John Caputo

In 15 insightful essays, Jacques Derrida and an international group of scholars of religion explore postmodern thinking about God and consider the nature of forgiveness in relation to the paradoxes of the gift. Among the themes addressed by contributors are the possibilities of imagining God as unthinkable, imagining God as non-patriarchal, imagining a return to Augustine, and imagining an age in which praise is far more important than narrative. Questioning God moves readers beyond the parameters of metaphysical reason and modernist rationality as it attempts to think the questions of God and forgiveness in a postmodernist context. Contributors include John D. Caputo, Jacques Derrida, Mark Dooley, Francis Schüssler Fiorenza, Robert Gibbs, Jean Greisch, Kevin Hart, Richard Kearney, Cleo McNelly Kearns, John Milbank, Regina M. Schwartz, Michael J. Scanlon, and Graham Ward. Indiana Series in the Philosophy of Religion—Merold Westphal, general editor.

The introduction by Merold Westphal sets the scene: "Two books, two visions of philosophy, two friends and sometimes colleagues...". Modernity and Its Discontents is a debate between Caputo and Marsh in which each upheld their opposing philosphical positions by critical modernism and post-modernism. The book opens with a critique of each debater of the other's previous work. With its passionate point-counterpoint form, the book recalls the philosphical dialogues of classical times, but the writing style remains lucid and uncluttered. Taking the failure of Englightenment ideals as their common ground, the debaters challenge each other's ideas on the nature of post-foundationalist critique. At the core of the argument lies the timely question of the role that each person can play in creating a truly humane society

Pushing past the constraints of postmodernism which cast "reason" and"religion" in opposition, God, the Gift, and Postmodernism, seizes the opportunity to question the authority of "the modern" and open the limits of possible experience, including the call to religious experience, as a new millennium approaches. Jacques Derrida, the father of deconstruction, engages with Jean-Luc Marion and other religious philosophers to entertain questions about intention, givenness, and possibility which reveal the extent to which deconstruction is structured like religion. New interpretations of Kant, Heidegger, Husserl, and Derrida emerge from essays and discussions with distinguished philosophers and theologians from the United States and Europe. The result is that God, the Gift, and Postmodernism elaborates a radical phenomenology that stretches the limits of its possibility and explores areas where philosophy and religion have become increasingly and surprisingly convergent. Contributors include: John D. Caputo, John Dominic Crossan, Jacques Derrida, Robert Dodaro, Richard Kearney, Jean-Luc Marion, Frangoise Meltzer, Michael J. Scanlon, Mark C. Taylor, David Tracy, Merold Westphal and Edith Wyschogrod.

Applying an ever more radical hermeneutics, John D. Caputo breaks down the name of God in this irrepressible book. Instead of looking at God as merely a name, Caputo views it as an event, or what the name conjures or promises in the future. For Caputo, the event exposes God as weak, unstable, and barely functional. While this view of God flies in the face of most religions and philosophies, it also puts up a serious challenge to fundamental tenets of theology and ontology. Along the way, Caputo’s readings of the New Testament, especially of Paul’s view of the Kingdom of God, help to support the "weak force" theory. This penetrating work cuts to the core of issues and questions—What is the nature of God? What is the nature of being? What is the relationship between God and being? What is the meaning of forgiveness, faith, piety, or transcendence?—that define the terrain of contemporary philosophy of religion.

A pós-modernidade sublinha o papel produtivo da diferença, em oposição à predilecção "moderna" ou do Iluminismo pela universalidade, comunalidade, consenso, bem como por aquilo que os modernos chamam "racionalidade". Segundo o autor do artigo, existem duas variedades distintas desta filosofia da diferença, dependendo de qual predecessor do século XIX – Nietzsche ou Kierkegaard – se prefere, de modo que o artigo distingue entre um pós-modernismo "dionisíaco" e outro de carácter mais "profético". A maioria das objecções que se fazem contra o pós-modernismo têm em conta a versão dionisíaca do mesmo, falhando em larga medida a sua visão, ou dimensão, profética. A linha de objecções levantada contra os pós-modernistas - relativismo, subjectivismo, cepticismo, anarquismo, antinomianismo, anti-institucionalismo, niilismo e desespero - deriva fundamentalmente da versão do pós-modernismo de inspiração nietzschiana. Segundo o autor, se todas ou a maioria destas objecções fossem válidas, o pós-modernismo deveria ser denunciado como inimigo de Deus e da religião. Assim, muito embora estas queixas possam ser pertinentes no que se refere à versão dionisíaca do pós-modernismo, no que se refere à sua versão profética, elas são falsas e ignoram a sua proveniência religiosa e até bíblica. /// Postmodernism emphasizes the productive role of difference, as opposed to the "modern" or Enlightenment predilection for universality, commonality, consensus, and what modernists call "rationality" There are two different varieties of this philosophy of difference, depending on which of its two nineteenth century predecessors – Nietzsche or Kierkegaard – one favors, which I call "Dionysian" and "prophetic" postmodernism. Most of the objections that are made against postmodernism have in mind the Dionysian version, but they fall wide of the mark of the prophetic version. The line of objections raised against postmodernists – relativism, subjectivism, scepticism, anarchism, antinomianism, anti-institutionalism, nihilism, and despair – takes its lead from the Nietzscheanized version of postmodernism. Clearly, were all or most of these objections valid it would be as rightly denounced as inimical to God and religion. These complaints may hold of its Dionysian version; they are, as regards the second or prophetic version, false and ignore its religious and even biblical provenance.

HEIDEGGER COULD NEVER RESIST A GOOD STORY. He could never resist giving what he had discovered about alëtheia and the oblivion of Being a narrative form. In Being and Time we were promised a story--which was to be written backwards--of the "destruction of the history of ontology." Beginning at the end, with Kant, it was to feel its way back through the tradition in a deconstructive gesture, looking for what had all along been blocking the discovery of the temporal meaning of Being which had at last begun to emerge in Kant. In the later works this story is considerably recast. Again, the vantage point is the end, but now the end is the age of the Gestell, the enframing, the "end of philosophy," which holds us all in its grip. The end is not conceived as a modern breakthrough but as an eschaton, a dead end into which the West has run. The task of thought is to make its way back into the primordial "Beginning" in order to recapture that fleeting moment which will make it possible for us today to begin anew, to make the present into an "authentic" end, which means a transition to another beginning.