Ronnie Littlejohn

This essay is an overview of the role of Heaven in Daoist religious thought prior to the Tang Dynasty. Lao-Zhuang teachings portray Heaven as helper of the perfected person, who has parted with the human and thereby evinces a heavenly light. The Huainanzi compares possessing Heaven’s Heart to leaning on an unbudgeable pillar and drawing on an inexhaustible storehouse, enabling one to shed mere humanity as a snake discards its skin. The Heguanzi homologizes Heaven and Taiyi and by the Six Dynasties period some Daoist canonical sources give the face of Laojun to Heaven/Taiyi, increasing the anthropomorphization of Heaven.

"China has 'arrived,' and Ronnie Littlejohn helps us know this antique culture better. In his entirely accessible introduction, Littlejohn has done the academy the timely service of resourcing the best contemporary research in sinology to tell the compelling story of a living Confucianism as it has meandered through the dynasties to flow down to our present time." -- Roger T. Ames, Professor of Philosophy, University of Hawai’i "Although basically intended as an introductory text for undergraduates, this book is equally a very useful one for everyone with a serious interest in things sinological to have on their bookshelves. Littlejohn has surveyed well the modern Western scholarship on the manifold dimensions of the Confucian persuasion from its earliest beginnings to the present, and proffers it to the reader in a clearly written and commendably balanced narrative, complete with notes, references, and a working bibliography for further studies of this ancient but still vibrant philosophical and religious tradition we know as 'Confucianism'." —Henry Rosemont, Jr, George B & Wilma Reeves Distinguished Professor of the Liberal Arts Emeritus, St Mary’s College of Maryland, and Visiting Professor of Religious Studies, Brown University

"Littlejohn organizes his introduction around the central metaphor of a spreading kudzu vine, whose roots, trunk, stalks, branches, and leaves grow beneath, in, around, and over the vast and complex terrain of Chinese culture. He does a marvellous job exploring the origins, developments, and transformations of Daoism by guiding readers through canonical texts, across historical contexts, and around expressions of Daoism in fine art, popular symbols, literature, ritual, and other forms of material culture. The result is a masterful and comprehensive introduction to this protean, venerable, and vital tradition that will engage and enlighten novices and experts alike and delight anyone interested in Chinese religion, philosophy, or culture."--Philip J. Ivanhoe, Reader-Professor of Philosophy, City University of Hong Kong