Kalevi Kull

Juri Lotman wrote, in Russian, a book Непредсказуемые механизмы культуры — the unpredictable mechanisms of culture. Its English translator, Brian Baer, preferred to translate the title as The Unpredictable Workings of Culture . He had a reason for this — many scholars tend to refuse the term ‘mechanism’ for the phenomena of meaning-making. However, there exist quite clear cultural differences in this opinion. For instance in Russian, ‘mechanisms’ are understood so broadly that there is no question to use the term for purely mental creations; the case is similar in German, in Estonian, and in several other languages. It seems that the applicability of this term to culture is correlated with the usage of the term ‘science’. In Russian, in German, and in Estonian, the humanities are sciences , while the English-language tradition tends to separate the humanities from the sciences. However, the latter h ..

The article gives a historical overview of the institutional development of semiotics in Estonia during two centuries, and describes briefly its current status. The key characteristics of semiotics in Estonia include: seminal role of two world-level classics of semiotics from the University of Tartu, Juri Lotman and Jakob von Uexküll; the impact of Tartu–Moscow school of semiotics, with a series of summer schools in Kääriku in 1960s and the establishment of semiotic study of culture; the publication of the international journal Sign Systems Studies, since 1964; the development of biosemiotics, notably together with colleagues from Copenhagen; teaching semiotics as a major in bachelor, master, and doctoral programs in the University of Tartu, since 1994; a plurality of institutions — in addition to the Department of Semiotics in the University of Tartu, several supporting semiotic institutions have been established since 1990s; and a wide scope of research in various branches of semiotics, including theoretical studies, empirical studies, and applied semiotics projects on governmental and other request.

This article poses the hypothesis that the problem of the intrinsic value of nature that stems from the work of G. E. Moore and is widely discussed in environmental philosophy, bas a parallel in a contemporary discussion in semiotics on the existence of semiosis in nature. From a semiotic point of view. value can be defined as an intentional dimension of sign. This is concordant with a biological interpretation of value that relates to biological needs. Thus. a semiotic approach in biology may provide a useful tool for further analysis of the intrinsic value problem in the biological realm. From an ecosemiotic point of view, the problem is also related to the concepts of bioart and ecoart. Ecoart viz environmental art is that which encompasses the human ambience, e.g., landscape or its components. Bioart call be defined as the art whose material ("clay") is a living body, living matter or communication of organisms (which may include, e.g., genetic engineering). It is concluded that the acceptance of biosemiotic view has implications for a large area of ecological philosophy.