaki 16 (3): 101-115. 2011.
    Value Theory
  •  103
    “Le ressort de l’amour”: Lacan's theory of love in his reading of plato's symposium
    Angelaki 11 (3). 2006.
    I don't think I'm exaggerating if I say that that [ ] which we concluded [ ] had thus far been neglected by all the commentators of the Symposium and that, for this reason, our commentary is a date in the continuation of the history of the development of the virtualities which are concealed by this dialogue. Lacan, Seminar VIII, lesson of 1 March 1961.
    Jean-Jacques RousseauSocial and Political Philosophy, MiscJacques Lacan
  •  146
    Christianity or Communism? Žižek's Marxian Hegelianism and Hegelian Marxism
    Revue Internationale de Philosophie 261 (3): 399-420. 2012.
    Zizek: Political PhilosophyZizek: Philosophy of ReligionZizek, Misc
  •  4
    The Subject of the Imaginary Other
  •  5
    Notes Towards a Manifesto for Metacritical Realism
  • Homo sacer: frančiškanska ontologija
    Problemi 3. 2008.
  •  118
    A Theatre of Subtractive Extinction: Bene Without Deleuze
    In Laura Cull (ed.), Deleuze and performance, Edinburgh University Press. pp. 71. 2009.
    This chapter examines the relevance of Gilles Deleuze's work for the works of Italian director Carmelo Bene. It argues that Deleuze's One Less Manifesto conceived the theatre of continuous variation, particularly Bene's theatre, as one that is initiated and sustained by subtraction. It also questions the compatibility of Deleuze's vitalist concept of subtraction with Bene's own concept of the subtractive.
    Gilles Deleuze
  •  6
    The Body of Structural Dialectic: Badiou, Lacan, and the ‘Human Animal’
    In Logics of Worlds (2006/2009), Alain Badiou discusses “four forms of change”: modification, fact, weak singularity, and strong singularity or event. Modification as “the simple becoming a world” is conceived as a change “without real change” (Badiou 2009a: 357; 372; 374). This possibly explains why, in the more recent Second manifeste pour la philosophie (2009), Badiou opts for a tripartite division of change and only speaks of “three types of mutation” – fact, weak singularity, and event – om…Read more
    In Logics of Worlds (2006/2009), Alain Badiou discusses “four forms of change”: modification, fact, weak singularity, and strong singularity or event. Modification as “the simple becoming a world” is conceived as a change “without real change” (Badiou 2009a: 357; 372; 374). This possibly explains why, in the more recent Second manifeste pour la philosophie (2009), Badiou opts for a tripartite division of change and only speaks of “three types of mutation” – fact, weak singularity, and event – omitting any reference to modification (Badiou 2009b: 93). In this paper I would like to dwell on some of the implications of the notion of modification as a change that changes nothing, but nevertheless underlies all other kinds of change, by focusing on the treatment it receives, from a different perspective, in the conclusion of Logics of Worlds dedicated to the question “What is it to Live?” Here Badiou states that the animal that man is “shift[s] almost constantly from one world to another” (Badiou 2009a: 513; my emphasis). I closely associate this effortless “shift” with “modification”, since no subjective dimension of creation seems to be involved at this level. We are dealing with nothing more than a natural “kind of objectal ubiquity” that is proper to the species homo sapiens (Badiou 2009a: 513). In spite of some terminological ambiguity, this should clearly be differentiated from any real change of world as incorporation into the new body of a truth. Moving from these premises, my first claim will be that an open thematisation of such a purely biological “shift” allows us to identify a series of tensions in Badiou’s notion of the ‘human animal’. I will then argue that Lacan’s own pronouncements on the human animal provide us with a valuable tool to think more thoroughly this basic form of change – which is not a change – in accordance with the theory of the body of truth advanced in Logics of Worlds; this will also entail a problematisation of Badiou’s own reading of the way Lacan articulates the connection between bodies, languages, and truths. Finally, I will show that a full appreciation of the “almost constant” shift of worlds that distinguishes homo sapiens from other animals can only reinforce the battle against the reduction of man to animality promoted by the reigning ideology Badiou defines as ‘democratic materialism’. To this end, I will sketch the contours of a fourth figure of the subject to be added to the three figures of the faithful, the reactive, and the obscure subject analysed in Logics of Worlds: returning to an intense page from Théorie du sujet (1982) that Badiou consecrates to Mallarmé’s and Lacan’s ‘structural dialectic’, I will tentatively name this fourth type of subjectivisation of body allied with the faithful subject, the ‘partisan’.
    Alain Badiou
  •  83
    “Le ressort de l'amour” Lacan's theory of love in his reading of plato's symposium
    Angelaki: Journal of the Theoretical Humanities 11 (3): 61-81. 2006.
    Jacques Lacan
  • Forthcoming - Phantoms of Inconsistency: Badiou, Žižek and Lacan on Repetition"
    International Journal of Žižek Studies 1 (2). 2007.
    In this article I aim at analysing Žižek's recent critique of Badiou's notion of repetition with regard to the political subject. Furthermore, it is my intention to show that Žižek's own arguments should in their turn be supplemented with a detailed consideration of the function of repetition in Lacan's notion of the fundamental fantasy. This will finally allow me to indicate how, leaving aside the specific question of political subjectivization, it is only by means of a psychoanalytic approach …Read more
    In this article I aim at analysing Žižek's recent critique of Badiou's notion of repetition with regard to the political subject. Furthermore, it is my intention to show that Žižek's own arguments should in their turn be supplemented with a detailed consideration of the function of repetition in Lacan's notion of the fundamental fantasy. This will finally allow me to indicate how, leaving aside the specific question of political subjectivization, it is only by means of a psychoanalytic approach to repetition that, more generally, we can identify the limits of Badiou's metaontological notion of the "phantom of inconsistency"
    Zizek: Political PhilosophyZizek: PsychoanalysisZizek, Misc
  •  121
    Tragic transgression and symbolic re-inscription
    Angelaki 11 (2). 2006.
    Value Theory
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