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Tom Stern

University College London
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  •  Publications
    34
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 More details
  • University College London
    Department of Philosophy
    Regular Faculty
Cambridge University
Faculty of Philosophy
PhD, 2010
Homepage
Areas of Specialization
19th Century German Philosophy
Friedrich Nietzsche
Arthur Schopenhauer
Aesthetics
Philosophy of Literature
Areas of Interest
Aesthetics
European Philosophy
19th Century German Philosophy
Friedrich Nietzsche
Arthur Schopenhauer
Philosophy of Literature
1 more
  • All publications (34)
  •  207
    Theatre and Philosophy The Art of Theater, by James R. Hamilton. Oxford: Blackwell, 2007, xv + 226 pp. ISBN 978‐1‐4051‐1353‐3 hb £21.99 The Necessity of Theater, by Paul Woodruff. Oxford: Oxford University Press, 2008, xiii + 257 pp. ISBN 978‐0‐19‐533200‐1 hb £17.99; ISBN 978‐0‐19‐539480‐1 pb £10.99 The Drama of Ideas, by Martin Puchner. Oxford: Oxford University Press, 2010, xii + 254 pp. ISBN 978‐0‐19‐973032‐2 hb £19.99 Philosophers and Thespians: Thinking Performance, by Freddie Rokem. Stanford, CA: Stanford University Press, 2010, xi + 227 pp. ISBN 978‐0‐8047‐6349‐3 hb $60.00; ISBN 978‐0‐8047‐6350‐9 pb $21.95 (review)
    European Journal of Philosophy 21 (1): 158-167. 2013.
    TheatreAesthetics, MiscellaneousPhilosophy of Visual ArtTopics in AestheticsPhilosophy of Literature…Read more
    TheatreAesthetics, MiscellaneousPhilosophy of Visual ArtTopics in AestheticsPhilosophy of Literature, Misc
  •  1538
    Nietzsche, Freedom and Writing Lives
    Arion 17 (1): 85-110. 2009.
    Nietzsche writes a great deal about freedom throughout his work, but never more explicitly than in Twiling of the Idols, a book he described as 'my philosophy in a nutshell'. This paper offers an analysis of Nietzsche's conception freedom and the role it plays within Twilight.
    Friedrich NietzscheContinental Metaphysics
  •  1564
    History Plays as History
    Philosophy and Literature 36 (2): 285-300. 2012.
    Now that she is old enough to be taken to boring, so-called “cultural” events by her aging, academic relatives, we have just taken Anya to see a performance of Julius Caesar. When it’s over, we discuss the acting, the poetry, the famous lines. At some point, Anya asks: “I wonder if it happened like that?” Anya has not radically misunderstood what we just watched; she did not, for example, rush down and yell at Caesar that he’d better read that scroll. Her question is not uncommon as a response t…Read more
    Now that she is old enough to be taken to boring, so-called “cultural” events by her aging, academic relatives, we have just taken Anya to see a performance of Julius Caesar. When it’s over, we discuss the acting, the poetry, the famous lines. At some point, Anya asks: “I wonder if it happened like that?” Anya has not radically misunderstood what we just watched; she did not, for example, rush down and yell at Caesar that he’d better read that scroll. Her question is not uncommon as a response to a history play, from audience members both young and old. It is perfectly intelligible; I would like to give her an answer. Before I sketch some possible answers, it is worth saying something more about Anya’s.
    PoetryTheaterFictionPhilosophy of HistoryTheatre
  •  67
    The New Cambridge Companion to Nietzsche (edited book)
    Cambridge University Press. 2019.
    Friedrich Nietzsche remains one of the most challenging, influential and controversial figures in the history of philosophy. The New Cambridge Companion to Nietzsche provides a comprehensive and up-to-date guide to his most difficult ideas, including the will to power and the affirmation of life, as well as his treatment of truth, science, art and history. An accessible introduction sets out the nineteenth-century background of Nietzsche's life and work. Individual chapters are devoted to signif…Read more
    Friedrich Nietzsche remains one of the most challenging, influential and controversial figures in the history of philosophy. The New Cambridge Companion to Nietzsche provides a comprehensive and up-to-date guide to his most difficult ideas, including the will to power and the affirmation of life, as well as his treatment of truth, science, art and history. An accessible introduction sets out the nineteenth-century background of Nietzsche's life and work. Individual chapters are devoted to significant texts such as The Birth of Tragedy, Thus Spoke Zarathustra, Beyond Good and Evil and The Genealogy of Morality. Other chapters explore major influences such as Wagner and Schopenhauer, as well as examining Nietzsche's reception and investigating his enduring and often divisive legacy. The volume will be valuable for readers seeking to enhance their understanding of Nietzsche's philosophy and of his role in the development of Western thought.
    Friedrich Nietzsche
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