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744ΙΟΡΔΑΝΗΣ ΜΠΡΟΥΝΟ. Ο ΠΡΟΦΗΤΗΣ ΤΟΥ ΑΠΕΙΡΟΥ ΣΥΜΠΑΝΤΟΣ (edited book)The Giordano Bruno Society. 2014.Μια εικονογραφημένη μονογραφία για τη ζωή και τη σκέψη του μεγάλου φιλοσόφου, που κάηκε στην πυρά από την Καθολική Ιερή Εξέταση για τις επαναστατικές του ιδέες, προάγγελους της σύγχρονης επιστήμης. Μετάφραση στην ελληνική: Στέφανος Αλκ. Παϊπέτης.
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1078“I will tell the truth”. Interviewing Giordano Brunola Biblioteca di Via Senato (6): 51-54. 2013.Bellarmino was not the actual executioner of the Nolan.
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1399Giordano Bruno, or "the pleasure of dispute".la Biblioteca di Via Senato (3): 57-64. 2013.Giordano Bruno's copy of Camoeracensis Acrotismus from Prague.
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3762Giordano Bruno and the enigma of archetypesla Biblioteca di Via Senato (6): 28-31. 2014.The mystery of the images and an unknown book.
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822Titano della tua preziosa Nolala Biblioteca di Via Senato 2 28-31. 2017.Valens Acidalius, cantore di Giordano Bruno. La testimonianza della grandezza del Nolano, nell'appassionato epigramma di un suo devoto allievo.
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712Hippocrates' complaintla Biblioteca di Via Senato (9): 04-09. 2015.The fascinating Journey of the Renaissance Medicine.
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904Giordano Bruno e l'enigma degli archetipila Biblioteca di Via Senato (6): 28-31. 2014.Il mistero delle immagini e un libro sconosciuto.
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731A new Giordano Bruno's autograph (edited book)Di Renzo. 2008.A NEW, ORIGINAL GIORDANO BRUNO'S AUTOGRAPH, IN THE PRAGUE'S COPY OF CAMOERACENSIS ACROTISMUS. Extract from "The dispute of Cambrai. Camoeracensis Acrotismus" edited by Guido del Giudice, publ. Di Renzo, Rome 2008.
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821"Io dirò la verità". Intervista a Giordano Brunola Biblioteca di Via Senato (6): 51-54. 2013.Non fu Bellarmino il vero carnefice del Nolano.
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840Giordano Bruno, Rabelais e Apollonio di Tiana. (edited book)Di Renzo. 2006.Regarding the influence of Francois Rabelais on the Giordano Bruno’s works, up to now the criticism have only taken into consideration the lexical and thematic analogies. This article individualizes, in a passage of the "Oratio Valedictoria", a literal quotation from the Gargantua et Pantagruel , showing that Rabelais was adirect source of inspiration for Bruno. The protagonist of the passage is the pythagorean Apollonius of Tyana, a character well known from the Nolan, who mentioned him in man…Read more
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University of Naples Federico IISezione di Filosofia
Areas of Specialization
| Medieval and Renaissance Philosophy |
| Philosophy, Misc |
Areas of Interest
| Medieval and Renaissance Philosophy |
| European Philosophy |
| Philosophy, Misc |