Oded Balaban

The Straniak Philosophy Prize 1995 awarded by the Hermann and Marianne Straniak Foundation Sarnen/Switzerland This book explores Eastern and Western ideas of freedom and reveals the essential differences, as well as similarities, between Eastern and Western cultural values. Inspired by an ancient Greek myth recounted by Protagoras, the authors suggest that three important values tend to motivate human activity: achieving pleasure, achieving results, and obeying moral law. Then, drawing on intellectual sources ranging from traditional Hinduism to modern existentialism, the authors proceed to show how these values - pleasure, efficiency, and morality - determine the idea of freedom as it appears in various philosophical systems of East and West. In the course of their analysis, the idea of freedom is itself emancipated from the usual kinds of cultural boundaries that have so often limited both its usefulness and its timeliness.

Are human beings antithetical in nature? Is there a radical difference between pleasure, efficiency, and moral good, or is the conflict only imaginary? These have traditionally been considered the central questions of Plato's most vivid dialogue, the Protagoras. Many interpreters have seen this dialogue as a confrontation between the moralist and the relativist. This dichotomy is manifest when Plato and Protagoras discuss theoretical questions concerning either knowledge of facts or knowledge of values. Through a careful examination of the text, specifically of practical questions about values, Oded Balaban breaks with tradition by concluding that Plato and Protagoras do not exemplify characteristic moralism or relativism at all. He finds that the issue at the crux of the discussion is instead that of the criterion for knowledge and valuation; the Protagoras thus describes the search for a standard by which anything may be known and valued. Balaban applies the fundamental question of standards to that of the entire field of rhetoric: Should a discourse be short or long, simple or complex? What is the standard for conducting literary criticism? The author's revolutionary approach to the Protagoras also involves a study of the myth of Protagoras and situates the dialogue within its framework.

Commentators do not take Socrates’ theses in the Hippias Minor seriously. They believe it is an aporetic dialogue and even that Socrates does not mean what he says. Hence they are unable to understand the presuppositions behind Socrates’ two interconnected theses: that those who do wrong and lie voluntarily are better than those who do wrong unintentionally, and that no one does wrong and lies voluntarily. Arguing that liars are better than the unenlightened, Socrates concludes that there are no liars. Instead, there are only those who know and those who don’t. The unenlightened cannot lie, and alien volitions, desires, or emotions are unlikely to mislead and deceive those who know, i. e., the wise. Why, then, is a thinker like Socrates ready to defy the experience and moral convictions of his contemporaries and even our own to such an extent?