John Caputo

The Insistence of God presents the provocative idea that God does not exist, God insists, while God’s existence is a human responsibility, which may or may not happen. For John D. Caputo, God’s existence is haunted by "perhaps," which does not signify indecisiveness but an openness to risk, to the unforeseeable. Perhaps constitutes a theology of what is to come and what we cannot see coming. Responding to current critics of continental philosophy, Caputo explores the materiality of perhaps and the promise of the world. He shows how perhaps can become a new theology of the gaps God opens

Pushing past the constraints of postmodernism which cast "reason" and"religion" in opposition, God, the Gift, and Postmodernism, seizes the opportunity to question the authority of "the modern" and open the limits of possible experience, including the call to religious experience, as a new millennium approaches. Jacques Derrida, the father of deconstruction, engages with Jean-Luc Marion and other religious philosophers to entertain questions about intention, givenness, and possibility which reveal the extent to which deconstruction is structured like religion. New interpretations of Kant, Heidegger, Husserl, and Derrida emerge from essays and discussions with distinguished philosophers and theologians from the United States and Europe. The result is that God, the Gift, and Postmodernism elaborates a radical phenomenology that stretches the limits of its possibility and explores areas where philosophy and religion have become increasingly and surprisingly convergent. Contributors include: John D. Caputo, John Dominic Crossan, Jacques Derrida, Robert Dodaro, Richard Kearney, Jean-Luc Marion, Frangoise Meltzer, Michael J. Scanlon, Mark C. Taylor, David Tracy, Merold Westphal and Edith Wyschogrod

A pós-modernidade sublinha o papel produtivo da diferença, em oposição à predilecção "moderna" ou do Iluminismo pela universalidade, comunalidade, consenso, bem como por aquilo que os modernos chamam "racionalidade". Segundo o autor do artigo, existem duas variedades distintas desta filosofia da diferença, dependendo de qual predecessor do século XIX – Nietzsche ou Kierkegaard – se prefere, de modo que o artigo distingue entre um pós-modernismo "dionisíaco" e outro de carácter mais "profético". A maioria das objecções que se fazem contra o pós-modernismo têm em conta a versão dionisíaca do mesmo, falhando em larga medida a sua visão, ou dimensão, profética. A linha de objecções levantada contra os pós-modernistas - relativismo, subjectivismo, cepticismo, anarquismo, antinomianismo, anti-institucionalismo, niilismo e desespero - deriva fundamentalmente da versão do pós-modernismo de inspiração nietzschiana. Segundo o autor, se todas ou a maioria destas objecções fossem válidas, o pós-modernismo deveria ser denunciado como inimigo de Deus e da religião. Assim, muito embora estas queixas possam ser pertinentes no que se refere à versão dionisíaca do pós-modernismo, no que se refere à sua versão profética, elas são falsas e ignoram a sua proveniência religiosa e até bíblica. /// Postmodernism emphasizes the productive role of difference, as opposed to the "modern" or Enlightenment predilection for universality, commonality, consensus, and what modernists call "rationality" There are two different varieties of this philosophy of difference, depending on which of its two nineteenth century predecessors – Nietzsche or Kierkegaard – one favors, which I call "Dionysian" and "prophetic" postmodernism. Most of the objections that are made against postmodernism have in mind the Dionysian version, but they fall wide of the mark of the prophetic version. The line of objections raised against postmodernists – relativism, subjectivism, scepticism, anarchism, antinomianism, anti-institutionalism, nihilism, and despair – takes its lead from the Nietzscheanized version of postmodernism. Clearly, were all or most of these objections valid it would be as rightly denounced as inimical to God and religion. These complaints may hold of its Dionysian version; they are, as regards the second or prophetic version, false and ignore its religious and even biblical provenance.

HEIDEGGER COULD NEVER RESIST A GOOD STORY. He could never resist giving what he had discovered about alëtheia and the oblivion of Being a narrative form. In Being and Time we were promised a story--which was to be written backwards--of the "destruction of the history of ontology." Beginning at the end, with Kant, it was to feel its way back through the tradition in a deconstructive gesture, looking for what had all along been blocking the discovery of the temporal meaning of Being which had at last begun to emerge in Kant. In the later works this story is considerably recast. Again, the vantage point is the end, but now the end is the age of the Gestell, the enframing, the "end of philosophy," which holds us all in its grip. The end is not conceived as a modern breakthrough but as an eschaton, a dead end into which the West has run. The task of thought is to make its way back into the primordial "Beginning" in order to recapture that fleeting moment which will make it possible for us today to begin anew, to make the present into an "authentic" end, which means a transition to another beginning.

ALTHOUGH hailed as a sign of a thaw in the cold war between Anglo-American and continental philosophy, Richard Rorty's beguiling appropriation of the thought of Heidegger in his recent writings has produced no small measure of confusion. How seriously, one wonders, has Rorty moved towards Heidegger? Or contrariwise, just how close does Heidegger come to saying the sorts of things Rorty does? Is Rorty just trying to shock the Anglo-American community by invoking the name of Heidegger? Is he being intentionally outrageous in order to draw attention to what he takes to be the more sober part of his argument? Is there only a grain of truth to this assimilation of Heidegger, while the real positions of the two thinkers are vastly different?

In dit stimulerende en diepgravende boek onderzoekt John D. Caputo het religieuze denken. Tijdens dit onderzoek komen fascinerende vragen aan de orde: 'Wat heb ik lief als ik God liefheb?' en 'Wat heeft Star Wars ons te zeggen over de huidige beleving van religie?' (proberen we altijd een manier te vinden om te zeggen: 'God zij met je'?) Waarom betekent religie voor zoveel mensen een moreel houvast in een postmoderne, nihilistische tijd? Is het mogelijk om 'religie zonder religie' te hebben? Via een bespreking van enkele huidige beelden van religie, zoals Robert Duvall's film The Apostle , biedt Caputo ook een aantal fascinerende en originele inzichten in religieus fundamentalisme