Oded Balaban

The Straniak Philosophy Prize 1995 awarded by the Hermann and Marianne Straniak Foundation Sarnen/Switzerland This book explores Eastern and Western ideas of freedom and reveals the essential differences, as well as similarities, between Eastern and Western cultural values. Inspired by an ancient Greek myth recounted by Protagoras, the authors suggest that three important values tend to motivate human activity: achieving pleasure, achieving results, and obeying moral law. Then, drawing on intellectual sources ranging from traditional Hinduism to modern existentialism, the authors proceed to show how these values - pleasure, efficiency, and morality - determine the idea of freedom as it appears in various philosophical systems of East and West. In the course of their analysis, the idea of freedom is itself emancipated from the usual kinds of cultural boundaries that have so often limited both its usefulness and its timeliness.

Are human beings antithetical in nature? Is there a radical difference between pleasure, efficiency, and moral good, or is the conflict only imaginary? These have traditionally been considered the central questions of Plato's most vivid dialogue, the Protagoras. Many interpreters have seen this dialogue as a confrontation between the moralist and the relativist . This dichotomy is manifest when Plato and Protagoras discuss theoretical questions concerning either knowledge of facts or knowledge of values. Through a careful examination of the text, specifically of practical questions about values, Oded Balaban breaks with tradition by concluding that Plato and Protagoras do not exemplify characteristic moralism or relativism at all. He finds that the issue at the crux of the discussion is instead that of the criterion for knowledge and valuation; the Protagoras thus describes the search for a standard by which anything may be known and valued. Balaban applies the fundamental question of standards to that of the entire field of rhetoric: Should a discourse be short or long, simple or complex? What is the standard for conducting literary criticism? The author's revolutionary approach to the Protagoras also involves a study of the myth of Protagoras and situates the dialogue within its framework.

In the passage from the Enneads devoted to discussing and defining the nature of time, it is written that first one must experience eternity, which, as everyone knows, is the model and archetype of time. This initial warning, which is especially serious because we trust in its sincerity, appears to wipe out all hope of finding common ground with its author.Jorge Luis Borges, History of EternitySo let us leave the Platonists to wander off down a blind alley. Poor simpletons, they think they will find the secret of discourse about time in the link with eternity. Whereas I, who am powerless in the face of eternity, would prefer to ask: what link can be retained, in discourse about time, between past, present, and future? If there is some link, can the three kinds of time break free of their mutual bonds? Can predicting the future, a time that will be but has never existed before, be disconnected from what determines the future as a product of what already exists and what has already existed? Can the past be what it once was or will it always be what each age decides it should have been?