John Caputo

Transcendence and Beyond poses the classical questions of transcendence in a postmodern setting. Do we need a transcendence that is ever more beyond or should we put transcendence behind us altogether? Is it the case that, when seen in a postmodern light, transcendence must be itself transcended? In this thought-provoking volume, Jean-Luc Marion, Gianni Vattimo, and a distinguished group of international philosophers and theologians interrogate transcendence for today’s philosophy of religion. The essays gathered here examine notions of transcendence to assess its relevance and meaning in a postmodern context as well as to determine how it might be usefully refitted. Various subthemes, such as creation, love, religious language, the question of the impossible and that of becoming, emerge with a new definition of transcendence. Poised at the intersection of philosophy and religion, these reflections provide a benchmark for renewed consideration of this classic philosophical and religious theme.

"This is a remarkable book: wide-ranging, resonant, and well-written; it is also reflective and personable, warm and engaging." —Philosophy and Literature "With this book Caputo takes his place firmly as the foremost American, continental post-modernist... " —International Philosophical Quarterly "One cannot but be impressed by the scope of Radical Hermeneutics." —Man and World "Caputo’s study is stunning in its scope and scholarship." —Robert E. Lauder, St. John’s University, The Thomist For John D. Caputo, hermeneutics means radical thinking without transcendental justification: attending to the ruptures and irregularities in existence before the metaphysics of presence has a chance to smooth them over. Radical Hermeneutics forges a closer collaboration between hermeneutics and deconstruction than has previously been attempted.

ALTHOUGH hailed as a sign of a thaw in the cold war between Anglo-American and continental philosophy, Richard Rorty's beguiling appropriation of the thought of Heidegger in his recent writings has produced no small measure of confusion. How seriously, one wonders, has Rorty moved towards Heidegger? Or contrariwise, just how close does Heidegger come to saying the sorts of things Rorty does? Is Rorty just trying to shock the Anglo-American community by invoking the name of Heidegger? Is he being intentionally outrageous in order to draw attention to what he takes to be the more sober part of his argument? Is there only a grain of truth to this assimilation of Heidegger, while the real positions of the two thinkers are vastly different?

The issue of the institution is not addressed systematically anywhere in the literature on Foucault, although it is everywhere to be found in Foucault's writings._ Foucault and the Critique of Institutions_ not only interprets the work of Foucault but also applies it to the question of the institution. Foucault is a master at analyzing the web of social relations that effectively shape the modern individual. While these social relations are smaller and finer than institutions, institutions are, by Foucault's account, saturated with such relations. This study is the first sustained account to follow up the implications of Foucault's provocative theses about power for the analysis of institutions. _Foucault and the Critique of Institutions _offers a set of preliminary essays that raise basic questions about the theoretical character of Foucault's thought and then several groups of other essays that go on to take up the practical issues raised by his work. Joseph Margolis and Jitendra Mohanty address one of the most complex problems posed by Foucault's texts: his status as a philosopher. Mark Poster explores the problem of the "self" in Foucault, while Judith Butler focuses her searching investigation of the self on its gendered nature. Joseph Rouse examines the functioning of the natural sciences within the institutional setting of the university and the academic profession, while Chuck Dyke and Mary Schmelzer present vigorous critiques of the normalizing power of the university. Robert Moore and Mark Yount offer original studies of the implications of Foucault's work for the workplace, labor law, and affirmative action. Finally, John Caputo studies Foucault's famous history of madness and raises the question of the possibility of exercising a "healing" and not merely a "normalizing" power in the mental hospital and the church.

Using Kierkegaard’s Works of Love, I advocate a theory of interpretation as a conversation with the dead, of the same sort Kierkegaard was practicing in the last discourse of his book. I do not mean reading the works of dead white European males, but looking at things from the perspective of the grave where, as Kierkegaard says, we are all equal before God. I will maintain that the creative conflict of interpretations arises from the ambiguity of this conversation, from the difficulty we have in making out just what the dead are saying, which I will relate to what Derrida calls the absolute “secret.” Whence the Derridean idea that only as “hauntology” is hermeneutics possible. I insert the interpretation of religious faith within this hauntological hermeneutical framework.

The introduction by Merold Westphal sets the scene: "Two books, two visions of philosophy, two friends and sometimes colleagues...". Modernity and Its Discontents is a debate between Caputo and Marsh in which each upheld their opposing philosphical positions by critical modernism and post-modernism. The book opens with a critique of each debater of the other's previous work. With its passionate point-counterpoint form, the book recalls the philosphical dialogues of classical times, but the writing style remains lucid and uncluttered. Taking the failure of Englightenment ideals as their common ground, the debaters challenge each other's ideas on the nature of post-foundationalist critique. At the core of the argument lies the timely question of the role that each person can play in creating a truly humane society

In 15 insightful essays, Jacques Derrida and an international group of scholars of religion explore postmodern thinking about God and consider the nature of forgiveness in relation to the paradoxes of the gift. Among the themes addressed by contributors are the possibilities of imagining God as unthinkable, imagining God as non-patriarchal, imagining a return to Augustine, and imagining an age in which praise is far more important than narrative. Questioning God moves readers beyond the parameters of metaphysical reason and modernist rationality as it attempts to think the questions of God and forgiveness in a postmodernist context. Contributors include John D. Caputo, Jacques Derrida, Mark Dooley, Francis Schüssler Fiorenza, Robert Gibbs, Jean Greisch, Kevin Hart, Richard Kearney, Cleo McNelly Kearns, John Milbank, Regina M. Schwartz, Michael J. Scanlon, and Graham Ward. Indiana Series in the Philosophy of Religion—Merold Westphal, general editor.